Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
I will be making more.
The Island of Manhattan, with its three pillars: WTC 1, 2 and 7.
The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.
Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.
I did a piece connecting the Grail to Mary and aliens here:
Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)
The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.
Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.
Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).
Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.
Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.
Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.
One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!
Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st century interstellar war between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon').
http://en.wikipedia.org/wiki/Enemy_Mine
We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.
A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).
The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.
It was visible in the northern hemisphere near Venus...
http://en.wikipedia.org/wiki/Comet_McNaught
Part 1 of this series dealt with Orson Welles.
Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).
The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)
Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147)
It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.
For more controversial info online about space anomalies and NASA cover-ups try:
Researcher Richard Hoagland, a popularizer of the Face on Mars hypothesis and a veteran of the field at his websight:
http://www.enterprisemission.com/
Goro Adachi, a major personal influence of mine and master 'sync searcher' also has much to say about Mars and NASA:
http://www.goroadachi.com/etemenanki/
Some interesting and relevant Mars related links from Etemenanki:
http://www.goroadachi.com/etemenanki/sc2012-1.htm
http://www.goroadachi.com/etemenanki/mars-hiddencolors.htm
A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such:
The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be:
*Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt.
http://metaresearch.org/solar%20system/eph/eph2000.asp
*Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.
Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...
Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.
Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.
Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns?
http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html
If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.
The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi.
Goro on Mars-Sphinx, WTC and Iraq:
http://www.goroadachi.com/etemenanki/lucifer-timecode.htm
Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...
Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.
Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747".
"If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.
The Pentagon, in the new Mars resonating "Transformers" film.
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?
I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon.
http://www.taroscopes.com/webstream/webstream_startpage.html
How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:
The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun.
http://www.bob-wonderland.supanet.com/conspiracy_7c.htm
Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.
A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...
As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!
So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.
The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
http://www.goroadachi.com/etemenanki/rex-deux.htm
Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.
As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.
As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?
We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!
Online photos of the D&M pyramid and the tunnel/hole:
http://www.mactonnies.com/dmphotos.html
Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.
An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.
Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis.
In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361)
This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).
The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".
Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.
The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.
Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.
Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...
The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?
Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.
"At its middle, the tower forms a perfect octagon."
Freedom Tower -Wikipedia
Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':
Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...
...we can all live together in unity and love...
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
I will be making more.
Thanks again Greg!
(Click on image to enlarge)
A still from an early scene in "National Treasure" starring "World Trade Center's" leading man, Nicholas Cage. Notice, if you please, the incomplete pyramid with missing capstone in the image above.
Remember that the three buildings felled on 9/11 were intended to invoke the three Great Pyramids of Giza. http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html
George W. Bush, Prime Minister Stephen Harper and Mexican President Vicente Fox.
Significantly, we find Aleister's grand-son, "Moonchild" Bush, cavorting around an ancient pyramid in Mexico in March of 2006. Given his possible ancestral lineage as grand-son of Aleister Crowley as well as being the reigning president during the pyramid ritual of 9/11, this incident gains a suspicious occult resonance.
"Harper, Bush and Mexican President Vicente Fox are meeting over two days in a special summit to promote North American unity." (Note the suggestive use of the term summit) http://www.cbc.ca/world/story/2006/03/30/newsummit-cancun060330.html
Does this feed into a developing emergent theory about the president of the "most powerful country on Earth" and dynastic secret societies carefully influencing and manipulating succession of power? Is George W. Bush part of a conspiracy spanning the ages involving the most prolific occultists, Aleister Crowley and somehow, the ever mysterious pyramids? Is it the strange attractor of destiny that pulls men of great influence through the zig-zag of time and space in such bizarre ways, the interaction of forces which they themselves do not understand and might not be aware of? I suggest a mixture of both. Certainly evidence of both a directed conspiracy and a universe with subtle underlying intentions (not to mention a fantastic sense of humour!) can be found in abundance.
If I am right and the three destroyed buildings of the WTC were designed to invoke the Great Pyramids of Giza, is it just coincidence that Aleister Crowley's speculated grandson, George W. Bush, was the reigning President of America during the incident? Crowley having initiated contact with a "cosmic intelligence" soon after visiting the Pyramids and his blood relative and heir presiding over the 9/11 pyramid ritual 97 years later in 2001.
Further meaningful mystical resonance can be attributed to the Sphinx, Crowley and 9/11 (as briefly touched on in Part 1 with "The Never Ending Story") through more than just proximity to the Great Pyramid. There is also the identity of Crowley's "Holy Guardian Angel."
However, on the 18th, after invoking Thoth (the god of knowledge), she mentions Horus by name as the one waiting for him.
Also, Rose reveals that her “informant” was not Horus himself, but his messenger, Aiwass.
http://en.wikipedia.org/wiki/The_Book_of_the_Law
"The Mars Mystery" revealed that the Egyptians saw the Sphinx (and Mars) as a manifestation of Horus. The Sphinx will make another appearance shortly...
"We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."
H. W. Bush in bed with his family and a pyramid on his lap
Talking about dynastic secret society connections with regards to the Bush family is certainly no stretch as it is accepted that Prescott Bush, George H. W. Bush and George W. Bush were all members of the Yale university-based Skull and Bones secret society.
Robert Deniro's (actor in "The Godfather: Part 2" to be featured shortly) recent directorial effort starring Matt Damon and Angelina Jolie, "The Good Shepherd," concerning the early history of the CIA becomes very valid in our synchro-mystic look at the Bushes. George H. W. Bush was a CIA director himself; we can only wonder at how important his Skull and Bones connections were in this regard. "The Good Shepherd" contains a sequence where Matt Damon is initiated into the Skull and Bones giving us a pop-culture nod to the significance that fraternities play in government organizations like the CIA.
A scene from the trailer for "The good Shepherd."
This causes a rather humourous synch as an early role in Matt Damon's career was playing a part in the film, "Geronimo: An American Legend." Humorous, that is, when taking into account one of the 'legends' concerning the Skull and Bones society as described below in a CBS news piece.
Thus Matt Damon is initiated in one film as a Skull and Bones member as well as a trying to capture Geronimo in another. Beautiful...
In the first "Tomb Raider" flick as Lara Croft, she jumps through a time vortex (stargate) and runs up the side of giant pyramid while battling the Illuminati, no less.
Bart Sphinx from "Tree House of Horror 5."
Allowing myself to indulge my 'fanboy' geek status once more, let's drag out a relevant multi-episode Simpson's synch. A Bart Simpson Sphinx appears in the Halloween, "Tree House of Horrors 5" episode right after Homer time travels. As already stated, the Sphinx is intimately connected to Mars; this planet will be the star in the next post. As always, I find time travel interchangeable for the opening of stargates or other vortex/wormhole phenomena.
Homer travels through the stargate. This particular time travel adventure of Homer, in which he interferes with the past, directly leads to the creation of the Bart Sphinx. I would interpret this, in the context of the narrative I am trying to create synchro-mysticly, "A Stargate traveler (alien) sets in motion the creation of the Sphinx."
In another often featured episode, "Simpsons Bible Stories," we see 'stargate jumper' Homer Simpson portrayed as the Biblical King Solomon. I believe, (in my current reality tunnel) in accordance with Ralph Ellis, that Solomon is a descendant of the Hyksos Egyptians, who were expelled from Egypt in an exodus lead by Akhenaton/Moses. Solomon's temple was built as a reflection of the Giza plateau and its pyramids. The 9/11 mega-ritual as inspired by the Giza layout would also logically be connected to, and a reflection of, Solomon's Temple. We, so far, have the Sphinx's creation influenced by an alien being who is connected to the Hyksos-descended 'Israelite' King Solomon. Solomon as a descendant of the original pyramid builders (masons) would most probably have been initiated into the highest levels of the occult knowledge of ancient Egypt, knowledge many researchers are starting to say is pointing towards space, Sirius and Mars in particular... (more details in Part 3)
Ralph Ellis claims in various of his books that the mystical number 666, the same number Crowley attributes to himself, originally found its import in the occult world through King Solomon and was only attributed to the 'dark lord' of the Christians at a far later date.
In a single year, according to 1 Kings 10:14, Solomon collected tribute amounting to 666 talents of gold. Since the majority of archaeologists consider the kingdom of Israel at the time of Solomon to have been little more than a small city state, owing to the archaeological record, this is an implausibly large amount of money[2]
The Wikipedia article makes it clear that this amount is too large for 'Israel,' a small city state. But what if Solomon's kingdom wasn't a small city state but part of the Egyptian empire; would this explain the large amount, 666? Read Ralph Ellis', "Solomon Falcon of Sheba" for details.
Amazingly, Ellis believes that he has found the actual historical Egyptian sarcophagus of Hyksos-Israelite Solomon. The silver sarcophagus itself is unique in it having the shape of a falcon-headed human or Horus. If it's true that this artifact is the final resting place of Solomon and Horus contacted Crowley through Aiwass, we have an interesting connection between Crowley and Solomon perhaps hinted at by Crowley's focus on the number 666...
Homer's mystery school affiliation becomes even more overt; we see homer as a Freemason in the parody episode, "The Stonecutters." Thus we can now say, "Homer Simpson, the stargate travelling Freemasonic King Solomon." Synchro-mysticly, that is.
We see Bart again, this time as an 'Israelite slave' pyramid builder (mason) and later in the same episode as David, Solomon's father. Here are already many sync-clues pointing towards the occult and mystical origins of Judaism, its sister religions and their masonic heritage. In my view, the higher levels of Freemasonic knowledge have a more original surviving tradition about the true origins of human culture and society and its relationship to the divine than the Jewish, Muslim and Christian faiths. Yet all four traditions spring from the same original Egyptian fountainhead, which has an intimate connection to a more ancient civilization and to the stars.
"El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)."Homer (the stargate-travelling masonic Solomon) climbing a South American-style pyramid.
"Tree House of Horror 3."
Continuing on our magic mystical Simpson tour we find more reasons to be amazed, either at the awesome power of synchro-mysticism or perhaps the depths of the authors' mental decay. Bart holds up his "Book of Magick," the term magick coined by Aleister Crowley. Now we have the Sphinx, which is a direct echo of Horus and the 'author' of Crowley's, "The Book of the Law," Aiwass being simply his go between with Crowley, firmly connected to Bart (who was seen earlier as the Egyptian Sphinx himself!) and Crowley. Remembering that Bart's (resonating King David, a Hyksos-descended 'Israelite' King and a pyramid builder) father resonates Solomon (important Masonic figurehead) and stargates. The plot has now thickened very much indeed.
Here we see the Simpsons' parody of the Beatles' 'Sgt Pepper' cover, much featured in the previous post because of the image of Crowley.
Pyramid builder (Hyksos Mason) and Crowley evoking (Bart Sphinx/Horus) Bart Simpson, sitting next to Skull and Bones member George H. W. Bush, father of A.C's grandson. The voice over of Bush in this clip hears the ex-president point out to Bart his photo of himself and Charlton Heston. Frequent readers (yeah right) will immediately recognize Heston as a usual suspect in these pages of synchro-mysticism. Keep your wits about you folks, this gets pretty complex. We have seen Bart as King David, a Hyksos-Israelite and a Sphinx (reflection of Horus), even holding a Crowley inspired "Book of Magick" and is now sitting next to Crowley's grand-son's father, dig? All the while bearing in mind that George H. W. Bush first said the words, "New World Order," suspiciously on 11 September 1990.
Just a refresher on the 'sync-nificance' of old 'lovable' NRA spokesman Heston. He keeps popping up like magick when you do this kind of research. Heston, like Homer Simpson (who has parodied Heston many times), is a stargate traveller, Moses (Hyksos Egyption Pharoah Akhenaton/Thutmosis) and an astronaut.
We can connect Heston very firmly indeed to the Bush dynasty, even in the mundane theatre of the real world (yawn!).
AFI’s 25th anniversary celebration.
Pictured at the gala (above) are George Lucas, Gene Jankowski, Steven Spielberg, AFI director and CEO Jean Picker Firstenberg, President Bush, Charlton Heston, Martin Scorsese, and David Wolper.
http://www.philanthropymagazine.com/0902/afi-legacy.htm
George W. Bush, suspected 'Moonchild' of the "Great Beast 666," giving Charlton Heston (stargate travelling Akhenaton) the Presidential Medal of Freedom in 2003.
For more on Heston (you know you want it!) try this post:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html
Homer the stargate traveller, Hyksos-Israelite King Solomon, pyramid-scaling Freemason (Stonecutter) and as seen above, Pharoah. Notice please the Isis banner behind his Nemes. I have speculated in previous posts about the symbolic significance of the Pentagon in the 9/11 mega-ritual. It was put forward that the implied pentagram of the building's geometry connects it to Sirius and thus the stars' 'Egyptian patron goddess' Isis. The Pentagon and more ideas about the occult meaning of the structure in the new context of my theory of 9/11 as a pyramid invoking ritual involving extraterrestrial contact will be seen in Part 3.
The Pentagon/Isis blog post: http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html
Sri Yukteswar Giri seen on the cover of "Sgt Peppers" (which Simpsons parodied, as seen earlier) on the right hand side of Aleister Crowley. It's a really fascinating sync, to have these particular men next to each other, on this famous Beatles cover, for the following reason...
Wikipedia's entry about Sri Yukteswar Giri states:
He also introduced the idea that the sun takes a ‘star for its dual’, and revolves around it in a period of 24,000 years, which accounts for the precession of the equinox. http://en.wikipedia.org/wiki/Sri_Yukteswar
We learned earlier that Crowley received his transmission of the "Book of the Law" through Aiwass, who was a messenger of Horus. Horus was the son of Isis, whose star is Sirius. Sirius is probably the most popular suspect in the mystic and occult world as location from which ancient astronauts might originate and/or transmissions are received by 'sensitives' like Crowley.
So which star does the sun take as its dual if Sri Yukteswar Giri is right about the reason for the phenomena of the precession of the equinox?
Again, this idea is supported by the Yuga theory of ancient India, as expounded by Swami Sri Yukteswar in the introduction of his book “The Holy Science” which he wrote in 1894. In fact, Sri Yukteswar advanced the argument by asserting that the celestial phenomenon which causes the backward movement of the equinoctial points around the zodiac is due to the motion of our entire solar system around its dual.
Yet the assertion that Sirius plays the role of a center for the circuit of our entire solar system has been proposed about six decades later by the mathematician and Egyptologist R.A. Schwaller de Lubicz, who studied the findings of Jean-Baptiste Biot. De Lubicz remarked in his book "Sacred Science - The King of Pharaonic Theocracy" that the Sirius year of almost exactly 365.25 days was established according to the heliacal rising of Sirius. http://www.siriusresearchgroup.com/articles/Sothis5.shtml
Homer (stargate travelling Freemason) as astronaut and the "Star Child" from "2001: A Space Odyssey" seen in the great episode "Deep Space Homer." The "Star Child," I believe, was a symbol of humankind's future evolution, born into higher conciousness. Much could be made of this particular sync but I will move on for brevity, perhaps more about this later.
"The City of New York vs. Homer Simpson" sees Homer experiencing a flashback with the screen panning down from the pyramids--I mean Twin Towers--to a shot of him walking past a theatre playing "The Godfather's Parts, II." "The Godfather Part 2" is a Francis Ford Coppola film. This post started with some syncs about this director...
"The City of New York vs. Homer Simpson."
And will wonders never cease, we are back at 9/11 as Homer stares out from one of the Twin Towers! Amazingly he actually looks right at "The Sphere," a large bronze sculpture which stood at the WTC plaza. This strange object was, according to the designer of the plaza, purposefully intended to evoke the Kaaba at Mecca. This incredible fact and how it interacts with the pyramid/Benben-invoking Twin Towers and building 7 was explored in more depth here:
http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html
http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html
Once more, let's go through the resonance we can attach to Homer Simpson after that multi-episode occult rundown. Homer Simpson is a Stargate travelling, pyramid climbing, ancient astronaut Pharoah and Freemason King Solomon (oh, and "Star Child!"). He is the father of Bart Simpson, a Hyksos 'Israelite' King and Egyptian Sphinx, evoking Horus and Aleister Crowley.
Now what the hell does all that mean? I will try and compile it into a short narrative.
The ancients developed or inherited the ability to open stargates and communicate with higher cosmic intelligences. I suspect King Solomon and Pharoah Akhenaton as being connected to this 'stargate' phenomena. Or the same thing said differently, "The ancients developed or inherited the ability to open their third eyes into Illumination." By doing this they discovered powerful information which was passed down and hoarded by the occult fraternities and sometimes intuited by maverick mystics. This information involves the origins of humankind, its society and our standing in the universal order. The higher levels in the secret society networks (through folks like Crowley and perhaps Bush?) and fraternal organizations interact through ritual and magick with the shape of our reality manifesting on a material level as coincidence and conspiracy. 9/11 represents, in my mind, such a mega-ritual judging by the occult footprints left in the settling dust. All stargate events are connected non-locally. The pyramids of Giza were the sight of an ancient mega-ritual and the WTC and Pentagon the location of a modern one.
The exact intentions of the 9/11 instigators (remembering that we are all one consciousness) and their seeming moral ambiguity I bring heavily into question. I will not entrust my initiation into cosmic consciousness (Illumination) through means and people (fraternities or secret orders) that judge the lives of thousands as the price worth paying for contact with the Godhead.
We are being asked what role we want to play in the emerging higher consciousness. I personally assert love and pacifism, the eye in the triangle is mine and yours...
To whom do you want it to belong? The Illuminati, or your own?
Peace and Namaste.
Oh yes, I promised in Part 1 to show how Matt Damon in "Good Will Hunting" "proves" synchro-mysticly, early humanoid life on Mars. We are slightly 'jumping the gun' as Mars is our going concern in Part 3, but, as promised...
The idea that early humanoid life or possibly independent ancient civilization (or even interconnected co-existing) on Mars is an occult standard and a growing relevant concern in the conspiracy community if I read the signs and times correctly. See Part 3 for more. Soon...
In "Good Will Hunting" the super intelligent Will proves he can measure his wits as well as his penis with the best of them by showing his alpha male mating rival his trophy, a disputed female's digits. "How do you like them apples?" he proudly flails his rival.
Simpson creator Matt Groening's now defunct cartoon show, "Futurama," has an episode with an amazing sync for us to ponder. "Mars University" sees lead character Fry get lambasted in a parody of the "Good Will Hunting scene," the super intelligent monkey saying, "How do you like them Bananas?" This is rather wonderful as we have a super intelligent primate, echoing perhaps our earlier ancestors, apeing Matt Damon (who we saw earlier initiated into the "Skull and Bones" in "The Good Sheppard") on Mars! The title,"Mars University," indicates the Ivy league-type university, complete with fraternities and all on Mars, syncing up nicely with the "Skull and Bones" echo as well."Indeed do many things come to pass."
Yeah, but you could prove anything that way if you wanted to...
