The third and final part of the synchromystic trilogy: "Contact? Check!". This installment focuses on the Checker cab as it relates to contact. The Christ/stargate resonant taxi, checkerboard and Schwarzenegger are followed through film to reveal the footprint of higher intelligence embedded in the fabric of NOW (space/time).
Thanks for much help and support to Todd Campbell from Through the Looking Glass.
His Atlantis/Crop Circle post: The Doors of PERCEPTION
The collected trilogy: "Contact? Check!"
I highly recommend this new genius Mark Pesce lecture about technology as it relates to natural selection and sharing.
Here is the link to his blog page regarding the lecture with all the collected youtube clips; the player won't embed properly right now...
Steve Willner and Todd Cambell's Bee video:
Galactic Alignment, Floyd, and The Hyperdimensional Bees
Friday, September 28, 2007
Wednesday, September 26, 2007
The second part of the synchromystic trilogy: "Contact? Check!". In this installment we continue looking into the WTC and Giza connection using Arnold Schwarzenegger and the West Kennet Checkerboard ("Pyramid Stargate") crop circle as synchromystic grid map.
The motivation: to establish that higher consciousness is in fact in contact with us right NOW (indeed, how could it be otherwise?). This can be interpreted as coded messages left by vastly intelligent non time or space bound interstellar entities (sometimes this is a helpful belief system) but more simply and elegantly, in my mind, just the awakening of the self into cosmic consciousness. The small mind waking into Buddha mind. The lifting of the veil of Maya (2012 resonance). And the end of the Kali Yuga...or some such pseudo spiritual rambling, you know the type.
Part 3, soon...
Thanks to Craig for emailing me about the WTC Poster Pi symbol!
Who is the Master who makes the grass green? - Zen Koan
A few words on synchromystic theory: When I look into a subject in pop culture, take pyramids for instance, patterns start to appear. The helicopter and the taxi are good examples. When you look long enough a kind of meta-narrative starts to unfold, told non-locally through connections to the central theme, in this instance the pyramid. Obviously, part of the story is in one's own mind and belief system. This is no reason for dismissing the result, but important for the viewer to bear in mind (the viewer is encouraged to draw his/her own conclusions on sync points). You can branch off and start looking at the taxi or helicopter itself, which adds more contextual patterning. 'Corn' is another example of a subject that keeps popping up when looking into this sync web. I have not yet tried to put it (corn) into context, but I have many ideas about how it fits. Actors, set design and words, literally anything, are deconstructed for connections and synchronicities. It is as if you are starting to look at the neural pathways of God or Brahman. Made visible by the Internet and the impending eschaton perhaps? Nexus points or nodes (like pyramid or helicopter) where ideas come together start sticking out of the seemingly chaotic noise of concepts and data points. 'Checkerboard design' or 'helicopter' become nexus points in the hive mind, which no matter where or how it is represented, becomes relevant. Even more so if seen in the presence of other important information bits (example Arnold/Taxi/Helicopter/Reptilian Alien, etc, all in "Predator"). This is either a small taste of the emerging new consciousness ranted upon at length by the ever blossoming spiritually open-minded or, to the sceptical, evidence of a new breed of techno-neurosis. Either way it helps me feel connected to a seamless pattern of such awe-inspiring beauty and elegance that I am humbled into a state of divine awareness of the immediate moment and its unlimited potential (sometimes...I still have bad days). That in itself is reward enough for me. The '2012' and 'Illuminati' themes are 'exterior' level games; 'internally' all is already bliss, union and perfect balance. Yet I am very happy 'externally' to be part of the game and welcome the perceived challenges ahead.
Oh yes, this was supposed to be about synchromystic theory, hmmm...just look at the videos and keep asking yourself, "Who is the Master that makes the synchromystic magick, really?"
Monday, September 24, 2007
The first part of the Synchromystic trilogy: "Contact? Check!". Part A investigates the idea posited in Ralph Ellis', "K2: Quest of the Gods," that the Great Pyramid and K2 have a unique affinity. We also stop to view Arnold Schwarzenegger's synchromystic connections to future solar Kingship and Mars. This is just the tip of the pyramount my friends, check out Part B, soon!
Much related info and thanks:
Etemenanki: Stargate Cipher 2012
Etemenanki: The Lucifer Time Code
Thoth: Architect of the Universe
K2: Quest of the Gods
Some excellent fiction works that have influenced my mind on this subject:
Iain M. Banks
Excession (Contact with Higher Intelligence)
The Algebraist (Stargates and A.I.)
Wednesday, September 05, 2007
I decided Jake's views and other's should be wiki'ed and made this:
Maybe you could make a new article about it, or not... :)
The idea has been floated on the comments section of the previous post to start a synchromystic type wiki. I think the idea has potential if it catches on. I would suggest that folks ad movies and synchronicities connected to them as a database of such phenomena. Myself, Steve Willner, Ben Fairhall, Hoi Polloi, Synkronos23 (many others!) have covered many movie and cartoon syncs. Current events with syncs like the work of Goro Adachi, Todd Campbell, Aferrismoon (many others!) might also be great things to include. Who knows, be creative and ad your own synchronicities relevant to pop culture and current events if you have the time and inclination. I will ad some explanations of terms and ideas when I get the time, if things go well. Once I figure out how they work!
Let me know what you guys and gals think.
The wiki is a wonderful way of pooling ones knowledge, it benefits all and is an emergent technology that gives us a glimpse of the possibilities of the new aeon. No, really...