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Saturday, January 27, 2007

George W. Bush, 'Moonchild' of "The Great Beast 666" (Part 1 of 3 new related posts)

(Click on image to enlarge)
This drawing shows Aleister Crowley's grand-son "Moonchild", George W. Bush, Pharaoh of the United States of America. He presides over the 9/11 mega-ritual, which saw the World Trade Center used as magickal talisman, invoking the three Great Pyramids of Giza. Our synchro-mystic investigation into these and other related matters continues in this, the first part of three related posts.

Rumors of Robert Anton Wilson's death have again surfaced. I will play along for now. Post dedicated to RAW...

Aleister Crowley, the ever increasingly popular magickian will be the starting point of this post's investigation into the world of synchro-mysticism, a place where everything is connected to everything else and no coincidence is trivial or mundane. That very same place you occupy right where you are sitting now, but might not even realize fully, just yet. Your very special and unique space/time coordinates are always significant and filled with intimate inter-connections. You need only open your self to this ever-present self-similar and fractal nature embedded in every point of the universe to realize how seamlessly everything flows into and through you (even because of 'you'). 'Your' mind and body is a bridge, allowing movement of energy as information between 'you' and the 'external' world. Indeed, once the meaning of synchronicity is fully integrated, the internal and external dichotomies collapse and the real fun begins.

"The Great Beast 666" has infiltrated the collective psyche in a very interesting veiled manner. He is being watched unknowingly (in the form of a character believed to be inspired by Crowley) all over the world right now by millions in a popular Hollywood movie! The new 007 film, "Casino Royale," is based on the Ian Fleming novel of the same name. The net is rife with speculation that James Bond is modelled after famed occultist John Dee. The 007 number is said to have its origin in the manner Dee would sign his secret communiqu├ęs.

While reading Wikipedia's Crowley pop-culture references, this interesting fact jumped out and hit my brain (with joy): "Ian Fleming based the character Le Chiffre in the first James Bond novel Casino Royale on Crowley."

Tantalizingly, CNN also mansions this possible Crowley connection in context of the new 007 film, making it at the very least, valid as a culturally relevant meme imbedded firmly in the global mind. Whether Mr. Fleming intended thus or not.

Now we have Le Chiffre, (The Number) the main villain from the new James Bond (John Dee) film as a direct echo of Aleister Crowley (The Great Beast 666). "The Freeman Perspective" blew my mind a while ago when making the claim that George W. Bush is possibly descended from none other than Aleister Crowley!

Original article with George W. Bush as Aleister Crowley descendent speculation:

It seems amazing enough that this small possibility even exists, let alone the almost unimaginable wonderful kookiness that is opened to our speculation should it turn out to be true. As this blog is less concerned with truth and much more interested with emergent occult possibilities, we can speculate and rotate this George-W-Bush-as-'Moonchild'-of-"The-Great-Beast-666" idea at length should we choose to do so. And indeed I do, being of the opinion that possibilities are wonderful on their own. Again, 'the truth' of the matter is secondary to the fact that it is even being debated in the collective mind at all. Contemplation of Kurt Russell as Snake Plissken, flying towards the World Trade Centre in "Escape From New York," was part of a causal chain that led me to find resonance between the destroyed WTC buildings 1,2 and 7 and the Great Pyramids of Giza.

Aleister Crowley's head pokes up second from the left in the top row, next to Sri Yukteswar Giri on the iconic Beatles, "Sgt Pepper's" album cover. This cover (and Sri Yukteswar Giri) will be seen frequently as we continue on our journey of enlightenment about Crowley and Bush.

A very interesting article by Ben Fairhall involving the Beatles and their famous cover:

German director Wolfgang Peterson's films become relevant in this Crowley/Bush investigation in the following manner: Harrison Ford flick, "Air Force One," sees the actor (who has quested for the Grail as Indiana Jones) play the president of the USA, (who now resonates synchro-mystically with A.C.) who has to fight terrorists hijacking the presidential plane. The interesting 9/11 resonance of this hijack/plane/terrorist theme including the US president, starts this synchro-mystic mishmash off very nicely. When we include the 'US President as Aleister Crowley’s grandson’ speculation, things get interesting indeed.

I will use many Peterson films as divining rod for relevant sync-echoes in this series of posts.

The 9/11 Prophecy website speculates about the USA dollar bill and its occult talismanic properties.

The bill, with its pyramid and Egyptian winged orb (American eagle), is said to be a magickal talisman designed to bring about the new Aeon and directly involved with the 9/11 mega-ritual. Essentially, the populace who carried the bill, charged the magickal device with energy that helped bring about the 9/11 event. These folks go as far as to say Aleister Crowley prophesized (possibly inspired?) the use of the Talisman on the dollar bill in the Alien or Holy Guardian Angel (Aiwass) inspired, "Book of the Law."

Assuming this is even remotely true, we can speculate with much whimsy that Aleister Crowley was inspired by an alien to influence occultists to design the ‘US talisman’ for the dollar bill that brought about the 9/11 mega-ritual. A ritual, discussed in an earlier post, claimed to have been intended by secret societies to contact aliens through the opening of a stargate.

Remember that I always advise that 'contacting aliens through opening a stargate' can also be described as metaphors for higher (cosmic) consciousness or Illumination, the activation of the fully realized chakra pillar, etc.

Let's go fish some more with the synchro-web in the interconnected ocean of the Tao.

Another Wolfgang Peterson movie can now be highlighted here. The "Never Ending Story," based on the German children’s book of the same name, contains elements that resonate with the occult and Aleister Crowley. The movie contains two scenes involving giant blue and gold Sphinxes. The most obvious Sphinx that is invoked in the mind when we hear the word would be that most mysterious of sentinels, squatting at the pyramids of Giza, the Great Sphinx of Egypt. The Pyramids themselves were firmly connected to the WTC complex and 9/11 in my more recent posts. Indeed the three Great pyramids have been shown to be invoked by the three felled buildings (WTC 1,2 and 7) through their relative sizes in profile.

In the next post we will see how Crowley and the Sphinx interact with 9/11.

The climax of the film involves a boy having to name the child empress to save the day. The name he picks brings us right back to Aleister.
"The name Bastian screams out almost indecipherably is "Moonchild," as evidenced in Ende's novel."
"Moonchild," the name that saves the day in the fantasy film and book is "Moonchild"!?

"Moonchild" is also the name of a book by Aleister Crowley. The book concerns the act of sex magick and how it can be used to incarnate powerful forces into a child through guided willful application and invocation of certain occult principals during sex, creating a "Moonchild". It would be difficult not to make the tantalizing jump and accuse old George W. Bush as a possible "Moonchild". Would it be premature and rash to say this? Yes it would, but considering the developing tool of synchro-mysticism and its aim of pointing towards emergent possibilities, not concrete fact, let's tentatively accept George as occult "Moonchild" of the Beast for argument's sake and see where it takes us. Wheee!

The 2003 MTV music awards featured a clip (above) where hosts Justin Timberlake and Sean William Scott were intercut with footage from the film, "The Matrix: Reloaded."
Included in this mess is a scene where Will Ferrel plays the Architect. Keanu Reeves and the Architect came up in the previous post where it was mentioned that the Masonic 'god force' or 'nature's god' (or Providence, if you will) is often called the Architect. The Architect of the Matrix as the designer (God?) of the Matrix. The Freemasonic resonance here seems rather intentional.

Will Ferrel on "Saturday Night Live" as George W. Bush.

Pure synchronistic joy may follow when we learn another role Will Ferrel picks, when not playing the Masonic god, is none other than "Moonchild" Bush. Could we say of the composite entity this investigation creates: "George W. Bush, the Masonic Moonchild God incarnate and President of the United States?" Synchro-mysticly, yes we can, but not without laughing out loud and promptly gaining some composure to remember that this tool, I believe, can only show us possible reality tendencies. The miniscule possibility revealed seems enough to amaze me with its very existence. Please don't take me too seriously. Yet, then again....

A 9/11 connection to the US President through television comes to mind in the form of Martin Sheen. Martin Sheen was TV's American President in "The West Wing" and is actor and prolific 9/11-conspiracy-theory-supporter Charlie Sheen's father. We have a figure here, in Martin Sheen, resonating with Aleister Crowley, George W. Bush and 9/11 conspiracy theory. Pretty interesting, but keep your wits about you folks as things get intermeshed pretty thoroughly as we 'push the envelope'.

The legendary and mysterious Orson Welles came to fame in 1938 with his radio adaptation of H.G. Wells', "War of the Worlds." An historical event because of its affect on many of its listeners who mistook the 'contemporary news braodcast' style for fact and actually believed Martians were attacking Earth! This event made such an impact that even Adolf Hitler himself mentioned it a few months later in a public speech.

H.G Wells, third from the right hand side in the second row again on the cover of "Sgt Peppers". Sharing a position with Aleister Crowley.

The current James Bond movie has made it to the screen before -in a manner- in the 1967 British spy spoof also called "Casino Royale". Le Chiffre, who we learnt in the beginning of this post Ian Flemming is said to have based on Crowley, is played, in this early comedy, version by Orson Welles. Thus Welles resonates with Aleister Crowley and hence our 'Moonchild' -in the mechanics of syncro-mysticism- George W. Bush. Lets not forget the strong Mars theme which is creeping in here with the "War of the Worlds" connection to Welles and the mention a little earlier of the Great Sphinx thanks to Wolfgang Petersons "Never Ending Story". How does Mars connect to the Great Sphinx? "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby on P57 explains.
"We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."

Looping this all back to Martin Sheen Wikipedia reveals further in its Orson Welles pages "Orson Welles was Francis Ford Coppola's first choice to play Colonel Kurtz in Apocalypse Now (1979), based on the novel Heart of Darkness which Welles was planning to adapt before he wrote Citizen Kane."

Kurtz was played eventually by Marlon Brando.

Marlon Brando, fourth from the right four rows down.

"Apocalypse Now" stars Martin Sheen and pings (like the sonar on a submarine in Wolfgang Petersons "Das Boot") other elements already mentioned here. Elements such as Harrison Ford (our grail questing terrorist/plane/president resonating Moonchild) who has a small role in the film and the "Matrix" through actor Laurence Fishburne.
Thus we have Martin Sheen and Orson Welles well connected and resonating with favourite subjects such as 9/11, Mars, Aleister Crowley, Egypt, George W. Bush and earily now even the Apocalypse!

We can make the occult synchro-mystic resonance between Welles, Egypt and secret societies more overt by focusing on his classic film "Touch of Evil" with Charlton Heston. Mr. Heston is a synchro-mystic favourite of mine as he has famously played Moses (who resonates Pharaoh Akhenaton) in The Ten Commandments and a time traveling astronaut in "Planet of the Apes". These stargate themes and the identitity of Moses were explored in this post:

Heston's composate charachter "a stargate traveling Egyptian pharaohnic astronaut" seen in "Touch of Evil" allong side Orson Welles fits snug with the occult resonance already atributed to "Citezen Cane". We now have two compostite charachters Welles (resonating Aleister Crowley, George W. Bush, Mars etc) and Heston (resonating Akhenaton, Moses, Stargates etc) interacting in close proximity, ominously within a "Touch of Evil"...

Jumping back too Will Ferrel (Goerge W. Bush, The Architect) I remembered recently that a "Zoolander" billboard was seen in the "World Trade Centre" movie. Zoolander sees Will Ferrel as the main villian.

The shadow of the plane passes over the Zoolander image. A film wich contains Will Ferrel and David Bowie. Bowie came up on the blog a few posts ago in "The Prestige" with his stargate resonating teleporation pyramid shaped machine that transported wormhole veterine Hugh Jackman. See this post for more:

Further close scrutiny of the trailer with my third eye revealed this amazing synch or Illuminati in-joke.

(Click on image to enlarge)

The creepy corporate logo of Paramount (a triangular pyramid shaped mountain, no less!) disolves to reveal the Twin Towers, themselves modelled after the pyramids of Giza, see links below. Is this mind blowing disolving match cut in the "World Trade Centre" movie trailer a telling sectret society coded message to the initiated, or the cosmic giggle working over time? Both answers seem very satisfying to me.

I should reiterate comments made previously that I share similar views with Ralph Ellis about the pyramids being the actual biblical mountain that Moses/Akhenaton climbed to ritualisticly contact god (open his third eye into cosmic conciousness). An historical incident I consider a possible stargate event (allong the lines of the great work of William Henry) and possible extreterestrial encounter intimately connected to the purpose of the 9/11 mega-ritual.

All three Great Pyramids perhaps, with the two towers (pyramids) in the background?

To learn more about the World Trade Center complex and my views as to how they relate to the pyramids of Giza and ritualistic intent of 9/11 see these posts:

WTC Pyramid Part 1 and 2

The "World Trade Centre" movie poster has been discussed many times in my blog. To see some ideas such as how it relates to "The Last Supper" try:

A close up from Alex Grey's "Gaia" painted in 1989. I was particularly interested when noticing the two planes above the World Trade Centre while staring at my 2007 wall calender.

Is there a connection between 9/11 and Aleister Crowley through the Great Pyramid of Giza and the Sphinx (Horus)? Is George W. Bush part of a giant dynastic secret plan involving the 9/11 mega-ritual (invocation of the Pyramids of Giza) and the New World Order? What about these creepy Mars and Apocalypse themes creeping into the 9/11 Mega-Ritual, how do they fit?
All these issues to be explored (including how Matt Damon synchro-mysticly 'proves' ancient humanoid life on Mars in "Good Will Hunting"!) further in part 2 of 2007's first synchro-mystic investigation! Soon...

Namaste folks.

More cool pics from my artist friend's blog: