The Blob

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Thursday, November 02, 2006

Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)

(Click on image to enlarge)

This image sees the silhouette of the World Trade Center forming themselves out of two trees and the crucified Pharaoh Jesus, “The Light,” suspended between them. Superimposed over this image we see the ten Sephiroth of the Cabalistic Tree of Life, Jesus, and the Twin Pillars of the WTC becoming the three pillars of the Tree, also invoking the Garden of Eden (Aten).

I've been looking into how Moses is represented in pop culture in my recent posts. My reason for doing this is because the biblical narrative of my current belief system understands the Bible as a book of pharaohs. To justify this remark I direct you to the fantastic work of Michael Tsarion:
http://www.taroscopes.com/astro-theology/astrotheology.html
Or try Ralph Ellis' very enlightening book, "Jesus: Last of the Pharaohs."

If the Moses Exodus event can be seen as related to the Egyptian Hyksos Dynasty, culminating in Akhenaton's infamous and controversial reign, how about other biblical characters? If we can find other biblical figures like Moses, (Akhenaton and Thutmoses) who are actually historical Egyptian figures and have modern veiled counterparts, then perhaps we can take these modern versions as they are represented in our culture, look at how they are inter-connected in the synchromystical universe and compare our findings with what occultists and mystics have been hinting towards about reality for... well, nearly forever!

Please read my previous post if you need to familiarise yourself with this material. It contained an overview to the subjects explored here and a lot of links to previous relevant posts.
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Finding esoteric knowledge with pop culture synchronicities is what I have been trying to do with the "Moses as Akhenaton" synchronicities over the last few posts, in which much reason to suspect ancient Egyptian alien contact or other stargate related phenomena was found. I also found many echoes and ripples in the interconnected synchro-web, leading to personal confirmation about the survival of Akhenaton's legacy in the "Atonist cult" extent in the secret society networks of today, given visible expression in the 9/11 mega-ritual.

The most obvious Pharaoh I have not yet researched with my new found pop culture synchromystic filtering mindset is the one and only, ever controversial, Jesus. So let's take a little look at Jesus and see what light we can glean from such an activity...

Willem Dafoe plays Jesus in Martin Scorsese's, "The Last Temptation of Christ". Dafoe has been mentioned in these pages recently as the Green Goblin in "Spider-Man" and another villain in the 2005 "XXX" film.
For "Spider-Man" syncs:
http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
For "XXX" syncs:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html



Madonna has been featured here before and I would like to make a connection with interesting similarity to what is speculated in some circles about the Holy Grail.
For more Madonna syncs:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
The "Da Vinci Code" book/film has made the idea of Mary Magdalene as Jesus' wife and the Holy Grail herself (and her royal bloodline) very popular.
http://en.wikipedia.org/wiki/Da_vinci_code#Secret_of_the_Holy_Grail
Madonna is the Roman Catholic name for Mary, mother of Jesus.

Ralph Ellis points out how other sneaky art dudes 'in the know' like Michelangelo have hidden information about the 'royal secret' right in the open, even inside the Vatican City's St. Peter's Basilica. We have to wonder if artists like Leonardo da Vinci and Michelangelo were able to fool the top religious authorities into allowing heretical monuments inside their most holy of spaces, or whether the higher initiates of the church were hip to this fact and welcomed these veiled artifacts. I bet you can guess what I believe...



The sculpture in question depicted is the "Pieta," a statue of Jesus and his mother Mary.
http://en.wikipedia.org/wiki/Michelangelo


The issue Ellis takes with this piece is the extremely young-looking representation of the Madonna. Jesus is shown recently deceased yet the foxy young Mary looks much more like his Momma than his Mommy, dig? I think this interpretation of the piece is quite sound as Michelangelo shows little regard for hiding his secret knowledge very well as we have recently seen in my previous post highlighting his Moses statue, complete with Hyksos Pharaoh Aries' rams horns!
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

In this instance, the Madonna is interchangeable with Mary Magdalene, the wife and lover of Jesus. Could we say Madonna the singer is a reflection of Mary Magdalene?
Crazy cool then, if we remember, if we can bear to, how Madonna and Willem Dafoe have sex in the film, "Body Of Evidence".


Madonna and Jesus (Dafoe in "Last Temptation of Christ") having sex, brought to visual reality for all to see in this 1993 film. Thanks Hollywood!



The grail is a central element of the "Da Vinci Code" film by Ron Howard. A few things could be said about the career of Ron Howard, relevant to this investigation. He made the Atlantis and alien-themed film, "Cocoon," mentioned in the previous post, and was a child star in the show, "Happy Days". In one episode, Robin Williams, as Mork the alien, tries to abduct Richie Cunningham (Ron Howard) and take him to his home planet.

Some suspect an alien DNA connection with the Grail bloodlines (children of Jesus and Mary). For a fantastic article containing sober (to my mind) Merovingian commentary, try Ben Fairhall's, "Rosslyn: Bewteen Two Worlds" article:
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

My take on the alien theme at the moment goes like this: The Grail Bloodlines originated out of the initiated Pharaoh and priestly class of Ancient Egypt, who had secret and sacred knowledge. This 'secret' information, probably relating to the activation of the chakra pillar, DNA feedback, Kundalini serpent energy, etc, could lead to contact or stargate scenarios (Cosmic Consciousness), giving rise to talk of aliens, genetic tampering, gods, etc. Not that all of that would be very far off the mark mind you...

I don't like to give scenarios that disempower the individual or society at large much credit. Ideas like a group or family having "special" DNA or godlike heritage seem like control memes, perhaps even premeditatedly so. I prefer to think the ability to contact the 'gods' (or the the god inside) or become like gods are the provenance of every one who should happen to choose such a role.

In my interconnected synchro-mystic world view, if we can find more pop culture "sync echoes" connecting the Grail and Jesus to aliens, that might go some way to laying groundwork for a 'Royal Secret' involving contact or stargates (cosmic consciousness). We have already connectedRon Howard to Atlantis and alien abduction, let's see if we can find more.


Robin William, (the alien from "Happy Days" and later, "Mork and Mindy") is seen looking for the Grail in Terry Gilliam's, "The Fisher King". The film co-stars Jeff Bridges, who was an alien himself in John Carpenter's, "Starman". "The Fisher King," (another name for Jesus of Nazareth) shows us then, two aliens questing for the Holy Grail, from a particular perspective, that is.

"Da Vinci Code" sees Tom Hanks and Ian McKellen also hunting for the Grail.

Ian Mckellan inside a vortex on top of the Liberty (Isis) statue in New York (X-Men).


Hugh Jackman as Wolverine, about to jump into the vortex, on top of the Isis Statue in New York, as the mutant (DNA altered) Wolverine.

Ian Mckellan seems to be strange attractor as he is featured often on this blog, fighting Hugh Jackman on top of Isis/Liberty in "X-Men" and protecting the ring in "The Lord of the Rings". Tom Hanks could be significant because of his alien spaceman friend, Buzz Lightyear, in the "Toy Story" films and his mermaid girlfriend in again, Ron Howard's "Splash".

Simply amazing. Above we see the "Splash" movie posters depicting the Twin Towers (Jachin and Boaz) and the mermaid wearing a Liberty/Isis T-shirt. In the film, the mermaid makes her first public appearance at the foot of the same Isis statue.

Mermaids and fish folk connect to the Nephilim/Anunnaki and even Merovingian themes.

The reptilians, at any rate, do merit a brief mention by Brian Allan, in connection with the legendary line of Frankish kings known as the Merovingians. It will be recalled that the mother of their founder Merovee (or Meroveus) was believed to have been raped by the Quinotaur: a mythical sea-bull. Readers of my article, The Horsham Key will know that a similar creature can be found on Horsham's Old Town Hall; though, in that instance, in a double-tailed form which recalls the melusine. To Melusine, in her non-fictional incarnation as Melisande, the mother of Fulk V, Count of Anjou and daughter of Baldwin II, is attributed uniting the Merovingian house with the line of Anjou; and thus to the Plantagenets who would produce several English monarchs. Both stories share an identical theme: of legendary sea-creatures giving rise to powerful bloodlines.

Quoted from Ben Fairhall's way cool blog and the previously mentioned Rosslyn post:
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

I would feel negligent in my duties if I didn't include the following images for you to draw your own conclusions:

To see a good article about the Starbucks logo evolution click here:
http://www.deadprogrammer.com/?p=1684

In the above image we see Thor, Poseidon and Isis in the 2002 game "Age of Mythology". Note Poseidons mer-folk like tail and keep in mind that Plato said that Poseidon's son, Atlas, was the original origin of the name Atlantis.

Above is a still from "The Simpsons" episode "Homer, bad man". Here we see Homer doing a bit from Disney's "Little Mermaid" lampooniong Ariel (a mermaid), King Triton's (Poseidon) daughter who lives in an Atlantean underwater city. Poseidon is also a character from Homer's "The Illiad" and is represented in "O Brother, Where Art Thou?". This will become more relevant in a moment.

Kenneth Colley plays Jesus in "Life of Brian," a Monty Python (Terry Gilliam again) movie that is itself a spoof of the biblical Jesus story. The movie has Brian, (a character based on Jesus) taken aboard a spaceship, lending us another Jesus alien connection.

Kenneth Colley is most famous for playing Admiral Piett (an alien, as every character in "Star Wars" is, if you stop and think about it) in "Star Wars" 2 and 3. In "Jedi" we see his Super Star Destroyer spaceship take a nosedive into the second Death Star.

Jupiter's (this is back in real life mind) moons Mimas and Iapetus both have been accused of looking very similar to George Lucas' Death Star. As these films were made before the photos of these moons were ever seen, this becomes a most interesting sync that has been used in speculation of ancient alien artifacts existing in our solar system.
http://www.answers.com/topic/death-star

Freeman Perspective speculates on Death Star.
http://video.google.ca/videoplay?docid=2612890910104649478&q=freeman+perspective

Jay Weidner Radio Orbit interview with Death Star speculation.
http://www.mikehagan.com/2012/mp3/090406_JAY_WEIDNER.mp3

Can we say then...Jesus (Colley, in Life of Brian) the alien (Colley, in Star Wars) crashes his spaceship into the alien artifact moon? Is this the universe's way of highlighting the Grail (Pharaohnic Bloodline) connection to space and/or alien artifacts? I would say yes, but I write this zany blog. What do you think?

Monty Python animator and generally spectacular film director, Terry Gilliam, is proving to be a Holy Grail strange attractor when we consider the following. He directed "The Fisher King," was much involved in "Life of Brian," and even co-directed "Monty Python and the Holy Grail!" Not surprising then, when we dig a little, we find his other passion includes making movies about time travel. Time travel is another possible function of a fully working stargate technology. Gilliam's films, "Time Bandits," and, "12 Monkeys," contain the time travel/gate/vortex theme as central plot point.


With this in mind, it is interesting to note within the "NASA occult stargate speculation perspective" I have been following, how Bruce Willis (the "12 Monkey's" star) could be shown to fit in this intricate sync-web.

For more occult NASA Stargate syncs:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

In his career, Willis has flown in NASA space shuttles (Armageddon) and tried his hand at alchemy (using da Vinci's crystal machine that turns lead into gold in "Hudson Hawk"). Here then is a man who we may describe as "the occult stargate alchemist who flies space shuttles in his spare time". Let's make this clear, in case you're confused (don't worry if so, I certainly am). This is achieved by combining the significant occult and mystic elements present in "Hudson Hawk", "Armageddon" and "Twelve Monkeys" into one narrative. Am I taking too much creative liberty in this process for it to contain any significant relevance? I imagine you would have to answer that one internally in relation to your own belief system. I'm having fun here, I hope you are too..
Please note how well "Hudson Hawk" fits in here considering our earlier Grail bloodline "Da Vinci Code" syncs.

It would be very helpful to this speculation about Jesus as a Hyksos descended Pharaoh if we could connect him back to Moses or Akhenaton in some way. Then, as if hearing my prayers, when we watch the 1959 "Ben-Hur," which tag line reads, "A tale of Christ," we see this interaction.



Heston, who has played both an astronaut ("Planet of the Apes") and Moses/Akhenaton, ("The Ten Commandments", see previous post for details) receives water from Jesus and witnesses his crucifixion. "The time traveling astronaut Akhenaton witnesses his family descendant and heir to the throne of the Hyksos nation Jesus Christ being crucified."


In the book, "Eden in Egypt," by Ralph Ellis, he speculates that Adam and Eve are originally based on Akhenaton and Nefertiti and that the garden of Eden was located in Egypt (if not Egypt itself!) . This revelation doesn't seem like much of a stretch to me when considering that we have already learned, I believe pretty conclusively, that the Exodus narrative was a dynastic Pharaoh drama. Then why not its predecessor, Genesis? Jordan Maxwell has already pointed out the fact that the word Genesis is related to Isis (Gen(Isis).

Can we find pop culture references, like we have with Jesus and Moses, with interesting synchro-mystic relevance involving Adam and Eve that would be relevant to this investigation? Well...


In "The Simpson's" episode, "Bible Stories," (above) Homer and Marge spoof the classic Eden (Egypt) yarn as Adam and Eve. The weirdly reoccurring (a strange attractor of mystic relevance) "Tree House of Horror 3," sees Marge dressed up as an Egyptian queen and Lisa as Liberty/Isis.


See previous posts for more "Simpsons" syncs:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

This amazingly significant episode has Homer as King Kong, whom I have connected to Hermes/Nimrod and Bart's (dressed as Alex from "A Clockwork Orange") book of Magick.
Bart wears the album Thriller on his head like a hat, which is inspired by a photo of Aleister Crowley wearing a funny hat.
http://en.wikipedia.org/wiki/Treehouse_of_Horror_III#Dial_.22Z.22_For_Zombies

Wikipedia says Bart’s Michael Jackson hat in this episode is modeled after Aleister Crowley's funny hat. Admittedly I don’t see the resemblance, but there you go...

Homer has lampooned Charlton Heston in the episode, "Deep Space Homer," and "Tree House of Horror 8," in the "Homega Man" segment ("Omega Man" spoof). He eats "Soylent Green" in a futuristick episode.

Homer is no stranger to stargates.

In "Tree house of Horror 4" (goes to hell through vortex), "5" (time travel), "6" (through a gateway and becomes 3-D) and "13," (again time travel) etc.

So we have Marge (Eve) connected to Egypt and Homer (Adam) connected to Pyramids, (see next post shortly) stargates and Charlton Heston (Akhenaton).
The Pyramids will be the central focus of investigation in my next post arriving in a day or two... Please stay tuned, I am very excited about the new information I will get into and the new revelations and connections concerning pyramids and 9/11. This post is laying some much needed groundwork for the next.

In previous posts I have shown how the new Oliver Stone, "World Trade Centre," movie poster has the three pillars of the Cabalistic tree of life encoded in the Twin Tower image.
http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html

This poster lead to the discovery of the same three pillars in the windows behind Jesus in, "The Last Supper" painting by da Vinci. In both images the middle pillar is highlighted by light. In the WTC poster actual bright light and in "The Last Supper," Jesus, a.k.a. the light, was shown to be a veiled pyramid with his head and ajna chakra forming the apex of the pyramid. Crazy cool then when we watch the film and see Jesus (the last Pharaoh of Egypt) in one of the trapped firefighter's vision underneath the wreckage of the buildings.

Homer, the Greek poet, has been making many blips on my synchromystic radar. He shares his name with the already mentioned father of the Simpson family and the events of the Trojan War keep drawing attention on this blog. To strengthen the connection between the poet and "The Simpsons" we should note that many episodes of the show make reference to the Homeric legends. One episode features Homer as Odysseus (The hero of Homer's epic poem, "The Odyssey") in the segment "D'oh, Brother Where Art Thou?" (This title becomes more relevant in a second.) Another is called "Lemon of Troy," and an earlier episode from season 1 is called "Homer's Odyssey". "O Brother, Where Art Thou?" is a Cohen brothers movie that is loosely based on "The Odyssey."

Jesus from "The Big Lebowski."

John Turturro can be viewed in another Cohen movie, "The Big Lebowski," as Jesus the bowler. This movie stars the Starman and Grail seeker, Jeff Bridges. Remember him from "The Fisher King" discussed earlier? One more Homer sync occurred to me while researching "X-men" (that's what I get away with calling watching superhero movies, "Star-Trek" and "Simpsons" since starting this blog) is that Hugh Jackman not only fights Magneto on the giant New York Isis but also Sabertooth.

Notice how we can see the WTC in this shot.

Sabertooth is played by Tyler Man, who can also be seen as Ajax in the film "Troy," which is based on the "Iliad". So we see Hugh Jackman (a stargate veteran having jumped the vortex in "Kate and Leopold" and "The Prestige") and Ajax, the great grandson of Zeus, fighting on the head of Isis. Amazing...


Da Vinci magickly rears his head again, connected to the astonishingly recurrent John Rhys-Davies. Davies is just wonderful when it comes to mystical coincidence of esoteric nature. He is seen in the "Lord of the Rings" films as a ring protector and he helps Indiana Jones find the Arc and the Holy Grail. When not engaged in this kind of activity, he is seen jumping through stargates on "Sliders". Mr. Davies becomes relevent to this particular investigation when we learn that he has played da Vinci on the holodeck of the starship Voyager in "Star Trek." More Davies Syncs:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html


"Indiana Jones and the Last Crusade," like "Da Vinci Code," "The Fisher King," and "Monty Python and the Holy Grail," is a pivotal movie to mention when investigating the Holy Grail's pop synchro-web. Each of these movies have the Grail as central motif. My attention in this heavily Knights Templar resonating film is directed towards Sean Connery as he is highlighted by virtue of being the only character to actually drink from the real Grail. Connery causes quite a few esoteric ripples in the sync-ocean when we look at his long and successful film career. Extremely relevant roles stand out at first glance. Connery was a Freemason in "The Man Who Would Be King," a classic 007 (John Dee) empirical (Baconian) Franciscan Friar (searching for sacred texts all resonating heavily with Rosicrucian ideals) in "The Name of the Rose," and finally playing King Agamemnon (commander-in-chief of the Greeks in the Trojan War) in the already mentioned stargate movie, "Time Bandits."

Of the composite non-linear film character this investigation creates we could say: "The Freemason and alchemical occultist who travels through stargates and is intimately connected with the heritage and lineage of the gods." He also did the voice of a giant dragon in "Dragonheart". Dragons might connect him with the serpent and reptile alien themes and their possible home in the stars at Draco. Michael Tsarion has speculated that Draco is the home of the original Atlantean aliens. Incidentally, Draco is also the name of the dragon Connery plays in the film...

The disaster movie "Meteor's" poster shows the Twin Towers top parts being destroyed much like the 9/11 event. This is another Sean Connery film!

With the connections made above I feel confident that, at least within the context of the theory that one can glean knowledge from synchronicity, there is much reason to suspect Jesus, the Holy Grail and some kind of esoteric and occult activity at play in the theatre of consensus reality. This theme seems to resonate with alien contact and stargate technology somehow involving 9/11. My preferred method of interpreting this extraterrestrial-flavored 9/11 synchro-web generated by looking at Jesus and the Grail in pop-culture uses a metaphysically and spiritually oriented view. I see the concepts of Jesus and the Grail through my current belief system as sacred and secret knowledge, passed down through the occult network of the secret societies or intuited by sensitive mystics around the globe. This esoteric knowledge involves the activation of forces that can help facilitate the contact or stargate scenario. These two words, stargate and contact, I believe, are physical or material metaphors, interchangeable with metaphysical or spiritual cosmic consciousness experience. It is possible that the 9/11 event might have been designed by occult forces (possibly guided or channeled by secret societies) to interact with a mega-ritual to facilitate a contact scenario or the opening of a stargate. Again, I repeat that these words, contact and stargate, should be considered as interchangeable with certain higher states of consciousness and/or Illumination.

(WTC Pyramid: Part 2, coming soon...)

Friday, October 20, 2006

Akhenaton the Ancient Astronaut and the 9/11 Stargate

"The border between the Real and the Unreal is not fixed, but just marks the last place where rival gangs of shamans fought each other to a standstill."
-Robert Anton Wilson-

A little picture I call "Space Masons". Pharoah Akhenaton, the Master-Mason, climbs the ramp and the 9/11 Stargate opens while his Atonist cult cheer him on... (Remember to click on images to enlarge them).

I have a collection of links and another image incorporating the major points explored thus far in this continuing investigation at the bottom of this post. Scroll down and familiarize yourself if you'd like to know more before we begin.

Charlie Sheen is one of the highest profile 9/11 government cover-up theory proponents. The recent South Park 9/11 conspiracy dis episode made fun of this fact. After the Alex Jones radio interview with Sheen and the attention this received in the mainstream media, the floodgates on 9/11 were seemingly opened wider. Alex Jones' documentary, "TerrorStorm", recently made the Google Top 100 after much suspicion that Google was fixing its video counter numbers. Poor show, if so...

Notice the target over the map of the USA on Alex Jones' new DVD cover. The target or bull's eye is the two dimensional representation of the three dimensional stargate (cosmic consciousness) phenomena. Alex Jones' movie is becoming largely associated in the consensus with 9/11.
http://video.google.com/videoplay?docid=786048453686176230&sourceid=zeitgeist

I've been keeping Sheen in mind because of his strong connection to 9/11 and was surprised to see his name pop up while doing pop culture research on crop circles for the blog. Let's dive right in, shall we...?


The 3rd installment of the "Scary Movie" franchise featured Charlie Sheen lampooning Mel Gibson's character from the crop circle movie, "Signs". The "Signs" movie is the biggest (and one of the only) Hollywood movies to touch on the subject of crop glyphs. Unfortunately, the movie does little to reveal any educated information about the subject or dispell any of the misunderstandings the consensus reality tunnel suffers in regards to this subject. Many respected scientist square/straight types take them very seriously, as do mystics and occultists. I think they're great regardless of "who" is making them. As time progresses and I think more about crop circles I have to admit that they grow increasingly mysterious. One of my goals is to integrate them into my pop culture "9/11 as Stargate event" theory and flush out a comfortable fit for the glyph phenomena in my personal belief system. My blog posts are inspired partly to help me develop my own understanding of the world and to share this process with interested parties. My belief system is ever growing and adapting to new ideas and events and I don't believe this process should ever stop.
"Signs" might not be an enlightening source of crop circle info but it's relevance to coincidence research could be valuable. Mel Gibson makes a few waves in the synchromesh because of his connection to Jesus (The Passion) and his Maya/Pyramid/2012 flavored "Apocalypto"...

Charlie Sheen (9/11 and crop circle connected, dig?) deals with contact, conspiracy and invasion in the 1996, "The Arrival".

This image sees Charlie's face fading seamlessly into that of an alien creature. Their faces combine to form a third eye in the middle of the poster. A lens flare or solar ring can be seen coming from behind Sheen. The circular design is reminiscent of stargates and crop circles.

The idea of man and alien combining is central to the DNA tampering Nephilim/Anunnaki theory of ancient history. We see this theme again on the E.T. poster.

Notice the solar bull's eye or stargate symbol between the two fingers.



The Alien and the human hand in the same position as "The Creation of Adam" by Michelangelo on the ceiling of the Sistine Chapel. http://en.wikipedia.org/wiki/The_Creation_of_Adam

For more about E.T. on an earlier post:
http://thebravenewworldorder.blogspot.com/2006/07/analyzing-et-poster.html

Michael Tsarion's lecture featuring the E.T. image:
http://video.google.ca/videoplay?docid=-8545585184878490822&q=michael+tsarion

The 1985 "Cocoon" poster has a giant circular stargate motif, here wonderfully associated with water (stargates can be called waterdoors, like the Stargate: Atlantis jumpgate). The C-shaped wormhole symbol of the crescent moon is present. Two of the O's form the Vesica Piscis, another stargate symbol. This film is about aliens who came to earth and founded Atlantis and are trying to return home. I find it mind-blowing how the stargate theme keeps cropping up if you simply follow certain themes in pop culture and are looking for the connected symbols. It is your job to decide whether I find them because I am looking for them, while discarding everything not relevant to the stargate concept, or whether there is something more interesting happening here. Perhaps you may arrive at the realization that if you look for connections in an omni-interconnected universe hard enough anywhere, you will find them... Perhaps that is a great revelation in itself?

Steve Gutenberg is one of Cocoon's stars.

The Stonecutter's lodge in the Simpsons. Obvious Freemason rip. Of course, Patrick Stewart, who plays the voice of No. 1 (the leader of the Stonecutters) in this episode and Captain Pickard in "Star Trek: The Next Generation", has been through every kind of gate, hole and vortex you could imagine. Wow, come to think of it he is the leader of the X-men (a strange attractor movie series in this research) and the ever increasingly relevant vortex jumping of Hugh Jackman. To be explored in a moment...

Steve Gutenberg lampooned in this 1995 episode.

Some selected lyrics from the wonderful Stonecutter song:
"Who keeps Atlantis off the maps?"
"Who makes Steve Gutenberg a star?"
"We do, we do!"

Atlantis, like the C-shape and bull's eye, is another element that magically appears when I am looking into the stargate phenomena, sycnromysticly. I believe Atlantis to be code for "bringing Heaven on Earth", my current belief about the goal of the secret societies at work in this time period. Atlantis was the idyllic balanced state we existed in before humankind's descent into the nightmare of materialistic/rationalistic history. It is also the goal of the current influence matrix of the big fraternities that is creating the "New Atlantis". That sounds positive, but we have to ask ourselves if their "New World Order" will be a healthy thing for us. There is much to make me think otherwise.
Reality doesn't appear to be made up of entirely "good" or "bad" things. These are false dichotomies imposed by our minds. Remember what Alan Watts used to say: "The meal is not the menu". Meaning: your thoughts and semantic symbols about the world are not the world itself. My point being it shouldn't be about whether the fraternities or secret societies are "good" or "bad". There are undoubtedly arguments for both and my personal take sways like a pendulum. Regardless of how you feel about these entities, it may be detrimental to give so much energy to these forces by believing in their power. I always recommend that you place yourself at the top of the power pyramid in your belief system, not the bottom! The trick is to keep the ego in check when you have done this. Or perhaps the answer lies in realizing the pyramid is a sham as the ego doesn't even exist (again, as Alan Watts would have said).

Atlantis could also be seen as the time when the knowledge of cosmic consciousness was in humankind's hands. In other words, we were part of a galactic mind; we had the secret of the stargate. That secret, which is quite possibly connected to the magic mushroom and other entheogenics, that is now lost and/or suppressed by the squares. So let's get it back!

Amazing how vivid this Atlantis stargate connection has become in recent times.

The "Stargate: Atlantis" waterdoor. It is as if our art and entertainment are beginning to hemorrhage the secret information hidden from us. It is however, still veiled in slight code and sold as a material gnosis when a little intuition and thought will tell you true revelation will be of a spiritual nature. That said, everything that exists in space/time is spirit or energy and not material or rational. Thus your car or tv is truly a part of ultimate reality even if you think of it as a mostly material possession. What I am trying to get at is that an actual stargate like the "Stargate: Atlantis" waterdoor that transports your body to another planet is almost the same as a fully activated chakra pillar that allows the shaman a kind of astral travel. In fact, the physical door or wormhole might just be our westernized way of allowing us the same technology the ancients and some secret society types might already have.

An individual with a healthy dose of entheogens and a focused mind can easily contact Sirius, the Pleiades or even Elvis if he so chooses in the privacy of his own bedroom. A stable material gate that you could walk through casually wouldn't suck either.

"The Prestige" spoiler alert in next paragraph:

Hugh Jackman, the 'funny DNA' X-man, Wolverine and time vortex slider from "Kate and Leopold", again makes a noise on my wormhole radar after viewing his newest film, "The Prestige".


The excellent "The Prestige" sees Jackman, a stage magician, teleported by a machine built by Nikola Tesla played by David Bowie. Bowie is assisted by none other than a ring (gate) lord Gollum (Andy Serkis from "The Lord Of the Rings") . This setup has many levels of decryption we may dismantle. Humans such as Michael Tsarion and Tom Horn speak about our secret society chums needing to fiddle with their or our DNA in order to get the Stargate tech to work. My take on the importance of DNA in the stargate theme is that the fully activated chakra pillar interacts with the DNA to open the waterdoor. The twin serpent-like double helix is a omni-present synchromystic theme in this area of research. Cool then, how Hugh Jackman as an X-man mutant fighting ring protectors on the top of Isis in N.Y. (Magneto, Ian McKellen, on the Statue of Liberty in the 1st X-Men movie, dig?) is transported by technology made by Tesla. We have to consider that Tesla was a wizard who admittedly received communication from E.T.'s with his machines in "real life", right? Reflect on the fact that David Bowie has famously played aliens as Ziggy Stardust and "The Man Who Fell to Earth".

The Pyramid with missing capstone box design of Tesla's teleportation (stargate) machine.

The large box containing the teleportation (or wormhole/gate) machine is cleverly shaped like a pyramid with missing capstone . The film suggests that all magic is make-believe, except for the pyramid with the missing capstone. Or at least that's my interpretation. So we now have this scenario: The Alien-manufactured pyramid technology (Tesla/Bowie) transports the genetically modified superman (Wolverine, Leopold/Jackman). Hugh Jackman falls into a water tank after every transportation. This again highlights how water is often connected to the stargate. In "Signs" the aliens' only weakness is water and in the real crop circle phenomena the spiral patterns that make the design flow like water.

Better keep an eye on Hugh's new film, "The Fountain", already its imagery suggests it will be rich in synchs. Compare these images and try this link below for more on the subject: http://www.blogger.com/comment.g?blogID=29756223&postID=115893675869435075

The concept that aliens might be in cahoots with the high ups in the secret societies is a fascinating and tantalizing possibility. Recently, the idea arises that the highest levels might be E.T's themselves or in contact with these forces. I can think of many reasons to see this as symbol or metaphor for many metaphysical or occult principles, but then again..

Wall carving depicting Akhenaton and family with elongated craniums and limbs.

Akhenaton and his family are sometimes accused of being genetically different or perhaps alien themselves. Less creative but perhaps more sober views, like that proposed by Ralph Ellis in his notable "Jesus: Last of the Pharaohs", explain Akhenaton as amalgamating his appearance with that of the alien "grey" types according to Pharoahnic traditions about the appearance of the "gods". Note the similiar concepts in the "E.T" and "The Arrival" posters shown earlier. I don't think the idea that Egyptian Pharaohs were modeling themselves after aliens that now appear ubiquitous in pop-culture is any less interesting than Akhenaton as a space man himself.


My intuition tells a story of Akhenaton using entheogenics to open stargates with his third eye as shown by the ajna chakra snake on his forehead in some of his sculptures, seeing and communicating with these entities through a wormhole, maybe even traveling to these otherworldly places. This opinion seems to be represented in the "synch echoes" encoded in the pop culture references involving Akhenaton as I will explain shortly.
Article for the alien idea linking to "Stargate", the movie.
http://www.ufodigest.com/skulls.html
Articles favoring artistic interpretation and head binding, etc.
http://www.andrewcollins.com/page/conference/
http://www.biped.info/articles/missingrace.html

True or no the concept seems to be encoded synchromysticly in many films. My idea about the significance of meaningful coincidences in movies with mystical connotation is not that it points towards real truths, but that they point towards possible realities that might emerge from the collective psyche into consensus reality. We vie and jostle for acceptable limits of consensus reality through our art and philosophy. Our ideas and concepts about reality are the very fabric of reality itself. We try to sell each other beliefs in a creative effort to allow new "things" to emerge into the accepted matrix of the now. I don't fundamentally fret about what "is" real; I care about checking the zeitgeists' temperature in order to project future possibilities of acceptable norms and find hidden pockets of knowlegde embedded in the pattern of 'aum'.

"The border between the Real and the Unreal is not fixed, but just marks the last place where rival gangs of shamans fought each other to a standstill." -Robert Anton Wilson-

Anyway, enough with my personal opinion (B.S. or belief systems). On with the show...

Aliens as humanoids with elongated and distorted craniums are traditional sci-fi fare.


H.R. Giger's alien from Ridley Scott's "Alien" has a particularly elongated head.


Dan Aykroyd's "Coneheads" is another example similar to the ancient truncated skulls found around the world. Aykroyd is seen riding inside the animated "Statue of Liberty" or Isis in "Ghostbusters 2" (see X/10.. post link below).



E.T. is another example to be likened to Akhenaton in some wall carvings, with his long head, naked pot belly, elongated limbs and dwarfish stature.


http://en.wikipedia.org/wiki/Akhenaten#Depictions_of_the_Pharaoh_and_his_family

Ben Kingsley plays Moses (Akhenaton) in a 1996 made for T.V. movie. Kingsley (of "Ghandhi" fame) and Dan Aykroyd (a "Conehead" alien who is part of an invasion plan) are seen together in 1992's, "Sneakers".

Here are some of the key synchs that point towards Akhenaten as an ancient astronaut that we have already covered in previous posts:

Val Kilmer plays both Moses (Akhenaton) in the "Prince of Egypt" (voice actor for Moses) and an astronaut on Mars in the "Red Planet".

Discussed in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Charlton Heston plays both Moses (Akhenaton) in "The Ten Commandments" and an astronaut who kneels before the Isis (Statue of Liberty) statue in "Planet of the Apes". Isis, of course, is one of the most venerated Egyptian Goddesses even today.

Discussed in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Now some new ones that just blew my mind and baked my noodle when it came through me.

The late Phil Hartman did the voice for many "Simpsons" characters. Hartman lends his voice to Troy McClure, a hack actor who plays Heston's "Planet of the Apes" character, and Moses during his run in the show.


Phil Hartman also acts in the "Coneheads" movie; he plays a character called Marlax. I can't find out on the net whether this means he actually was a Conehead alien or not (dear lord, will I rent this dodgy film?). Drop me an email if you remember and save me the trauma; if you don't I will have to rent... I like how the fireworks in the image above create a circular stargate-like design (nudge-nudge, wink-wink).

Mel Brooks plays Akhenaton in "History of the World: Part 1", lampooning the biblical event with 15 commandments. He then proceeds to break the 3rd tablet and without skipping a beat declares god's commandments to number 10. Classic...

Small note here on Akhenaton as Moses. I've been reading Ralph Ellis and he seems to feel that Akhenaton was mostly Aaron, not Moses. Ahmed Osman and Michael Tsarion seem to prefer the Moses idea. Either way, the biblical account totally muddles the historical Hyksos Aaron and Moses' (Akhenaton and Tuthmoses) activities together, making them interchangeble for my purposes.

Mel Brooks crash lands, falling from space on the "Planet of the Apes", in the head of Isis in "Spaceballs"!

I already mentioned that Ben Kingsley plays Moses. We can see him flying in spaceships in "Thunderbirds".

Mark Wahlberg echoes this Akhenaton as astronaut connection in the following fascinating and bizarre manner. He reprises Heston's role in the 2001 Tim Burton "Planet of the Apes" film, flying through a vortex (stargate) into the future. Instead of the Statue of Liberty, he encounters the Lincoln Memorial modified to be dedicated to the ape General Thade.

Ape Lincoln.

I speculated in an earlier post that King Kong climbing the tower might be Toth/Hermes:

On page 296 of Graham Hancock and Robert Bauvals', "Talisman," we learn this amazing fact...Nimrod built the Tower of Bable, right? Talisman says that the Old Charges of Masonry say Nimrod is Hermes, right? Then Hermes could be seen as the builder of the tower. Who has a baboon in the Crowley Thoth Tarot deck? Thoth himself, on the Magus card, has a babboon counterpart. Indeed Thoth, thus Hermes, are connected in Egyption mythology to baboons.

http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
"Thoth Kong". Could the Ape Lincoln be tied to Thoth/Hermes?



Another weird "Simpsons" synch to add relevence to the Abraham Lincoln Memorial. We see Milhouse playing both Lincoln and Moses. Michael Tsarion has mentioned in one of his lectures how the Lincoln Memorial is modelled after the Emperor Tarot card, which is covered in allusions to Aries. This would make it very fitting as a link to Hyksos Pharoah Akhenaton.



In the movie "Rock Star", Wahlberg plays a fanatical cover band singer who becomes the lead singer of the same band he has devoted his life to. One scene sees a character wearing a T-Shirt with George Washington as a Mason on the back and the Illuminati dollar bill pyramid design on the front. In the scene he confronts Mark Wahlberg, who is trying to inject his own creativity into the band. The notable T-shirt character explains to Mark that he and another band member, A.C. (Anti Christ, Aleister Crowley?) write the songs for the "sheep", not the hired help. It is telling watching a guy wearing an Illuminati T-Shirt directing another guy to stay in line. Is this where Mark Wahlberg sees the enlarged talisman that influences him to become connected to Akhenaton and a stargate traveler in future film roles?

Comapare Ape General Thale with his helmet and the Coneheads.

Heston plays a secret agent, Arnold Schwarzenegger's boss, in "True Lies". Notice how the lights in the background give Heston a set of horns?

Michelangelo's "Moses" has his age of Aries horns, just like Heston (Heston plays Moses in "The Ten Comandments", remember?).

To learn about Akhenaton as Moses and how this relates to Aries and more, try Michael Tsarion's Astro-Theology pages:
http://www.taroscopes.com/astro-theology/astrotheology.html
and Jan Irvin and Andrew Rutajit's book (Astrotheology & Shamanism) or video lecture (Pharmacratic Inquisition) at:
http://www.pharmacratic-inquisition.com/
Ralph Ellis' work is also great.

Arnold Schwarzenegger's movie career is so filled with symbolism related to the occult that I plan to do a new piece entirely devoted to him. Here is the url for an old one and some new ideas related to stargates:
http://thebravenewworldorder.blogspot.com/2006/07/movie-synchronicity-7-arnold.html

In "Terminator 2", Arnold and the T-1000 arrive in our time through spherical stargate technology. In another scene, the mercurial T-1000 rises out of a checkerboard (a Freemasonic floor design) like a human figure coming through a waterdoor or stargate.



The De Lorean time machine passing through a circular time vortex composed in this image of a circular clock design. Pretty cool.

Micheal J. Fox is interesting in our quest for the stargate for many reasons. He travels through a time vortex in "Back to the Future" and plays the lead voice actor in the animated "Atlantis: The Lost Empire".

Atlantis poster with circular light lens flare type stargate and interesting triangular light ray motif. The light also forms the stylized A of the film.

I have been noticing these modified A's in the titles of some movies and shows.

I equated the A's in this 1979 Time Magazine cover with Aton. Michael Tsarion pointed out how the dollar bill pyramid could be seen as representing the A of Aton. Perhaps the accentuated A's in these film and show logos also suggest Aton.
http://trickytimetimes.blogspot.com/2006/08/is-for-aten.html

Micheal J. Fox passed the torch to Charlie Sheen, who revived his career with Fox's, in the New York, "Spin City".

This poster of "Hot Shots" seems, at first glance, pretty benign until you start analysing it deeper. The O of the word Hot contains the five pointed star of Sirius and also forms the disc of the Egyptian winged solar orb inside a red triangle. There are two planes, one passing through Charlie Sheen's head. Are these Egyptian motifs and planes surrounding the 9/11 truth or some kind of retroactive echo of the WTC stargate event travelling back in time and manifesting on this poster? Cary Elwes, on the far right, plays Val Kilmer's Top Gun role in this spoof movie. Val Kilmer we already connected to Akhenaton and space earlier in this post. Val Kilmer will be seen soon in Tony Scott's new time travel movie, "Deja Vu". Time travel yet again, is a stargate function.

I connect Akhenaton to 9/11 because I believe the "attack" was, on one level, a ritual orchestrated by the Atonist cult still operational in the secret society network. The ritual being a symbolic unveiling of holy light and the ushering in of the new Aeon.
http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html

Here is one more episode of "Simpsons" that keeps coming up. I first found it while looking at King Kong/Hermes/Nimrod in pop culture. Homer plays the giant ape in this Halloween (Tree House of Horror 3) episode. Bart is seen dressed as Alex from "A Clockwork Orange" and Lisa as Isis/Liberty.

For more on Isis/Liberty, try this previous post including one of my favourite synchs about Snake Plissken and the 9/11 stargate.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Notice the similarity between the decapitated Isis on the "Escape from New York" poster and the "Spaceballs" Mel Brooks synch.

The "A Clockwork Orange" poster confronts us again with the modified A of (perhaps) Aton. The triangle and eye symbols are obviously present.

O.K. One more pic from "Tree House of Horror 3" (check it out on youtube if the copyright police haven't removed it yet).

Bart's "Book of Magick". Who else spells magic with a "k"? Aleister Crowley, the Beast 666.

Another quick look and a new insight into the 2012 Olympic logo.
Notice how the 3 letters that the tape or 5-color ribbon penetrate through are ODO. What is ODO? How about Odo from "Star Trek: Deep Space Nine"? Why in the world would that be relevant? Well Odo is a shapeshifter whose 'kind' live on the other side of a wormhole in this T.V. show.

Odo from the wormhole show "Star Trek: DS9".

The 2012 stargate theme is touched upon in this post:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Found this image in a recent "Fantastic Four" comic at my local gas station (Ultimate Fantastic Four # 17). A NASA type shuttle actually flying through a wormhole!

The C-shaped wormhole on the NASA logo.


So what is my point? I believe that everything is connected and that if we take any given system of information and look hard enough patterns will appear. This is how I am trying to use pop culture and movies especially. Like a mystic would interpret your natal chart, tarot spread or dreams, I am trying to take current affairs and multi media and use it as a crystal ball to find relevant patterns that point a finger at possible truths or realities that could emerge into the consensus trance. Artists project society's wants and desires into their work (like film and books) and we decide on the validity of their ideas with the force of our collective beliefs, which translate into what we like to think of as concrete reality. I believe we can read the creative 'script' and maybe glean the upcoming possibilties that might result out of the push and pull of the collective unconscious will. Another possiblity is that we can discover hidden truths that have been suppressed and find expression in the interconnected creative ocean unlocked ever more everyday by the technologies like the internet. Most of my work has only been possible in the last few months as the internet increasingly connects everything to everything else (Youtube, Wikipedia, Blogging, Imdb, Google, etc. being my newly discovered magick tools for finding connections) with increasing speed as we head for 2012.

Here is one more movie image to consider that will probably come up again in the future.

The new Mel Gibson film looks like it may open a whole can of worms. We have a Mayan pyramid with a highlighted C in the title, hinting very much to heavy 2012 syncromysticism. We need to remember that Mel brought us the "Passion of the Christ". Jesus, like Moses, was quite possibly an Egyptian Pharoah and Master Mason and this all becomes very relevant. For more on the subject of the historical Jesus as mystery school initiate at Heliopolis, try Ralph Ellis' "Jesus: Last of the Pharoas".

As a friend of mine likes to say:
"Stay dangerous!"


I have tried to combine most of the elements connected to the continuing investigation of 9/11 as a stargate or cosmic consciousness event in this image. We see the NASA Atlantis shuttle that docked on 9/11 this year with the occult pyramid design found in the STS-115 mission patch. Underneath it the C-shaped wormhole symbol is visible as well as the three energy swishes much discussed in previous posts as allusions to 9/11 and crop circles. The crop circle theme is expresed in the swirling vortex of the turbulence of the "Stargate" Movie type circular gate. A big swastika (a sun symbol) surrounds the thousand-petaled crown chakra design of the spiritual version of the gate. The stargate is surrounded by spider webs, adding the Spider-man and Jahbulon theme also connected to the great Stalin Time Magazine cover explored in previous posts. An oroborus serpent harks back to the "Snakes on a Plain" caduceus and the Saitic Isis of the 9/11 twin pillars as Solomon's temple theme.

What was that "Snakes on Stargate" whatsa? For background info if you're new to this stuff, try these previous posts:
In which Aton and light is mulled over.
http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html
The Pentagon attack as ritual and crop circles as stargates.
http://thebravenewworldorder.blogspot.com/2006/09/pentagon-attack-and-other-isis-sirius.html
Stargate symbols and magic mushrooms.
http://thebravenewworldorder.blogspot.com/2006/09/magic-mushroom-and-stargate.html
My first blog where I started using movies to research stargates and 9/11.
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html
Stargates, Spider-Man and towers in general in film.
http://thebravenewworldorder.blogspot.com/2006/09/world-trade-centre-stargate-event-in.html
7/7 as ritual and 2012 stargates and movies.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

Also check out my recent radio interview with Red Ice Radio if you want to hear more.
http://www.red-ice.net/radio/2006/10oct/20061019.html


Peace and Namaste