Moses, 9/11 and Magic Mushroom (Atlantis & The Magic Mushroom: Part 2)

Further synchromystic investigation into the theory that magic mushrooms play a central role in the stories of Atlantis, Exodus and Genesis. The thread is followed up to the 9/11 mega-ritual and the symbolism of the event is shown to contain mushroom references.


T-Shirts and synchromystics sketches.

Mary and the 9/11 Ritual

“ The power of holding two contradictory beliefs in one's mind simultaneously, and accepting both of them. ... To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies—all this is indispensably necessary. Even in using the word doublethink it is necessary to exercise doublethink. For by using the word one admits that one is tampering with reality; by a fresh act of doublethink one erases this knowledge; and so on indefinitely, with the lie always one leap ahead of the truth..." Orwell on doublethink from "1984."

I have had my beady little eye on 2007 for about 2 years now. I wouldn’t say I have been obsessively waiting for it to swing around but definitely my curiosity about this year had been tweaked. The reason for this eyeballing of 2007 is Terrence McKenna’s 'Timewave Zero' predicting the highest spike of habit, in recent years, on this date. 2007, according to the theory, will see the most unrest (habit) before the wave heads down towards its final novelty zero point and the eschaton on 21 December 2012.

www.tony5m17h.net

Certainly a morbid activity, this trying to determine if a theory you attach some credibility to is valid by sitting around and waiting to see if something the likes of World War 3 breaks out. One cannot be disappointed if such a thing doesn’t happen, yet it would go a little way to augmenting my beliefs about 2012, the Timewave and the end of history, should 2007 pass with no major upheaval. Morbid indeed...

"James Cameron finds the grave of Jesus" is a headline I didn't ever expect to read. When a news event like this happens you have to stand back and applaud the universe for its cunning and originality whether it be true or no. I find the idea of riling up and challenging the dogma pushers in the scientific and religious fraternities a momentous and joyful thing. I probably had a particularly traumatic toilet training phase in my childhood and have a distinct dislike for the patristic authority structure and love to see it fuming. James Cameron, Jesus and Mary tied together firmly in the zeitgeist: a synchromystic goldmine that surely makes my job easy, it almost writes itself... No--looks like I will have to write it after all...





But let’s jump to another fascinating story that is unfolding, the recently surfaced footage of WTC 7 being referred to as already collapsed by the CNN and BBC reporters while they are still clearly standing in the live footage. As yet, the big networks have not picked up on the story which is not surprising as it involves them in possibly the most obviously Orwellian doublethink scenario since Fox's hilarious rebuttal of the Pentagon conspiracy theory that a jet plane didn't hit the giant New World Order talisman at all.




The banner (video above) honestly reads "DOJ Releases 9/11 Tape of Plane Hitting Pentagon." Perhaps we have finally reached or surpassed Orwell's dystopia. At no point in this 'proof' do we ever see a plane, yet the banner plainly reads "Tape of Plane Hitting Pentagon." Amazing!

Anyway, I don’t really want to get involved in the more forensic evidence for a 9/11 conspiracy; this is a subject that was settled internally through intuition years ago. Here we look at things symbolically and metaphysically; this research is for the right brain. So let’s get cracking.

It's interesting that Tower Seven should come up again so heavily at this point as I had just recently discovered more clues as to the symbolic significance of Building Seven in the 9/11 stargate event. Readers of recent posts will be aware that I share a steadily growing group of people’s opinion that the Twin Towers have a connection between the Masonic Jachin and Boaz pillars. These are the pillars that are believed to have fronted King Solomon’s Temple. The third pillar is often seen as the negative space between the two and represents the inner holy light of the holiest of holies in the temple (physical and spiritual) and illumination. It can also be represented as a smaller third pillar as seen in the First Degree tracing board.

Notice the radiating eye above the middle pillar and the ladder ascending towards the stargate.

Ralph Ellis has pointed out the amazing and, I believe (current B.S. or belief system dogma), correct originally intended symbolic reference system this design portrayed was not only Solomon’s Temple but the three Pyramids of Giza. This is what the Hyksos Shepard “Isrealite” Kings had in mind when designing the first temple. I have put forward many reasons to believe the pyramids were heavily referenced in the 9/11 event, most likely knowingly, by the secret society elite who influenced it's creation. I recount the major points in the video below.



A 10 min. video with the major points concerning 911 as a Pyramid ritual.

"As an Egyptian Prince, King Solomon is sure to have been educated at the royal college of Heliopolis, and to have been instructed in all the arcane knowledge of this ancient, pyramid-building empire - and this can be seen to be so from a quick comparison with the New Testament accounts. Solomon was not only the son of King David [Psusennes 2], he was also reputed to have been a direct ancestor of the New Testament Jesus. I have already shown that Jesus' titles and actions demonstrated that he was not a simple carpenter, but instead a prince of Egypt and a theological Mason. Like the pharaoh Akhenaton, who reigned long before him, the Biblical Jesus was apparently educated at Heliopolis, and both of these princes became architects. It is known that Akhenaton held the title of 'Chief Architect', and the title held by Jesus, which demonstrates that he held the same symbolic position, is tekton.., from whence the word 'architect' was derived." Ralph Ellis, "Solomon Falcon of Sheba," p. 169.

Previous posts and my new video (above) have dealt with the WTC/Pyramid concept connected to Jesus and Mary. Jesus is shown as a triangle/pyramid in the veiled middle pillar in da Vinci's "The Last Supper."

Jesus being a descendent of Solomon (both Masons like Akhenaton) and the last of the Hyksos Pharaohs, things get rather interesting when we take stock of the matter. Jesus (a chief Mason educated at the royal college of Heliopolis!) is intimately connected to Masonry (even carpenter would seem to be code for such) and hence the pyramids of Giza and portrayed as one by master architect da Vinci in "The Last Supper" right inside the smaller middle pillar of higher consciousness or cosmic illumination. On Jesus' left hand side is a figure believed to be Mary, his sister/wife (common Pharaonic practice) in the esoteric tradition I follow presently.

On the image with Jesus as the Middle Pillar by da Vinci, it is also curious to note that the right side pillar shows a male pointing and on the left pillar it is the rather feminine figure of John that people think is really Mary...and that is kabbalistically correct. The right pillar is of "Mercy" (Male) and the left "Severity" is feminine.
Michael Tsarion made this observation to me in an email about the da Vinci "The Last Supper" pillars concept.

Now hang on to your hats; things get weird...

More important, however, is the fact that Mary Magdalene can be seen as being associated with both a tower and the number seven. The name Magdalene can be literally translated from the Greek as meaning 'tower' and, as we have seen , this association between the terms 'tower' and 'seven' is present in the famous Biblical quotation:
Behold, therefore I am against thee, and against thy rivers, and will make the land of Egypt utterly waste and desolate, from the Tower of Seven even unto the border of Ethiopia.
...
So, Ezekiel's 'Tower of Seven' is none other than the Egyptian 'Magdal of Sefekh,' the same title that is now being associated with Mary Magdalene. The Tower of Sefekh was historically seen to be a prime symbol of Egypt and because of his notoriety it has already been identified as with the Great Pyramid (The Great Tower) of Egypt. Ralph Ellis, p. 126-127, "Solomon Falcon of Sheba"

Again Ellis elucidates the occult symbolism hidden in the 9/11 stargate ritual through his alternative history and biblical re-interpretive research. Mary Magdalene (Tower Seven) is named after the Great Pyramid, fitting considering she is married to Hyksos Pharaoh Jesus. Thus we can now state Building/Tower 7 reflects even in it's name the Great Pyramid of Giza and Mary Magdalene. The Salomon - notice the Solomon resonance- Brothers Building (alternate name for WTC 7) is, just like the left female pillar in da Vinci's "The Last Supper," connected to Mary, wife of Pharaoh and Chief Mason Jesus.

A rather interesting addition was made to the new World Trade Centre 7's decorative touches: a giant red balloon flower (aptly called "Balloon Flower (Red)") in side a circular fountain by artist Jeff Koons. It should be noted that stargates are circular in nature and are also sometimes referred to as water-doors. The inclusion of a red flower in the centre immediately brings the esoteric red rose, famously used by the Rosicrucians to mind. But let’s put my personal bias to see stargates everywhere aside and reflect on the idea of the sculpture “Balloon Flower (Red)” as the occult red rose symbol.

A giant red flower right in front of Tower 7 goes someway to verifying the validity of Mary as connected to this structure. A best guess would be that this symbolism is intentional but, in order for it to be synchromysticly valid, no direct intention is needed; purely the fact that a connection can be made mandates it's relevance in my system of work. Intent, synchromysticly, is far less important than outcome.

Dream and Larissa, in SANDMAN #65: "The Kindly Ones: 9" by Neil Gaiman.

Ben Fairhall relayed this piece of insight to me in an email about the Mary/Rose subject: "Other than that, there is a long and well-attested symbolic resonance between Mary (either the Virgin or the Magdalene, esoterically they are one and the same) and the rose; which is a latter-day rendition of Isis and the lotus."

Ben also highlights that the scarlet thread, Royal Bloodlines of Jesus Christ (The Grail families) etc. are also called the Rose Line.

Thus having a symbol intimately connectable and resonant of Mary (Magdalene/Virgin/Isis… whatever) outside of a building named after this goddess figure and the Great Pyramid itself makes perfect sense. Sense that is, if you’re power-mad and obsessed with ancient bloodlines and ritualized sacrificial occult activities like our current ruling elite.

With all this information I can claim with a degree of confidence that another pivotal ritualistic element of the 9/11 mega-ritual has been uncovered.

A small inventory of the talisman employed in the pyramid stargate ritual of 9/11:

*The Twin Towers (WTC 1 and 2): These represent the two pillars of Solomon's temple and the two greater pyramids of Giza. (Relevent Posts 1, 2, 3 )
*The Pentagon: It represents the Blazing Star (Venus, Sirius, The Sun) and possibly the five-sided D&M pyramid of Cydonia on Mars. (Pentagon Symbolism Video) (Pentagon Post)
*Tower 7: The third pillar, the smaller middle pillar of the Cabalistic Tree of Life and the First Degree tracing board of freemasonry. Now, also Mary the lover, wife and possible sister of Jesus because of the equation: WTC 7/Tower Seven/'Magdal of Sefekh'/Mary Magdalene. This is all connected to the Rose Line giving us a probable clue as to the perpetrators behind this ritual.
*Flight 93: Unknown... There is the issue of the intended red C crescent memorial built on the crash sight which was orientated towards Mecca, hence the Kaaba and the possible Benben (Sphere Sculpture inspiration). An area wide open for investigation (nudge-nudge, wink-wink). (More on Flight 93 Symbolism).

Let's just have a quick recap of two other occult creepy corporate sculptures found at the WTC complex.

It was meant to symbolize world peace through world trade, and was placed at the center of a ring of fountains and other decorative touches designed by trade center architect Minosoru Yamasaki to mimic the Grand Mosque of Mecca, in which The Sphere stood at the place of the Kaaba. It was set to rotate once every 24 hours, and its base became a popular lunch spot for workers in the trade center on days with good weather.
The Sphere - Wikipedia

The reason for these pyramids being physically visible during the first exodus is given in the book Tempest, where it was explained that some of this exodus story, especially the wanderings in the wilderness, represented rituals at Giza. The 'wanderings' were actually the origins of the processional rituals that are still performed at Mecca during the Hajj. "Eden in Egypt," Ralph Ellis, p. 166.

Thus the Sphere sculpture is intimately connected to the pyramids of Giza and we could further speculate that the rotation of the sphere sculpture every 24 hours is related to the processional rituals performed at the Pyramids and Mecca.

One more item, for your consideration, about the Sphere.

"Upon recovery from the rubble pile, where an airliner seat, a Bible and papers from the various offices in the World Trade Center were discovered within," (again Wikipedia)

I made this drawing for my post "Contacting God Our Alien Creator: The Occult Motivation for the 9/11 mega-Ritual." It was inspired by the image below, which is featured and explained in the "9/11 Pyramid Mega-Ritual" video and the aforementioned post.

The pedestal with the Bible and the candles was replaced with the WTC and the Sphere. Bizarrely, I included the Bible in my drawing and Wikipedia relates that one was found inside the sculpture. Was the Bible discovered in the partly damaged Sphere in the 9/11 aftermath really one that had somehow ended up there during the collapse, or was it placed inside beforehand?

This is a mysterious piece called "Cloud Fortress" by artist Masayuki Nagare. It echoes the three pillar tracing board and Tree of Life theme: two big pyramid/pillars on either side with a third smaller one in the middle. It yet again echoes the WTC as pyramids theme as we see the Twin Towers behind the three pyramid shapes that define the sculpture.

(Photo Robert Segal)

We see in the image above just how large this piece was and that it survived the destruction of the ritual. It however, was bulldozed during the cleanup and recovery and no part of it has yet been found.

I don’t care if you’re related, descended, inspired, authorized (or think you are) by Akhenaton, Solomon, Jesus, Mary, the elder gods of Atlantis or whatever. Using our bodies in order to charge talisman to open stargates certainly constitute violation of fair play. Thus you have forfeited your right to play. You must sit out until the next round.

Peace and Namaste

James Cameron, Horus, Britney Spears, William Shatner all this and more coming up next, soon…

Here is my newest video



This video speculates as to the mystical and architectural importance of the octagon in the ancient and present world. The Freedom Tower is shown to be a representation of the Great Pyramid of Giza and connected to the Stargate. Synchromystic connections are made between the octagon, stargates and pop-culture.

Can you dig it?

Enjoy.

(All my video can be seen here)

9/11's Pentagon Pyramid and the Martian Stargate (Part 3 of 3)

In Part 1 we learned about and investigated synchromysticly the claim that George W. Bush is Aleister Crowley's grand-son. The few of you who bravely weathered that speculation were challenged yet again in Part 2 where connections between dynastic secret society family Bush, Pyramids/The Sphinx/Horus and 9/11 were suggested. Now that I have shaken off those with rigid belief systems or 'squares', the handful of us left can 'go the whole hog' and head for space. There is a disturbing trend on the net of making fun of those who would dare connect 9/11 to aliens. Would-be hecklers get ready, this one's for you...

Please check out my new podcast with Greg from "Occult of Personality"

German director Wolfgang Peterson's films were used as synchro-mystic crystal ball in Part 1 while investigating the validity of the claim that George W. Bush is a blood relative of Aleister Crowley. Specifically, the film "The Never Ending Story" was shown to contain Sphinxes (resonating Horus) and a reference to the "Moonchild". We looked at another Peterson film, "Air Force One" with Harrison Ford, as it concerns the President of the U.S.A. and a terrorist airplane hijacking, in resonance with 9/11. Included in this "Air Force One" American President and 9/11 resonance was the concept of the Holy Grail, the Grail having been the prize Harrison Ford (as Indiana Jones) searched for in the heavily Templar-themed "Indiana Jones and the Last Crusade". This post will continue using a few Peterson films syncromysticly. That is, I will look for meaningful coincidences involving these films, that resonate with occult and mystical significance and much more...

Peterson's Brad Pitt-starring "Troy" has been mentioned in these pages before as has the concept that many historical and biblical references believed to be "Israelite" are in fact real Egyptian Hyksos Pharaoh incidents that have been altered over time to suit the currently reigning ideological agenda.

Another posts dealing with Egyptian Hyksos Israelite syncs:
Akhenaton the Ancient Astronaut and the 9/11 Stargate

Ralph Ellis posits that the Trojan war was another such obfuscated historical incident. The reality of the Trojan war (as portrayed in Homer's "Iliad") being rather an invasion by Hyksos-Israelite forces into Egypt than as generally believed "Greek" forces trying to recapture stolen Helen.

"As I have speculated previously, one possible explanation for all of this is that the Sea People confederation was organized and lead by elements of the exiled Hyksos-Israelite nation... lead by the descendants of Pharaoh Dannus [Pharaoh Ay]" p.199, "Eden in Egypt"

Can any esoteric Egyptian resonance be found in or surrounding "Troy" and other pop-culture Trojan war references that might help support this claim?

Brad Pitt's presence in "Troy" alone already helps support this Hyksos-Trojan connection as his girlfriend Angelina Jolie has battled the Illuminati in "Tomb Raider". She is seen, in the Indiana Jones inspired film, jumping into a stargate (time vortex) and running up a giant pyramid after an artifact that resembles a free-floating triangular capstone or Benben. Pretty cool for our speculation; still a very poor film.


Another way of confirming the specific occult pyramid resonance of Brad Pitt is by sighting his leading role in last year's simply and relevantly titled, "Babel". Babel, the famous biblical tower that aspired to reach the heavens, is another intentionally veiled reference to the Great Pyramid of Giza, according to Ralph Ellis.

I have repeatedly pointed out over the last few posts how the Twin Towers and building seven intentionally invoked the three Great Pyramids at Giza during their ritualistic destruction. Interesting then, to see how the Tower of Babel and the Twin Towers can all esoterically be viewed as veiled pyramids.

A quick rundown of the most compelling evidence that the Twin Towers and building 7 were intended to symbolize and invoke the three great Pyramids of Giza:

*The floor plan of the WTC plaza seen from above reveals the Twin Towers symmetry to the two great Pyramids at Giza.



Overhead plan of the WTC complex compared to the layout of the three Great Pyramids of Giza. The double squares of the Twin Towers are a very good match for the Great Pyramids. Contemplation of the Orion/Pyramid connection observation made by Robert Bauval lead to this WTC/Pyramid clue.

*A profile view reveals the similar relative sizes of the ancient Pyramids and their modern counterparts, the Twin Towers and building seven.


Two almost equally sized buildings, WTC 1 and 2, and one much smaller WTC 7.


Compare the three Great Pyramids of Giza, two larger, one much smaller.

*The first degree Masonic tracing board's three pillars makes this comparison far more compelling realizing that the three pillars have the same relative sizes as the three towers destroyed on 9/11 and that the pillars themselves are modeled, originally, after the three Great Pyramids of Giza and Solomon's Temple (itself based on the layout and design of Giza).


"For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller."
"Eden in Egypt," p. 165, by Ralph Ellis

*"The Sphere" sculpture which stood right in the centre of the WTC plaza was deliberately intended to represent the Kaaba at Mecca, a holy Muslim sight of pilgrimage believed by the faithful to contain a black stone which fell from heaven or was given to Abraham (a Hyksos Pharaoh). The black stone could be a meteorite or representation of the Benben (heavily pyramid resonating) or provocatively, both!


* The destroyed buildings in N.Y. were situated on an island (Manhattan) just like representations of the primordial mound rising from the watery chaos in ancient Egyptian creation myths and seen portrayed in Masonic imagery.

The Island of Manhattan, with its three pillars: WTC 1, 2 and 7.
The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.

For more details on this subject try:
Contacting God our Alien Creator: The Occult Motivation for the 9/11 Mega-Ritual

Having shown convincingly (I believe) how the Twin Towers and building seven are intended to invoke the Pyramids of Giza in a decidedly Freemasonic symbol system and having learned the true identity of the Tower of Babel as pyramid itself, we can now see how towers have in many instances been used as veiled pyramids and how Brad Pitt's "Babel" (nominated for best picture and director Oscar this year) synchromysticly invokes the Pyramids of Giza.

Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.

I did a piece connecting the Grail to Mary and aliens here:
Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)

The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.

Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.


Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).


Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.

Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.


Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.


One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!



Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st century interstellar war between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon').
http://en.wikipedia.org/wiki/Enemy_Mine

We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.

A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).

The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.

It was visible in the northern hemisphere near Venus...
http://en.wikipedia.org/wiki/Comet_McNaught

Part 1 of this series dealt with Orson Welles.

Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).



The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)

Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147)

It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.

For more controversial info online about space anomalies and NASA cover-ups try:
Researcher Richard Hoagland, a popularizer of the Face on Mars hypothesis and a veteran of the field at his websight:
http://www.enterprisemission.com/
Goro Adachi, a major personal influence of mine and master 'sync searcher' also has much to say about Mars and NASA:
http://www.goroadachi.com/etemenanki/
Some interesting and relevant Mars related links from Etemenanki:
http://www.goroadachi.com/etemenanki/sc2012-1.htm
http://www.goroadachi.com/etemenanki/mars-hiddencolors.htm

A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such:
The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be:
*Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt.
http://metaresearch.org/solar%20system/eph/eph2000.asp
*Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.

Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...


Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.

Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.

Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns?
http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html

If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.

The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi.
Goro on Mars-Sphinx, WTC and Iraq:
http://www.goroadachi.com/etemenanki/lucifer-timecode.htm

Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...


Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.



Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747".
"If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.

The Pentagon, in the new Mars resonating "Transformers" film.

The release date of 7.4.7 (4 July 2007) seen dissolving into a shot of the Pentagon in the teaser brings up a pair of interesting 'coincidences' to mull over, considering esoteric interpretations of the true meaning of America's Independence Day. Graham Hancock and Robert Buaval's epic book "Talisman" elucidates:

It is the date of the Templar's massive defeat by Muslim armies in the Holy Land at the Horns of Hattin on 4 July AD 1187, which was followed by the loss of Jerusalem to Christendom. There could therefore hardly be a more evocative 'Templar' or 'Solomonic' date than 4 July - evocative, that is, of the aspiration to build Solomon's Temple in Jerusalem. The reader will also be aware, of course, that 4 July is Independence Day in the US, commemorating the signature of the Declaration of Independence and converting the date forever into a powerful talisman that spells out 'Independence' and 'Freedom" for the New World and, now by and large, for a new world order. (p. 470)

The attentive reader (I'm never one when writers say that...) will remember having seen the, as we now know occult date of 4 July, once before in another quote by the same authors in this very post. I will repeat it here for hopeful maximum dramatic effect:

On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude. (p. 136 "The Mars Mystery")



Let’s get this all straight, as we have much to chew on. The amazingly overt Mars-resonating (even in a deliberate NASA Mars conspiracy context), alien-themed "Transformers" film highlights the Pentagon and the 'Templar' date of July 4. The Pentagon, obviously in my work, will be sited as a 9/11 reminder. We can thus in one image (the Pentagon/July 4 shot above) see almost the whole syncromystic narrative I am trying to put forward. The key elements are 9/11(represented by the Pentagon), secret society conspiracy (represented by the 4 July 'Templar' date and the implied pentagram of the Pentagon) and 'Mars/aliens' (represented by the fact that this is an image from "Transformers"). Adding to this, we have the speculation of NASA using tetrahedral-wrapped robots to explore and perhaps communicate occult messages to non-terrestrial intelligences through ritualized magickal invocation, using symbolically significant talisman on occult dates and meaningful co-ordinates.



Pathfinder is also the name of a film to be released on 27 April 2007 including pre-Columbus contact between the Vikings and Native Americans. The idea of contact between Europe and America before Columbus is an esoteric standard often connected to the Knights Templar. Reflect for a second, with the above context and taking into account what we have discussed thus far, on this little fact.

Landing on Mars was planned for July 4, 1976, the United States Bicentennial, but imaging of the primary landing site showed it was too rough for a safe landing.
http://en.wikipedia.org/wiki/Viking_1

This was the very mission (Viking 1) that captured the first photos sparking the Artificiality of Cydonia theory, again connected to 'Templar' date July 4.

The face on Mars has been connected to the Sphinx in works like "The Mars Mystery" because it seems to have a Pharaohnic Nemes as is seen on the Sphinx. In more recent times, newer photos have convinced researchers like Hoagland, Adachi and David Flynn that the face is half human and half lion. If true, this would fit like a glove with the attributes already connected to the Pyramids' giant sentinel, the Sphinx. Part 2: "The Sphinx/Horus and the 9/11 Stargate" explored the connections between Pyramids of Giza's giant stone sentinel, the Sphinx and Horus. Speculation was aired about the significance of Aleister Crowley's communication with Aiwass, a messenger of Horus, after meditating in the King's Chamber of the Great Pyramid. Added to this was the possibility that George W. Bush is Crowley's grand-son. It was suggested that if the blood relation is true, the fact that George W. was presiding as President of the U.S.A. over the 'Pyramid mega-stargate-rituals of 9/11' (as I believe) during September 11, 2001, surely a significance must exist between the fact that his grand-father, Aleister Crowley, received 'alien' communication, ushering in the new Aeon (of secret societies like the O.T.O.) in the Great Pyramid through "The Book of the Law"! Then if Horus was the 'alien' (angel, cosmic intelligence, Great White Brotherhood or whatever) who communicated through Aiwass to Crowley and the Sphinx is a representation of Horus and Mars, couldn't a distinct and tantalizing connection exist between Crowley, Bush, and 9/11?!

Can we connect the possible dynastic secret society lineage of Bush/Crowley to 9/11 and aliens? Aliens are relevant as my current belief system sees the purpose of the 'Pyramid mega-stargate-ritual of 9/11' as involving fraternal secret society higher ups (Illuminati, if you will) trying to send occult messages to their alien creator god (perhaps our creator?). This message operates, in a similar fashion, as the Mars Pathfinder tetrahedron. The timing and symbolism at play in 9/11 may be a kind of 3-D space/time communication to be picked up by non-local cosmic intelligences receptive to such techniques. A variety of metaphors could be suggested for the above statements that might help one swallow this bitter pill if it is not to your particular liking or engenders fear. Fear being the last thing I hope my work might stimulate. High level mystery school initiates using our very cities and bodies to stage and power their magickal emails to aliens could certainly be construed as alarming, I concede. Another slightly less sensationalistic way of explaining this is that a bunch of over-developed third eye occultists, attempting transcendental illumination through elaborately staged rituals, are causing trouble on our planet. We have to open our hearts (chakras) to these people and reclaim our own ecstatic connection to divinity.



The above scene from "Scary Movie 4" amazingly connects 9/11 to aliens and the President. Leslie Nielson is seen enacting a parody of the famous video, taped the first moment George W. Bush supposedly heard about the terrorist attacks, while reading along with elementary school children from "The Pet Goat".
http://en.wikipedia.org/wiki/My_Pet_Goat

In "Scary Movie 4" however, terrorist attack is replaced with aliens that are destroying the earth, as Nielson is being informed in this scene.
(Please see Part 1 for more George W. Bush syncs).


If we are looking at Aleister Crowley's grand-son in the image above reading "The Pet Goat," another part of the 9/11 mega-ritual might be revealed.

Jack Parsons, one of the founders of NASA Jet Propulsion Laboratories (JPL) and Crowley's hand-picked leader of the Ordo Templi Orientis, would invoke Pan (A Greek Goat God) with 'The Great Beast 666's' very own poem, "Hymn to Pan".
http://www.poemhunter.com/poem/hymn-to-pan/

He is less well known than Wernher von Braun or Theodore von Kármán in the rocket program and the origins of JPL. Nonetheless, von Braun remarked that Parsons, and not he, should be regarded as the father of the American space program.
http://en.wikipedia.org/wiki/Jack_Parsons

Before each test launch, he was in the habit of invoking Aleister Crowley's Hymn to Pan, the wild horned god of fertility.
http://www.forteantimes.com/articles/132_parsons.shtml

Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.

Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?

I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon.
http://www.taroscopes.com/webstream/webstream_startpage.html

How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:

The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun.
http://www.bob-wonderland.supanet.com/conspiracy_7c.htm

Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.


A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...

As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!

So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.

The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
http://www.goroadachi.com/etemenanki/rex-deux.htm

Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.

As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.

As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?

We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!

Online photos of the D&M pyramid and the tunnel/hole:
http://www.mactonnies.com/dmphotos.html

Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.


An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.

Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis.
In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361)
This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).


The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".

Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.

Another occult "Lost" moment happens inside the mysterious hatch in season 2 (I forget the specific episode) when Lock is seen filling in a crossword puzzle.

42. Question: "Enkidu's Friend". Answer: "Gilgamesh".

Folks familiar with Zecharia Sitchin and William Henry will recognize these ancient Sumerian God names as suspect ancient astronauts (our alien creator gods).

The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.

Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.

Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...

The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?

Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.

"At its middle, the tower forms a perfect octagon."
Freedom Tower -Wikipedia

It is possible that the octagon shape of the Dome of the Rock hails from the double square floor plan of the King's Chamber in the Great Pyramid. Remember that Crowley meditated in this same space before receiving the book of the law from an angel and that a small yet tantalizing possibility has been put forward that George W. Bush is Crowley’s grand-son. The interlocked double square forms the eight-pointed star. By joining the points of the star we get the octagon, which the Templars used as inspiration for their famous red cross. If correct, we again see how the Pyramids of Giza are being invoked in the architecture at the WTC in N.Y. Whatever else we learn from this speculation, one thing the octagon at ground zero reveals is the simple fact that the ritual is not over...

Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':

Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...

...we can all live together in unity and love...

Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.

The video is basically a slide presentation with some video footage.

Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...

I will be making more.