Ben Fairhall and I join Henrik Palmgren from Red Ice Creations for a fascinating conversation. It was fun, challenging, but also very stimulating.
Thanks a Brazilian guys!
The Link 
Some interesting 'K2 Candy' related work being done at The Blob, my other blog. Come have a taste, if you like...
In this video we encounter a few of the colourful characters connected to the 'Committee of 9' and how they interact with the themes often explored in synchromysticism. Al Gore is believed to be the modern day Noah and The King helps uncover the secrets of the moon.
Enjoy and good luck...
Thanks to Synchromystic Librarian for the Aztec Sun Stone octagon lead.
Thanks also to John for emailing me the K2/Paramount resemblance photos.
Here is the complete recent interview with The Kentroversy Papers
Part 1
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Part 2
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Thanks again Kent and to everybody taking the time to have a listen.
Second part of the interview posted last week by Kent now available at his Kentroversy Tapes.
Or try the players embedded below
Part 1
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Part 2
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The third and final part of the synchromystic trilogy: "Contact? Check!". This installment focuses on the Checker cab as it relates to contact. The Christ/stargate resonant taxi, checkerboard and Schwarzenegger are followed through film to reveal the footprint of higher intelligence embedded in the fabric of NOW (space/time).
Thanks for much help and support to Todd Campbell from Through the Looking Glass.
His Atlantis/Crop Circle post: The Doors of PERCEPTION
The collected trilogy: "Contact? Check!"
I highly recommend this new genius Mark Pesce lecture about technology as it relates to natural selection and sharing.
Here is the link to his blog page regarding the lecture with all the collected youtube clips; the player won't embed properly right now...
Steve Willner and Todd Cambell's Bee video:
Galactic Alignment, Floyd, and The Hyperdimensional Bees
The second part of the synchromystic trilogy: "Contact? Check!". In this installment we continue looking into the WTC and Giza connection using Arnold Schwarzenegger and the West Kennet Checkerboard ("Pyramid Stargate") crop circle as synchromystic grid map.
The motivation: to establish that higher consciousness is in fact in contact with us right NOW (indeed, how could it be otherwise?). This can be interpreted as coded messages left by vastly intelligent non time or space bound interstellar entities (sometimes this is a helpful belief system) but more simply and elegantly, in my mind, just the awakening of the self into cosmic consciousness. The small mind waking into Buddha mind. The lifting of the veil of Maya (2012 resonance). And the end of the Kali Yuga...or some such pseudo spiritual rambling, you know the type.
Part 3, soon...
Thanks to Craig for emailing me about the WTC Poster Pi symbol!
Who is the Master who makes the grass green? - Zen Koan
A few words on synchromystic theory: When I look into a subject in pop culture, take pyramids for instance, patterns start to appear. The helicopter and the taxi are good examples. When you look long enough a kind of meta-narrative starts to unfold, told non-locally through connections to the central theme, in this instance the pyramid. Obviously, part of the story is in one's own mind and belief system. This is no reason for dismissing the result, but important for the viewer to bear in mind (the viewer is encouraged to draw his/her own conclusions on sync points). You can branch off and start looking at the taxi or helicopter itself, which adds more contextual patterning. 'Corn' is another example of a subject that keeps popping up when looking into this sync web. I have not yet tried to put it (corn) into context, but I have many ideas about how it fits. Actors, set design and words, literally anything, are deconstructed for connections and synchronicities. It is as if you are starting to look at the neural pathways of God or Brahman. Made visible by the Internet and the impending eschaton perhaps? Nexus points or nodes (like pyramid or helicopter) where ideas come together start sticking out of the seemingly chaotic noise of concepts and data points. 'Checkerboard design' or 'helicopter' become nexus points in the hive mind, which no matter where or how it is represented, becomes relevant. Even more so if seen in the presence of other important information bits (example Arnold/Taxi/Helicopter/Reptilian Alien, etc, all in "Predator"). This is either a small taste of the emerging new consciousness ranted upon at length by the ever blossoming spiritually open-minded or, to the sceptical, evidence of a new breed of techno-neurosis. Either way it helps me feel connected to a seamless pattern of such awe-inspiring beauty and elegance that I am humbled into a state of divine awareness of the immediate moment and its unlimited potential (sometimes...I still have bad days). That in itself is reward enough for me. The '2012' and 'Illuminati' themes are 'exterior' level games; 'internally' all is already bliss, union and perfect balance. Yet I am very happy 'externally' to be part of the game and welcome the perceived challenges ahead.
Oh yes, this was supposed to be about synchromystic theory, hmmm...just look at the videos and keep asking yourself, "Who is the Master that makes the synchromystic magick, really?"
West Kennett Long Barrow, nr Avebury, Wiltshire. Reported 28th June.
New Red Ice Creations Interview
Latest Steve Willner Videos (below)
A few unrelated interesting youtube clips sent by viewers:
Conspiracy of Science - Earth is in fact growing (below)
Postmodern Times (below)
Moon Song - Pool of the Blackstar (below)
'On the night of August 17th, 2007, a meeting of freemasons and elders met at the Manitoba Legislature for a ceremony of peace on the night of the Venus inferior conjunction of the sun. Lyna Hart, a Cree elder sang the Moon Song to honour the return of the sacred feminine in all of our lives.'
Youtube Channel
Dada World Data Home Page
Some photos taken on my trip to research crop circles. All shots are taken near the West Kennet Long Barrow and it's immediate surroundings.
View on 2 August 2007 from the West Kennet Long Barrow looking over the harvested '3D Checkerboard Hallway' crop circle. The farmers in the area remove the circles from their field to discourage visitors. (above)
A bundle of magick left inside the 'Checkerboard' hole by local pagans, I imagine. (above)
Druids being filmed by the BBC right at the foot of Silbury Hill. (above)
Another 'Sigil' type (image below) circle very near the 'Checkerboard' with Silbury Hill in background (above). Ralph Ellis connects this 'Pyramid' to the mysteries of the Great Pyramid and more in, "Thoth: Architect of the Universe."
Thanks a million guys! 
Sugar Hill, Hexagram Cuboid Stargate Glyph (above and below)
Massive shout out to Ben Fairhall for inviting me over, showing me around and sharing the experience.
A recent photo I took of a Church sign on a street corner overlooked by Winnipeg's Manitoba Legislative Building.
A drawing by my artist friend Piepan.
Further adventures in speculative synchromystic research ensue as pop-culture is delved for clues as to the aim and method behind the 911 mega-ritual. Old favourite resonators like Spider-Man and Thoth-McDuck are used, along with an ever-expanding cast of lovable characters. This episode in particular sees comic book entities like the Fantastic Four, Thor and Superman. The rather controversial element of time travel is suggested so get your head in there and let me know what ya think...
Check out Steve Willner's latest for some more interesting Fantastic Four/Silver Surfer observations (video below).
Thanks to eugene who left a message at Ben Fairhall's new post Has Gerry McCann met VALIS? for some good Abydos leads. His profile says he is affiliated with these sites: FSHOD - Fearlessly Seeking Honest Open Disclosure and The Underground Stream. (Let me know if you would like me to edit that info.
Fascinating Abydos research by Richard Hoagland at The Enterprise Mission
The "Lost Tombs" Revisited:
Aferrismoon shares some interesting related thoughts. (Thorts?)
Thor and Horus, Hammer and Fall-Con
Fox Features Samson where DC fears to don't tread on me.
First Tarot card in the collaborative effort by Synkronos23 and myself. Major Arcana 0 "The Babe of the Abyss" (The Fool).
New Steve Willner video.
September Clues part 1 of 4
911 Eyewitness Part 1 of 3
Related Post By Todd Campbell at Through the Looking Glass.
The Grand Temple of Ceres, "The Pit" and Scrooge McDuck
A continuation of the investigation of the footprint left by higher intelligence embedded in the synchromystic interconnectedness of space/time. Polyhedrons and pop-culture are used as resonators to decode the meta-narrative of the unfolding realization of God-consciousness in humanity. The Saturn hexagon and 911 mega-ritual receive particular focus…
Hope you enjoy it.
Namaste
MySpace
Check out the interesting parallels between Steve Willner's new video.
He fascinatingly picked up on the Death Star (Sphere) and Harrison Ford as well.. Notice also how Micheal Jackson is also connected in mine as the Scarecrow in "The Wiz".
Thanks to these folks for some particular inspiration connected to this new video.
Goro Adachi : Octagons
http://www.goroadachi.com/etemenanki/
Greg: Chicken Little and more…
http://www.occultofpersonality.com/
Synkronos23 : Oz and Cornucopia
http://synkronos23.vox.com/
Todd Campbell: Bees
http://peeringthrough.blogspot.com/
Ben Fairhall: Massive Support
http://ben-fairhall.blogspot.com/
Piepan: Ryan Adams/Elton John/200
http://diannepiepan.blogspot.com/
Check out her art...
The : Iapetus/Hoagland/Hexagon
The Unknown blog commentator..
Octagon Maat: Giza Octagon
http://users.macunlimited.net/barry.mccann/
Henrik and Fredrik Palmgren: Oz/77/Pan
http://www.redicecreations.com/
Tripp: Translation of Disney Finnish comics
His MySpace
"200" by Vincent Collins
Continued speculation surrounding the psychedelic Atlantis, centered this time on the Lotus or Blue Lily. The Noah narrative arrives under synchromystic scrutiny. Attempts also are made to decode Thoth and 911 using Donald Duck as resonator of all the discussed topics.
New interview at Red Ice Creations.
All my vids etc now up at my new MySpace page.
Or see my Youtube channel.
Namaste
"Hollow Earth Agartha DNA Serpent Magnetism"
New video by a partly, synchromysticly influenced researcher Steve Willner.
Here is his Youtube channel.
"The universe is alive; it's a living thing, and it communicates to conscious beings in visual and spiritual cues that can be deciphered from the fabric of space time through our egotistic primitive human filters.. but if we only stop to make the connections, the tree of life.. of knowledge.. awaits us all. More to come..."
Thanks yet again to Red Ice Creations for a fun interview!
My new video about the 911 stargate theory. Included are some synchromystic connections to The Wizard of Oz, George W. Bush and Aleister Crowley.
Enjoy and Namaste!
View all my videos here.
This piece was influenced heavily by the following folks and their fine works:
The Wizard Of Aiwaz (OZ/Aowvis) Part I
Wizard of Aiwass/Aiwaz/Oz Part II
Things are getting interesting indeed...
The Purple Sage opened his mouth and moved his tongue and so spate to them and he said: The Earth quakes and the Heavens raffle; the beasts of nature flock together and the nations of men flock apart; volcanoes usher up heat while elsewhere water becomes ice and melts; and then on other days it just rains.
Indeed do many things come to pass.
-Lord Omar Khayaam Ravenhurst, K.S.C,“The Book of Predications,” The Honest Book of Truth
Some extra material related to this post from Mark Leclair at The Wrong Way Wizard
Also a fascinating sync pointed out by Ben Fairhall related to this post and more.
Enjoy!
Latest interview with Red Ice Creations, drawings and t-shirts.
All videos here.
If you're interested, please check out my synchromystic mushroom art (available to buy on T-Shirts) and my newest interview with Henrik from Red Ice.
Namaste
New Red Ice Creations Radio Interview. A rather fun rant on the Whole Sort of General Mish Mash (WSOGMM).
Notice the radiating eye above the middle pillar and the ladder ascending towards the stargate.
Ralph Ellis has pointed out the amazing and, I believe (current B.S. or belief system dogma), correct originally intended symbolic reference system this design portrayed was not only Solomon’s Temple but the three Pyramids of Giza. This is what the Hyksos Shepard “Isrealite” Kings had in mind when designing the first temple. I have put forward many reasons to believe the pyramids were heavily referenced in the 9/11 event, most likely knowingly, by the secret society elite who influenced it's creation. I recount the major points in the video below.
A 10 min. video with the major points concerning 911 as a Pyramid ritual.
"As an Egyptian Prince, King Solomon is sure to have been educated at the royal college of Heliopolis, and to have been instructed in all the arcane knowledge of this ancient, pyramid-building empire - and this can be seen to be so from a quick comparison with the New Testament accounts. Solomon was not only the son of King David [Psusennes 2], he was also reputed to have been a direct ancestor of the New Testament Jesus. I have already shown that Jesus' titles and actions demonstrated that he was not a simple carpenter, but instead a prince of Egypt and a theological Mason. Like the pharaoh Akhenaton, who reigned long before him, the Biblical Jesus was apparently educated at Heliopolis, and both of these princes became architects. It is known that Akhenaton held the title of 'Chief Architect', and the title held by Jesus, which demonstrates that he held the same symbolic position, is tekton.., from whence the word 'architect' was derived." Ralph Ellis, "Solomon Falcon of Sheba," p. 169.
Previous posts and my new video (above) have dealt with the WTC/Pyramid concept connected to Jesus and Mary. Jesus is shown as a triangle/pyramid in the veiled middle pillar in da Vinci's "The Last Supper."
Jesus being a descendent of Solomon (both Masons like Akhenaton) and the last of the Hyksos Pharaohs, things get rather interesting when we take stock of the matter. Jesus (a chief Mason educated at the royal college of Heliopolis!) is intimately connected to Masonry (even carpenter would seem to be code for such) and hence the pyramids of Giza and portrayed as one by master architect da Vinci in "The Last Supper" right inside the smaller middle pillar of higher consciousness or cosmic illumination. On Jesus' left hand side is a figure believed to be Mary, his sister/wife (common Pharaonic practice) in the esoteric tradition I follow presently.
A giant red flower right in front of Tower 7 goes someway to verifying the validity of Mary as connected to this structure. A best guess would be that this symbolism is intentional but, in order for it to be synchromysticly valid, no direct intention is needed; purely the fact that a connection can be made mandates it's relevance in my system of work. Intent, synchromysticly, is far less important than outcome.
It was meant to symbolize world peace through world trade, and was placed at the center of a ring of fountains and other decorative touches designed by trade center architect Minosoru Yamasaki to mimic the Grand Mosque of Mecca, in which The Sphere stood at the place of the Kaaba. It was set to rotate once every 24 hours, and its base became a popular lunch spot for workers in the trade center on days with good weather.
The Sphere - Wikipedia
The reason for these pyramids being physically visible during the first exodus is given in the book Tempest, where it was explained that some of this exodus story, especially the wanderings in the wilderness, represented rituals at Giza. The 'wanderings' were actually the origins of the processional rituals that are still performed at Mecca during the Hajj. "Eden in Egypt," Ralph Ellis, p. 166.
Thus the Sphere sculpture is intimately connected to the pyramids of Giza and we could further speculate that the rotation of the sphere sculpture every 24 hours is related to the processional rituals performed at the Pyramids and Mecca.
One more item, for your consideration, about the Sphere.
"Upon recovery from the rubble pile, where an airliner seat, a Bible and papers from the various offices in the World Trade Center were discovered within," (again Wikipedia)
I made this drawing for my post "Contacting God Our Alien Creator: The Occult Motivation for the 9/11 mega-Ritual." It was inspired by the image below, which is featured and explained in the "9/11 Pyramid Mega-Ritual" video and the aforementioned post.
The pedestal with the Bible and the candles was replaced with the WTC and the Sphere. Bizarrely, I included the Bible in my drawing and Wikipedia relates that one was found inside the sculpture. Was the Bible discovered in the partly damaged Sphere in the 9/11 aftermath really one that had somehow ended up there during the collapse, or was it placed inside beforehand?
This is a mysterious piece called "Cloud Fortress" by artist Masayuki Nagare. It echoes the three pillar tracing board and Tree of Life theme: two big pyramid/pillars on either side with a third smaller one in the middle. It yet again echoes the WTC as pyramids theme as we see the Twin Towers behind the three pyramid shapes that define the sculpture.
(Photo Robert Segal)
We see in the image above just how large this piece was and that it survived the destruction of the ritual. It however, was bulldozed during the cleanup and recovery and no part of it has yet been found.
I don’t care if you’re related, descended, inspired, authorized (or think you are) by Akhenaton, Solomon, Jesus, Mary, the elder gods of Atlantis or whatever. Using our bodies in order to charge talisman to open stargates certainly constitute violation of fair play. Thus you have forfeited your right to play. You must sit out until the next round.
Peace and Namaste
James Cameron, Horus, Britney Spears, William Shatner all this and more coming up next, soon…
Here is my newest video
This video speculates as to the mystical and architectural importance of the octagon in the ancient and present world. The Freedom Tower is shown to be a representation of the Great Pyramid of Giza and connected to the Stargate. Synchromystic connections are made between the octagon, stargates and pop-culture.
Can you dig it?
Enjoy.
(All my video can be seen here)
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
I will be making more.
The Island of Manhattan, with its three pillars: WTC 1, 2 and 7.
The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.
Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.
I did a piece connecting the Grail to Mary and aliens here:
Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)
The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.
Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.
Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).
Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.
Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.
Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.
One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!
Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st century interstellar war between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon').
http://en.wikipedia.org/wiki/Enemy_Mine
We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.
A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).
The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.
It was visible in the northern hemisphere near Venus...
http://en.wikipedia.org/wiki/Comet_McNaught
Part 1 of this series dealt with Orson Welles.
Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).
The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)
Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147)
It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.
For more controversial info online about space anomalies and NASA cover-ups try:
Researcher Richard Hoagland, a popularizer of the Face on Mars hypothesis and a veteran of the field at his websight:
http://www.enterprisemission.com/
Goro Adachi, a major personal influence of mine and master 'sync searcher' also has much to say about Mars and NASA:
http://www.goroadachi.com/etemenanki/
Some interesting and relevant Mars related links from Etemenanki:
http://www.goroadachi.com/etemenanki/sc2012-1.htm
http://www.goroadachi.com/etemenanki/mars-hiddencolors.htm
A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such:
The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be:
*Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt.
http://metaresearch.org/solar%20system/eph/eph2000.asp
*Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.
Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...
Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.
Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.
Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns?
http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html
If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.
The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi.
Goro on Mars-Sphinx, WTC and Iraq:
http://www.goroadachi.com/etemenanki/lucifer-timecode.htm
Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...
Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.
Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747".
"If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.
The Pentagon, in the new Mars resonating "Transformers" film.
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?
I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon.
http://www.taroscopes.com/webstream/webstream_startpage.html
How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:
The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun.
http://www.bob-wonderland.supanet.com/conspiracy_7c.htm
Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.
A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...
As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!
So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.
The partially collapsed 'D&M Pyramid', on the other hand, is pentagonal -- echoed by the U.S. Pentagon partially destroyed in the 9/11 attacks.
http://www.goroadachi.com/etemenanki/rex-deux.htm
Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.
As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.
As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?
We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!
Online photos of the D&M pyramid and the tunnel/hole:
http://www.mactonnies.com/dmphotos.html
Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.
An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.
Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis.
In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361)
This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).
The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".
Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.
The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.
Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.
Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...
The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?
Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.
"At its middle, the tower forms a perfect octagon."
Freedom Tower -Wikipedia
Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':
Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...
...we can all live together in unity and love...
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
I will be making more.
Thanks to