Yet again we explore the 911 mega-ritual using syncrhomystic resonators from pop culture. Thoth-McDuck makes an appearance but the focus lands on Spider-Man. The helicopter is suggested as a little noticed pivotal element involved in the magick of 9/11. Akhenaton and his descendants (ideological and lineage) are sighted as suspects and there motivation is claimed to be cosmic in nature...
Are higher intelligences attempting contact through a symbolic narrative embedded in the very fabric of space/time? This idea is explored using the Saturn hexagon and cross-referencing it with syncrhomystical connections in movies and the 911 mega-ritual.
In Part 1 we learned about and investigated synchromysticly the claim that George W. Bush is Aleister Crowley's grand-son. The few of you who bravely weathered that speculation were challenged yet again in Part 2 where connections between dynastic secret society family Bush, Pyramids/The Sphinx/Horus and 9/11 were suggested. Now that I have shaken off those with rigid belief systems or 'squares', the handful of us left can 'go the whole hog' and head for space. There is a disturbing trend on the net of making fun of those who would dare connect 9/11 to aliens. Would-be hecklers get ready, this one's for you...
German director Wolfgang Peterson's films were used as synchro-mystic crystal ball in Part 1 while investigating the validity of the claim that George W. Bush is a blood relative of Aleister Crowley. Specifically, the film "The Never Ending Story" was shown to contain Sphinxes (resonating Horus) and a reference to the "Moonchild". We looked at another Peterson film, "Air Force One" with Harrison Ford, as it concerns the President of the U.S.A. and a terrorist airplane hijacking, in resonance with 9/11. Included in this "Air Force One" American President and 9/11 resonance was the concept of the Holy Grail, the Grail having been the prize Harrison Ford (as Indiana Jones) searched for in the heavily Templar-themed "Indiana Jones and the Last Crusade". This post will continue using a few Peterson films syncromysticly. That is, I will look for meaningful coincidences involving these films, that resonate with occult and mystical significance and much more...
Peterson's Brad Pitt-starring "Troy" has been mentioned in these pages before as has the concept that many historical and biblical references believed to be "Israelite" are in fact real Egyptian Hyksos Pharaoh incidents that have been altered over time to suit the currently reigning ideological agenda.
Ralph Ellis posits that the Trojan war was another such obfuscated historical incident. The reality of the Trojan war (as portrayed in Homer's "Iliad") being rather an invasion by Hyksos-Israelite forces into Egypt than as generally believed "Greek" forces trying to recapture stolen Helen.
"As I have speculated previously, one possible explanation for all of this is that the Sea People confederation was organized and lead by elements of the exiled Hyksos-Israelite nation... lead by the descendants of Pharaoh Dannus [Pharaoh Ay]" p.199, "Eden in Egypt"
Can any esoteric Egyptian resonance be found in or surrounding "Troy" and other pop-culture Trojan war references that might help support this claim?
Brad Pitt's presence in "Troy" alone already helps support this Hyksos-Trojan connection as his girlfriend Angelina Jolie has battled the Illuminati in "Tomb Raider". She is seen, in the Indiana Jones inspired film, jumping into a stargate (time vortex) and running up a giant pyramid after an artifact that resembles a free-floating triangular capstone or Benben. Pretty cool for our speculation; still a very poor film.
Another way of confirming the specific occult pyramid resonance of Brad Pitt is by sighting his leading role in last year's simply and relevantly titled, "Babel". Babel, the famous biblical tower that aspired to reach the heavens, is another intentionally veiled reference to the Great Pyramid of Giza, according to Ralph Ellis.
I have repeatedly pointed out over the last few posts how the Twin Towers and building seven intentionally invoked the three Great Pyramids at Giza during their ritualistic destruction. Interesting then, to see how the Tower of Babel and the Twin Towers can all esoterically be viewed as veiled pyramids.
A quick rundown of the most compelling evidence that the Twin Towers and building 7 were intended to symbolize and invoke the three great Pyramids of Giza:
*The floor plan of the WTC plaza seen from above reveals the Twin Towers symmetry to the two great Pyramids at Giza.
Overhead plan of the WTC complex compared to the layout of the three Great Pyramids of Giza. The double squares of the Twin Towers are a very good match for the Great Pyramids. Contemplation of the Orion/Pyramid connection observation made by Robert Bauval lead to this WTC/Pyramid clue.
*A profile view reveals the similar relative sizes of the ancient Pyramids and their modern counterparts, the Twin Towers and building seven.
Two almost equally sized buildings, WTC 1 and 2, and one much smaller WTC 7.
Compare the three Great Pyramids of Giza, two larger, one much smaller.
*The first degree Masonic tracing board's three pillars makes this comparison far more compelling realizing that the three pillars have the same relative sizes as the three towers destroyed on 9/11 and that the pillars themselves are modeled, originally, after the three Great Pyramids of Giza and Solomon's Temple (itself based on the layout and design of Giza).
"For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller." "Eden in Egypt," p. 165, by Ralph Ellis
*"The Sphere" sculpture which stood right in the centre of the WTC plaza was deliberately intended to represent the Kaaba at Mecca, a holy Muslim sight of pilgrimage believed by the faithful to contain a black stone which fell from heaven or was given to Abraham (a Hyksos Pharaoh). The black stone could be a meteorite or representation of the Benben (heavily pyramid resonating) or provocatively, both!
* The destroyed buildings in N.Y. were situated on an island (Manhattan) just like representations of the primordial mound rising from the watery chaos in ancient Egyptian creation myths and seen portrayed in Masonic imagery.
The Island of Manhattan, with its three pillars: WTC 1, 2 and 7. The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.
Having shown convincingly (I believe) how the Twin Towers and building seven are intended to invoke the Pyramids of Giza in a decidedly Freemasonic symbol system and having learned the true identity of the Tower of Babel as pyramid itself, we can now see how towers have in many instances been used as veiled pyramids and how Brad Pitt's "Babel" (nominated for best picture and director Oscar this year) synchromysticly invokes the Pyramids of Giza.
Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.
The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.
Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.
Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).
Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.
Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.
Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.
One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!
Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st centuryinterstellarwar between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon'). http://en.wikipedia.org/wiki/Enemy_Mine
We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.
A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).
The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.
Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).
The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)
Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147) It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.
A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such: The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be: *Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt. http://metaresearch.org/solar%20system/eph/eph2000.asp *Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.
Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...
Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.
Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.
Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns? http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html
If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.
The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi. Goro on Mars-Sphinx, WTC and Iraq: http://www.goroadachi.com/etemenanki/lucifer-timecode.htm
Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...
Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.
Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747". "If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.
The Pentagon, in the new Mars resonating "Transformers" film.
The release date of 7.4.7 (4 July 2007) seen dissolving into a shot of the Pentagon in the teaser brings up a pair of interesting 'coincidences' to mull over, considering esoteric interpretations of the true meaning of America's Independence Day. Graham Hancock and Robert Buaval's epic book "Talisman" elucidates:
It is the date of the Templar's massive defeat by Muslim armies in the Holy Land at the Horns of Hattin on 4 July AD 1187, which was followed by the loss of Jerusalem to Christendom. There could therefore hardly be a more evocative 'Templar' or 'Solomonic' date than 4 July - evocative, that is, of the aspiration to build Solomon's Temple in Jerusalem. The reader will also be aware, of course, that 4 July is Independence Day in the US, commemorating the signature of the Declaration of Independence and converting the date forever into a powerful talisman that spells out 'Independence' and 'Freedom" for the New World and, now by and large, for a new world order. (p. 470)
The attentive reader (I'm never one when writers say that...) will remember having seen the, as we now know occult date of 4 July, once before in another quote by the same authors in this very post. I will repeat it here for hopeful maximum dramatic effect:
On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude. (p. 136 "The Mars Mystery")
Let’s get this all straight, as we have much to chew on. The amazingly overt Mars-resonating (even in a deliberate NASA Mars conspiracy context), alien-themed "Transformers" film highlights the Pentagon and the 'Templar' date of July 4. The Pentagon, obviously in my work, will be sited as a 9/11 reminder. We can thus in one image (the Pentagon/July 4 shot above) see almost the whole syncromystic narrative I am trying to put forward. The key elements are 9/11(represented by the Pentagon), secret society conspiracy (represented by the 4 July 'Templar' date and the implied pentagram of the Pentagon) and 'Mars/aliens' (represented by the fact that this is an image from "Transformers"). Adding to this, we have the speculation of NASA using tetrahedral-wrapped robots to explore and perhaps communicate occult messages to non-terrestrial intelligences through ritualized magickal invocation, using symbolically significant talisman on occult dates and meaningful co-ordinates.
Pathfinder is also the name of a film to be released on 27 April 2007 including pre-Columbus contact between the Vikings and Native Americans. The idea of contact between Europe and America before Columbus is an esoteric standard often connected to the Knights Templar. Reflect for a second, with the above context and taking into account what we have discussed thus far, on this little fact.
This was the very mission (Viking 1) that captured the first photos sparking the Artificiality of Cydonia theory, again connected to 'Templar' date July 4.
The face on Mars has been connected to the Sphinx in works like "The Mars Mystery" because it seems to have a Pharaohnic Nemes as is seen on the Sphinx. In more recent times, newer photos have convinced researchers like Hoagland, Adachi and David Flynn that the face is half human and half lion. If true, this would fit like a glove with the attributes already connected to the Pyramids' giant sentinel, the Sphinx. Part 2: "The Sphinx/Horus and the 9/11 Stargate" explored the connections between Pyramids of Giza's giant stone sentinel, the Sphinx and Horus. Speculation was aired about the significance of Aleister Crowley's communication with Aiwass, a messenger of Horus, after meditating in the King's Chamber of the Great Pyramid. Added to this was the possibility that George W. Bush is Crowley's grand-son. It was suggested that if the blood relation is true, the fact that George W. was presiding as President of the U.S.A. over the 'Pyramid mega-stargate-rituals of 9/11' (as I believe) during September 11, 2001, surely a significance must exist between the fact that his grand-father, Aleister Crowley, received 'alien' communication, ushering in the new Aeon (of secret societies like the O.T.O.) in the Great Pyramid through "The Book of the Law"! Then if Horus was the 'alien' (angel, cosmic intelligence, Great White Brotherhood or whatever) who communicated through Aiwass to Crowley and the Sphinx is a representation of Horus and Mars, couldn't a distinct and tantalizing connection exist between Crowley, Bush, and 9/11?!
Can we connect the possible dynastic secret society lineage of Bush/Crowley to 9/11 and aliens? Aliens are relevant as my current belief system sees the purpose of the 'Pyramid mega-stargate-ritual of 9/11' as involving fraternal secret society higher ups (Illuminati, if you will) trying to send occult messages to their alien creator god (perhaps our creator?). This message operates, in a similar fashion, as the Mars Pathfinder tetrahedron. The timing and symbolism at play in 9/11 may be a kind of 3-D space/time communication to be picked up by non-local cosmic intelligences receptive to such techniques. A variety of metaphors could be suggested for the above statements that might help one swallow this bitter pill if it is not to your particular liking or engenders fear. Fear being the last thing I hope my work might stimulate. High level mystery school initiates using our very cities and bodies to stage and power their magickal emails to aliens could certainly be construed as alarming, I concede. Another slightly less sensationalistic way of explaining this is that a bunch of over-developed third eye occultists, attempting transcendental illumination through elaborately staged rituals, are causing trouble on our planet. We have to open our hearts (chakras) to these people and reclaim our own ecstatic connection to divinity.
The above scene from "Scary Movie 4" amazingly connects 9/11 to aliens and the President. Leslie Nielson is seen enacting a parody of the famous video, taped the first moment George W. Bush supposedly heard about the terrorist attacks, while reading along with elementary school children from "The Pet Goat". http://en.wikipedia.org/wiki/My_Pet_Goat
In "Scary Movie 4" however, terrorist attack is replaced with aliens that are destroying the earth, as Nielson is being informed in this scene. (Please see Part 1 for more George W. Bush syncs).
If we are looking at Aleister Crowley's grand-son in the image above reading "The Pet Goat," another part of the 9/11 mega-ritual might be revealed.
Jack Parsons, one of the founders of NASA Jet Propulsion Laboratories (JPL) and Crowley's hand-picked leader of the Ordo Templi Orientis, would invoke Pan (A Greek Goat God) with 'The Great Beast 666's' very own poem, "Hymn to Pan". http://www.poemhunter.com/poem/hymn-to-pan/
He is less well known than Wernher von Braun or Theodore von Kármán in the rocket program and the origins of JPL. Nonetheless, von Braun remarked that Parsons, and not he, should be regarded as the father of the American space program. http://en.wikipedia.org/wiki/Jack_Parsons
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?
I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon. http://www.taroscopes.com/webstream/webstream_startpage.html
How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:
The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun. http://www.bob-wonderland.supanet.com/conspiracy_7c.htm
Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.
A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...
As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!
So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.
Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.
As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.
As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?
We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!
Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.
An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.
Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis. In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361) This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).
The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".
Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.
Another occult "Lost" moment happens inside the mysterious hatch in season 2 (I forget the specific episode) when Lock is seen filling in a crossword puzzle.
Folks familiar with Zecharia Sitchin and William Henry will recognize these ancient Sumerian God names as suspect ancient astronauts (our alien creator gods).
The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.
Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.
Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...
The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?
Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.
It is possible that the octagon shape of the Dome of the Rock hails from the double square floor plan of the King's Chamber in the Great Pyramid. Remember that Crowley meditated in this same space before receiving the book of the law from an angel and that a small yet tantalizing possibility has been put forward that George W. Bush is Crowley’s grand-son. The interlocked double square forms the eight-pointed star. By joining the points of the star we get the octagon, which the Templars used as inspiration for their famous red cross. If correct, we again see how the Pyramids of Giza are being invoked in the architecture at the WTC in N.Y. Whatever else we learn from this speculation, one thing the octagon at ground zero reveals is the simple fact that the ritual is not over...
Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':
Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...
...we can all live together in unity and love...
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
The World Trade Centre complex is shown atop the primordial mound of Atum penetrating the chaos of Nu. 'The Sphere' sculpture stands in between them representing the Benben and Kaaba and giving us a hint as to the Egyptian origins of the 9/11 symbolism and talisman employed in the mega-ritual. We see the eye in the triangle with the processional movements of the stars indicating the astrological and heavenly bodies’ significance in the timing and invocation of this magickal act committed on 11 September 2001. This image and post examines the motivation of the ritual-the opening of the stargate or cosmic consciousness- an attempt at contacting God our alien creator. Since my previous post, focusing on the WTC as veiled pyramids and "Great Spherical Caryatid" (a large sculpture in the middle of the World Trade Centre plaza up until 9/11), I’ve been thinking more about this strange object. I highlighted how it was designed to represent the Kaaba at Mecca. It was shown how the sculpture is related to atlas, the Black Stone inside the Kaaba and the Benben. All of these attributes connected to this bronze "The Sphere" (its popular nickname) sculpture, implies another occult interpretation of this corporate art piece. If Caryatids are stylized pillars and the Freemasonic hero Hiram Abiff was known as the bronze pillar maker in Masonic lore, than it stands to reason that the bronze-pillar connected-statue in the middle of a bull's eye design and water fountain has more Masonic resonating occult significance than previously thought.
Before we move on to further investigation of God through geometric shape related occult synchronicities I would like to point out a little insight that occurred to me while drawing this posts picture, right at the top. While staring at my framed third degree Masonic certificate I noticed how the three candles pictured, present in Masonic lodges, are in the same relative arrangement as the pillars of the first degree tracing board.
On this image they are portrayed as being atop the primordial mound of Atum-Ra piercing the chaos of the watery abyss of Nu. The image goes some length to betray the Egyptian origins of the Craft and the Christian bible. The bible (sacred book) in between the candles/pillars in the drawing is also found in Masonic lodges and used in ritual and initiation. Having a representation of the Christian bible atop the mound of Atum -of the Egyptian creation myth- is a powerful and obvious symbol. If we combine this image with the revelation of Genesis as amalgamation of Egyptian mythology and history a powerful insight into ancient history is achieved. See my previous post and Ralph Ellis' "Eden in Egypt" for more (p 10 mentions Atum and Nu specifically and much of this information is drawn from that source). After seeing the image I thought it would be interesting to portray the three destroyed WTC buildings as the three similar sized and arranged candles atop the mound. At some point yesterday it occurred to me that I was drawing the three buildings on an Island. This is the reality of the three buildings as it were in real life! The buildings which have been connected with the three pillars of the tracing board which are obviously also reflections of the similar sized candles of a Masonic temple.
Thus another veiled symbolic connection between Freemasonry and 9/11 can be sited, the three buildings of Manhattan Island as symbolic representations of the three candles/pillars on the primordial mound of Atum. The primordial mound represents the Benben stone (again see p10 of "Eden in Egypt") which if you read further I will attempt to accuse the WTC buildings themselves of being intended to invoke.
A first degree tracing board
I should also note before we continue that I hadn't completed "Eden in Egypt" before writing the previous post in which I connected the three WTC buildings (1,2 and 7) to the three biggest pyramids at Giza. On reading page 196-197 I learned that Ellis had made a simmilar connection to the Great and Second pyramid and the Twin Towers in passing. Here is the relevant passage: As the Amercans have demonstrated at Pearl Harbour and the Twin Towers, sometimes it is better to wait patiently, and perhaps nervously, for an unprovoked attack, so that the overwhelming military response can be made from an indignant, united nation. (Note the symmetry between the Twin Towers and Twin Peaks at Giza).
Geometric shapes like the cube and the sphere have invaded my mind, like, well like the Borg Cube! Assimilating my everyday thought processes and making resistance futile.
The Borg Cube arrives at the Earth. An encoded reference to our alien God's arrivil?
A very interesting sync happens when we keep the Kaaba of Mecca its spherical sacred Stone and the related bronze WTC sculpture in mind. Then at the same time, recounting a sequence in the film "Star Trek 8: First Contact".
The Cube releases its Benben.
The alien Borg cube attacks earth and seconds before being destroyed releases a smaller spherical ship that opens a time-vortex. Vortices and time travel are stargate themed technologies. A little later I will try and connect teleportation to stargates. The ovoid Black Stone (possible Benben) inside the cube shaped Kaaba at Mecca is speculated to be of space and/or alien descent (again please see previous post for more details).
We need to cut away from Star Trek and look into Freemasonry to prepare this sync for its maximum potential esoteric relevance.
Ralph Ellis, as pointed out in the previous post, deconstructs the word Kabbalah as Kabba and Allah which he translates as "Cube" and "God". Ellis further reveals in "Eden in Egypt" the final and ultimate secret of Freemasonry in a commendable, no nonsense and matter of fact manner. Whether he is correct, and that he has revealed the actual, no bones about it, cold hard fact behind the secretive Freemasons or not. We can in the very least speculate that it is the ultimate occult truth believed by many esoteric schools and individuals and no doubt represent many Masons personal view. At the same time Ellis notes that many Masons would scoff at the very idea but none the less he puts it forward whether we (or even all Masons) believe him or not. It’s nothing new, quite simply he claims the secret kept alive by the Craft is that God is an alien.
The Benben travels through a stargate.
Let’s return to the Star Trek scene I mentioned and compare notes. A cube shaped alien spacecraft shows up at earth and releases a sphere that opens a stargate and travels back in time. The word cube has been connected to God and God has been identified as being an alien, lets hope if God can read this he takes well to this kind of accusation! The sphere released by the borg cube is reminiscent of the stone inside the cube shaped Kaaba which in turn has been well connected to the sphere sculpture at the destroyed WTC. My personal bias leads me to connect "The Sphere" sculpture (which the architect designing the WTC plaza as a reflection of Mecca, placed at the corresponding position of the cube shaped Kaaba) to stargates because of its positioning the middle of a bull's eye in water as seen from the top.
The Enterprise and its crew follow the Benben through the stargate.
Could we now say that the Star Trek scene with the Borg Cube and Sphere shows us an encoded occult message along the lines of "God as cube, shows up at the Earth and sends his sphere (Benben) through a wormhole to the surface."? This would tally well with the story about the Benben falling from the sky or an angel giving Abraham the Black Stone believed by many faithful Muslims to be inside the Kaaba, right?
Ben Fairhall has mentioned over at his blog "Ben Fairhall - Battling the Behemoth" some interesting cube related syncs. He has connected cube shaped designs in the ornamentation of Rosslyn's Lady Chapel to Clive Barker's "Hellraiser" and the Nintendo "Game Cube" logo. http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html
"Hellraiser" sees a cube shaped puzzle box that opens the portals (stargates) of hell and the "Game Cube" logo is pointed out as showing a "G" inside a cube. The idea here is to think of the Masonic square and compass symbol with its "G" inside. When we consider that the square and the "G" (which is often translated as geometry) of the Masonic symbol could be well represented by a cube this sync starts to enter the realm of possible intentional veiled occult symbols. Michael Tsarion has taken great efforts to point out the occult sacred symbols hidden in corporate logos. It used to be an issue of much frustration and import to me to try and separate which ones were intended to be veiled imagery and which were synchronisticly relevant. Now it seems the dividing line which was blurred at most points has started to disappear all together, leaving me unconcerned whether the occult message was intentional or imbued with relevance by myself. I believe we could derive a mystical insight from this blurring of lines. In essence the problem is the false dichotomy between subject and object, experience and ‘experiencor’. Added to this polarizing principal of the rational westernized materialist mindset is the overarching tendency for the human intellect to try and make experience fit into either/or categories. A primitive and outmoded Aristotelian program, starting to be overwritten by the non-linear inter-subjective emergent omni-directional interconnectedness of the human mind. Aided materialistically by technology like the internet and grounded spiritually by the acceleration of awakening of consciousness into divinity. All this (and a free bag of chips) finding artistic expression in the 2012 meme...
I believe the three buildings destroyed on 9/11 represent the first degree tracing board's three pillars and both systems of symbols find their origin in the pyramids of Giza. Can other elements of this Masonic image be said to be represented at the original WTC complex?
Before we try and answer this question I would like to put forward a few more sculptures that echo the themes explored on this blog that might help solidify the claim that art works -like 'The Sphere'- can be used as occult symbols to heighten the geomantic relevance and invocation of magickal power by public structures.
Note how the two bigger pyramid type structures align with the Twin Towers in this image.
Masayuki Nagare's 'Cloud Fortress' was destroyed during the cleanup of the 9/11 mega-ritual. When I look at this image I see three pyramids, two greater on the sides, with a third, smaller one, in the middle. The Twin Towers (modeled after the pyramids and twin pillars of Jachin and Boaz) are seen on the far left and right of the image. The sparse information about this piece on the net does somewhat confirm this suspicion.
The massive sculpture, which creates the image of a floating pyramid-structured in black granite stone, stood in front of the World Trade Center buildings, which were destroyed in the Sept. 11 attacks.
"Sphere Within a Sphere" sculpted by Arnaldo Pomodoro located outside the Vatican Museum. Thanks to Vince, who left a comment on my previous post, for pointing this out. Is this sculpture another occult reference to the Benben or Great pyramid (The Great Pyramid containing the Pi ratio)?
The tessellated checkerboard type design and related symbols present in Masonic lodges seen on the tracing boards is believed by Ralph Ellis to be based on physical attributes of actual locations rather than spiritual or moral iconographic teachings.(See "Eden in Egypt" Ralph Ellis p 166-167) The Giza plateau in this theory is believed to contain the original precursor of the checkerboard which was possibly mimicked for the Temple of Solomon, generally accredited as inspiration for the floor plan of Masonic lodges. The idea is put forward that the original pavement east of the Great Pyramid was comprised of black and white stone owing to the discovery of polished marble and basalt in this area. The Biblical account of the pavement surrounding Mt Sinai according to p 167 of "Eden in Egypt" reads: "And they saw the God of Israel: and there was under his feet as it were a paved work of sapphire stone, and as it were the body of heaven in his clearness." Ellis believes Mt Sinai is the pyramids of Giza, obfuscated by later scribes of the Bible to hide the overt Egyptian origin of Judaism, Islam and Christianity. The Bible passage could then be originally referring to a reflective surface at the Giza pyramids in which the stars could be seen "under feet".
It seems entirely likely that Freemasons, who are no strangers to architecture (hell, they might originate from the original pyramid builders making this statement an extreme understatement!) and secretly keepers of a more original interpretation of the Bible would design structures that reflect the occult knowledge of the pyramid rituals. This is what I believe we can see proof of in the design of the Washington Monument and the Twin Tower's construction and the execution of the ritualistic and symbolic elements at play on 9/11.
Connecting Spheres and circular motifs to the Great Pyramid at Giza is no logical jump as Pi as mathematically encoded in its very construction. Its height represents the radius and its perimeter the circumference of a circle. Ralph Ellis writes in "Eden in Egypt" on p 169 : "... so to all intents and purposes the 'triangular' Great Pyramid is a representation of a circle." We can therefore see a direct and logical link between spherical and pyramidal (triangular) representations of the Benben.
The idea of having the stars reflected around the base of a pyramid, just as would be seen in ancient times at Giza, could very likely be the true purpose of the reflecting pool at the George Washington Monument.
The monument being a giant obelisk is obviously surmounted by a pyramid which would at night, from the right angle, like the view seen by Lincoln on his marble Emperor throne, be reflected in the heavens along with the pyramid on top of this big needle. The triangle representing Aton or God (an alien in this post, dig?) hovering in space.
Enigmatically the triangle in space is a recent theme of many UFO sightings and is represented in pop-culture in shows like the X-Files.
More veiled Masonic checkerboards, the Eiffel Tower
The glass pyramid at the Louver, a Benben reflecting.
The London Eye displaying one of its occult properties by reflecting in the heavens. Is 'The Eye' a circular pyramid and Benben allusion?
Big Ben also reflects in the Thames. Could Big Ben, a somewhat obelisk shaped clock-tower, really be referencing Benben (Big Ben-Benben)? We see the structure here relative to "The Eye", it's almost as if the eye is staring towards the Houses of Parliament. Though, that way lies paranoia... Hopefully, if you've made it this far into this post, your well beyond paranoia.
Is Isis/Liberty designed to interact with the WTC layout and purposely built on an island to represent Atum, even perhaps reflecting in the heavens? This is an area still wide open for investigation, maybe in future posts we can confront this American symbol of so-called freedom.
More reflecting pools which invoke Masonic tracing boards (pictured above), present at famous occult landmarks, include the glass pyramid at the Louver, Eiffel Tower, Big Ben (Benben), Isis/Statue of Liberty and the London Eye. Now that we have established the veiled manner in which water can be used to reflect Masonic-pyramid inspired- symbolic elements in public landmarks lets get to the point, shall we?
The Twin Tower Pyramids (Jachin and Boaz) felled on 9/11 were built on an island in a manner which allowed them to be reflected in the waters of the Hudson River. If the original intention of the checkerboard was to portray the reflected heavens at the base a pyramid both the Washington Monument (and many other public structures) and the WTC can be said to have this theme represented by the reflecting waters at there respective bases.
The WTC can be said to have this theme doubly represented as "The Sphere" had a black granite base over which a thin film of water flowed, making this surface perfect to reflect the towers in the heavens. To go deep into the theme of bringing 'heaven on earth' through architecture, a great source of information on the Hermetic and Gnostic beliefs that Masonry is steeped in can be found in Graham Hancock and Robert Bauval's "Talisman".
The WTC can now with greater conviction be said to have been a giant representation of the Masonic tracing board with the two pillars of Jachin and Boaz reflected in the heavens by the Hudson River. The Benben of legend, having fallen from space and consisting partly, or actually comprising, the original obelisk from Heliopolis. The idea of building obelisks and pillars that are seen reflected in space seem quite appropriate. That is, if you follow the 'heaven on earth' or 'as above so below' Hermetic and Gnostic idea of using the ignorant populace's very dwelling space as giant talisman to perform mega-rituals like 9/11! We should keep in mind that the Benben is believed by some to be the progenitor of the pyramid. If the Benben pyramid origin is true (what ever true is) and the Twin Towers are modeled after the Twin Peaks of the Great and Second pyramids at Giza (and an aerial view of the WTC plaza does seem to confirm this) then the original idea for the Towers would be the Benben itself.
(Click on image to enlarge). Notice how the relative positioning and layout of WTC 1 and 2 are very similar to the Great and Second Pyramids of Giza. See previous post "WTC Pyramid: Part 2" for more information.
The World Trade Center could thus be argued to be modeled after a rock that is said to have fallen from space or given to Abraham by an angel (alien) and represents God, or as stated earlier, an alien. The presence of the Kaaba representing "Sphere" sculpture in concentric circles (magick circles and stargates) lends weight to this theory. The WTC was built in the image of and represents an alien artifact. If we consider that the new WTC complex's major structure,the Freedom Tower, (what a vulgar misnomer) will be a building 1776 (Illuminati founding date) feet tall featuring an octagonal centre point we might just go mad. If you haven’t gone mad yet and need one more push to reach the edge, think about how the Dome of the Rock, the possible origin of the Octagonal shape's importance to the Templars (passed on down to the Masons) is built over another sacred rock believed in some circles to be part of a giant cube-shaped megalith (could anything resonate more with the Benben!?) Could sheer coincidence account for the fact that this building is being built on, or near, the spot where a giant spherical statue used to sit in intentional resonance with the Kaaba at Mecca? A statue which has been connected to the Benben itself! Not to mention that the pyramid pillars of Jachin and Boaz (Twin Towers) themselves alone reflect the Benben. How in the world could all the complex symbolism invoked by the Freedom Tower and 9/11 possibly be reconciled with the terrorist theory?
The Freedom tower to be completed in 2012 no less, is 1776 (Illuminati founding date) feet tall and has an octagonal middle point. Seen from the top, (the heavens) its profile would be an octagon.
Wait a second! Are you saying that the World Trade Centre and 9/11 comprises a ritual and invocation of forces by certain individuals in the brotherhood of Freemasonry, to contact God, who is himself an alien, and as proof you offer only your word, a round sculpture and some scene from Star Trek? I suppose I am... But I have more scenes from Star Trek if that will help!
Let's find more syncs to include with the great Borg Cube example from "Star Trek 8" that might help us uncover a "God as alien" theme in the synchromystic sync-web.
Comedian George Burns plays God in the "Oh, God" films. Reading Wikipedia's Trivia section on George Burns gives us two “Star Trek” and a “Simpson’s” sync. http://en.wikipedia.org/wiki/George_Burns#Trivia
The time traveling whales in "Star Trek 4" (as the entire ship time travels, just like the Enterprise crew and Borg in "Star Trek 8") are named George and Gracie after Burns and his wife. Thus we have George Burns connected to time travel (stargates) and aliens (Star Trek couldn’t be more alien connected, right?). Again in the Next Generation Episode, "The Outrageous Okona," Data tries his hand at comedy in his never-ending quest to be more human and mimics George Burns. Data, who resonates George Burns, "jumps the gate" many times including hurtling through the vortex created by the Borg Sphere (connected to the WTC Sphere and Benben) in "Star Trek 8: First Contact" which is about mankind’s first contact with aliens (god?). "The Simpson’s" episode with George Burns' "Rosebud" sees Montgomery Burns lampoon Charles Foster Kane (Orson Welles) from "Citizen Kane" as the title would suggest.
Morgan Freeman plays God, who bestows his almighty power on Jim Carrey in the horrible "Bruce Almighty". Morgan Freeman narrates for Spielberg's "War of The Worlds," saying the lines that Orson Welles would have said in the famous radio drama about alien invasion that legend has it caused many people to flee for terror in real life! Wonderful, now we see George Burns, “Simpson’s”, Orson Welles and Morgan Freeman all well-connected to aliens and God.
Jim Carrey can also be considered as God following the plot, poster and title of "Bruce Almighty". When reviewing his classic "In Living Color" days we can appropriately tie him into this theme by highlighting his "Star Trek" spoof from the T.V. show in which he plays Captain James T. Kirk. Kirk has even been involved in contacting "God," or something pretending to be God, in "Star Trek 5". Here's the "In Living Color" Star Trek spoof.
Check out the Fez-sporting Nation of Islam dudes, good stuff.
Now things get weird. Being a big fan of "Star Trek" I was delighted when Henrik Palmgren (from Red Ice Creations) brought up in an email how perfectly "Enterprise" fits into the alien/ reptilian/David Icke scenario. He's quite right, as a major antagonist group in this show is the Xindi, which are comprised of several species including the Reptilians.
The Reptilians attack earth dramatically with a spherical weapon that kills seven million people. The Reptilians have themselves been duped into this action by the inter-dimensional beings called The Sphere Builders who can view multiple time lines. We now have cluster fuck of stargate, sphere and alien syncs all part of the "Star Trek" universe, which has already been intimately connected to God and aliens. Another way of connecting the stargate/time travel theme here would be to invoke the memory of Scott Bacula's (The Enterprise captain in "Enterprise") first famous role as Dr. Sam Beckett in "Quantum Leap".
I have yet to get deep into this show, which has been making blips on my sync radar for a few months, but some preliminary thoughts, which tie right back into Star Trek, might be worth mentioning at this early point. Terry O'Quinn, who plays a key position in "Lost," acted a one-off role on a fan favorite "Star Trek: Next Generation" episode called "The Pegasus". In this episode O'Quinn is the Captain of the Pegasus, which is a ship with a top secret and illegal phase shift cloaking device, allowing it to become invisible and move through solid matter. This cloaking technology I find somewhat resonating with vortex or gate themes and the Enterprise and "Star Trek" alone allows O'Quinn to be considered as stargate resonating. In one particular scene we see O'Quinn gleefully clutching at his pillar-shaped cloaking device. This episode was based on the Philadelphia Experiment, a conspiracy theory involving US government teleportation technology. http://en.wikipedia.org/wiki/Philadelphia_Experiment
"Lost's" Terry O'Quinn finding his secret teleportation conspiracy theory inspired technology.
Terry O'Quinn (with Jonathan Frakes) and his space manipulating device, being teleported. Crazy cool.
To help solidify this occult resonance O'Quinn is also intimately involved with Illuminati subject matter including the Spear of Destiny (which features again in this post) in "Millennium". "Enterprise" rears its head again as the final episode takes place at the same time as the events on board the Enterprise of "Next Generation" during the already mentioned, "The Pegasus" episode (with much focus on Jonathan Frakes). Adding to the "Lost"/"Star Trek" ball of coincidences is the fact that "Lost" co-creator J.J. Abrams is heading the new "Star Trek 11" movie project. We will have to keep our beady little eyes firmly etched on this matter as it develops.
One more fascinating God reference which I haven’t connected to aliens yet, but does contain another impressive sphere, is found in the career of Keanu Reeves. Keanu Reeves as Neo (anagram for One) from the "Matrix" films visits the "Architect" in "Matrix: Reloaded". This is an obvious reference to one of the versions of the Masonic God "force". Let’s take a quick closer look at Keanu Reeves' career and see if there are any more theological resonating themes. In "Bill and Ted's Bogus Journey" back in 1991, Keanu Reeves has a prior audience foreshadowing his Masonic encounter--meeting with God, having died and travelled to heaven. This tallies well with some folks messianic suspicions about the character of Neo and my Keanu theology. In the "Little Buddha", Keanu nullifies any doubts as to his identification and resonance with the enlightened or "shining ones" playing Siddhartha (Buddha) himself. Further, we can bring Christ and even the Spear of Destiny, the spear said to have pierced the side of Christ, into the mix by invoking his role and name in the movie, "Constantine". The name "Constantine" should already be ringing in our ears with Christian overtones, seeing as the Roman emperor by the same name could quite possibly have codified Christianity into much of what it is today at the First Council of Nicaea. The Spear of Destiny was mentioned earlier with regards to "Millennium" and Terry O'Quinn and is a central plot device in "Constantine."
The Matrix Revolution Shockwave water Sphere, seen during a fight between Neo and Hugo Weaving (Elrond from Lord of the Rings).
A link between "The Matrix" and "Lost" is created when we learn Harold Perrineau acts in both "Matrix Revolution" and "Lost" (Michael Dawson). "Lord of the Rings" connects to "Lost" through the actor Dominic Monaghan (Charlie Pace).
Warning: "The Fountain" (one of my new favorite movies) spoiler in next paragraph.
Having mentioned "The Sphere" sculpture and movie, ("Sphere" 1998) adding the Borg and Xindi sphere's of this post, another amazing sphere appeared into my awareness yesterday. I went and watched "The Fountain" and had my mind turned inside out. This film's rich use of mystical and occult symbols could merit an entire post or a even a book and I think it's the new "2001: Space Odyssey." But to cut a long story short, the sphere shape is a pivotal element of this work of art. We see Hugh Jackman, a stargate veteran (see link below) climbing a pyramid with Orion's belt overhead and later flying right into the heart of a star with the "Tree of Life" inside a giant glass sphere!
(Click on image to enlarge). Notice how the concept of radiating light is present in all these stargate-themed images. The light comes through the tree's branches , from behind the earth's rim, through the water door and again finally from behind the Illuminati eye.
"The Fountain" came up before because a shot from the film with the Tree of Life and Hugh Jackman walking on water at its base was likened to a NASA mission patch and the stargate from the Stargate films and shows. All these images hark back to the Illuminati dollar bill pyramid.
How in the world do I account for the fact that right after a post debating the meaning of "The Sphere" inside a fountain at the World Trade Center plaza, this fountain itself lying inside a giant stargate bull's eye of concentric circle design, we once again see this same theme expressed overtly in the movie "The Fountain!" Hugh Jackman, a stargate traveller ("Kate and Leopold" and "The Prestige") who is also seen battling foes on the head of Liberty/Isis (with the WTC in the background, see link above) in "X-men" can now be seen contacting the god inside himself, inside a Mayan pyramid and penetrating the heart of a star in a nebula that is part of the constellation Orion (this all while floating inside a sphere!). Contemplation of Orion was the source of my own WTC pyramid realization.
My only conclusion for this kind of incredible synchronicity and the point of all my work is highlighting the unity and resonance between all things. As comedian Bill Hicks used to say: "We are all one consciousness experiencing itself subjectively. There is no such thing as death, life is but a dream and we are the imaginations of ourselves."
"Lost's" crashed plane and its concentric circle or bull's eye stargate logo.
"Lost's" jet plane has itself the concentric circles (a symbol of God and the cosmic Illumination of the stargate) or bull's eye theme expressed as a logo printed on the side of the crashed plane (need I bother reminding us of 9/11 here?). Thanks to Henrik's journal (link below) we can also take note that the WTC alien pyramid pillars are visible through the windows in a flashback sequence in this enigmatick show. http://www.henrikpalmgren.com/journal/
Henrik and others have validly compared "Lost" to "The Prisoner". Another Sphere, "The Rover," often springs from a fountain or other water source in "The Village," a familiar cult T.V. icon.
In conclusion:
In the spirit of Ralph Ellis' inspirational and refreshing open and honest claim that the secret of masonry is that God is an alien, I too would like to do the same and just come out and say what 9/11 appears to be, taken from my current belief system which is ever evolving and changing.
A materialist interpretaion of the 9/11 ritual would have me believe in Illuminati wizards using magick to open stargates to talk to aliens from Sirius or some such far away space place.
A spiritual interpretation would lead me to claim that 9/11 was an ushering in of the new Aeon and a powerful birth pang of the emerging transhuman godhead of Earth.
These two interpretations need not exclude each other and can quite possibly both have equal validity.
Just saw online that David Lynch has admitted to harbouring huge doubts about the official version of the 9/11 events. I find it interesting how the director of Twin Peaks (names used for the pyramids in this post) is now openly debating the Twin Tower deception. Perhaps this will come up again on the blog...
I am leaving for South Africa to visit friends and family for 5 weeks, not quite sure how much time I will get to Blog in 'the dark continent'. My artist friend did this piece for me, you can check out her work here: http://diannepiepan.blogspot.com/
I don’t think she really truly captured my hat but my little plane looks just like the real thing...
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Ben Fairhall has mentioned over at his blog "Ben Fairhall - Battling the Behemoth" some interesting cube related syncs. He has connected cube shaped designs in the ornamentation of Rosslyn's Lady Chapel to Clive Barker's "Hellraiser" and the Nintendo "Game Cube" logo.
"Hellraiser" sees a cube shaped puzzle box that opens the portals (stargates) of hell and the "Game Cube" logo is pointed out as showing a "G" inside a cube. The idea here is to think of the Masonic square and compass symbol with its "G" inside. When we consider that the square and the "G" (which is often translated as geometry) of the Masonic symbol could be well represented by a cube this sync starts to enter the realm of possible intentional veiled occult symbols. Michael Tsarion has taken great efforts to point out the occult sacred symbols hidden in corporate logos. It used to be an issue of much frustration and import to me to try and separate which ones were intended to be veiled imagery and which were synchronisticly relevant. Now it seems the dividing line which was blurred at most points has started to disappear all together, leaving me unconcerned whether the occult message was intentional or imbued with relevance by myself. I believe we could derive a mystical insight from this blurring of lines. In essence the problem is the false dichotomy between subject and object, experience and ‘experiencor’. Added to this polarizing principal of the rational westernized materialist mindset is the overarching tendency for the human intellect to try and make experience fit into either/or categories. A primitive and outmoded Aristotelian program, starting to be overwritten by the non-linear inter-subjective emergent omni-directional interconnectedness of the human mind. Aided materialistically by technology like the internet and grounded spiritually by the acceleration of awakening of consciousness into divinity. All this (and a free bag of chips) finding artistic expression in the 2012 meme... 
Enigmatically the triangle in space is a recent theme of many UFO sightings and is represented in pop-culture in shows like the X-Files. 
