(Click on image to enlarge) This drawing shows Aleister Crowley's grand-son "Moonchild", George W. Bush, Pharaoh of the United States of America. He presides over the 9/11 mega-ritual, which saw the World Trade Center used as magickal talisman, invoking the three Great Pyramids of Giza. Our synchro-mystic investigation into these and other related matters continues in this, the first part of three related posts.
Rumors of Robert Anton Wilson's death have again surfaced. I will play along for now. Post dedicated to RAW...
Aleister Crowley, the ever increasingly popular magickian will be the starting point of this post's investigation into the world of synchro-mysticism, a place where everything is connected to everything else and no coincidence is trivial or mundane. That very same place you occupy right where you are sitting now, but might not even realize fully, just yet. Your very special and unique space/time coordinates are always significant and filled with intimate inter-connections. You need only open your self to this ever-present self-similar and fractal nature embedded in every point of the universe to realize how seamlessly everything flows into and through you (even because of 'you'). 'Your' mind and body is a bridge, allowing movement of energy as information between 'you' and the 'external' world. Indeed, once the meaning of synchronicity is fully integrated, the internal and external dichotomies collapse and the real fun begins.
"The Great Beast 666" has infiltrated the collective psyche in a very interesting veiled manner. He is being watched unknowingly (in the form of a character believed to be inspired by Crowley) all over the world right now by millions in a popular Hollywood movie! The new 007 film, "Casino Royale," is based on the Ian Fleming novel of the same name. The net is rife with speculation that James Bond is modelled after famed occultist John Dee. The 007 number is said to have its origin in the manner Dee would sign his secret communiqués. http://www.sirbacon.org/links/dblohseven.html
While reading Wikipedia's Crowley pop-culture references, this interesting fact jumped out and hit my brain (with joy): "Ian Fleming based the character Le Chiffre in the first James Bond novel Casino Royale on Crowley." http://en.wikipedia.org/wiki/Aleister_Crowley_in_popular_culture
Tantalizingly, CNN also mansions this possible Crowley connection in context of the new 007 film, making it at the very least, valid as a culturally relevant meme imbedded firmly in the global mind. Whether Mr. Fleming intended thus or not. http://www.cnn.com/2006/SHOWBIZ/Movies/02/16/film.bond.reut/index.html
Now we have Le Chiffre, (The Number) the main villain from the new James Bond (John Dee) film as a direct echo of Aleister Crowley (The Great Beast 666). "The Freeman Perspective" blew my mind a while ago when making the claim that George W. Bush is possibly descended from none other than Aleister Crowley!http://thefreemanperspective.blogspot.com/2006/09/and-vs-have-it.html
It seems amazing enough that this small possibility even exists, let alone the almost unimaginable wonderful kookiness that is opened to our speculation should it turn out to be true. As this blog is less concerned with truth and much more interested with emergent occult possibilities, we can speculate and rotate this George-W-Bush-as-'Moonchild'-of-"The-Great-Beast-666" idea at length should we choose to do so. And indeed I do, being of the opinion that possibilities are wonderful on their own. Again, 'the truth' of the matter is secondary to the fact that it is even being debated in the collective mind at all. Contemplation of Kurt Russell as Snake Plissken, flying towards the World Trade Centre in "Escape From New York," was part of a causal chain that led me to find resonance between the destroyed WTC buildings 1,2 and 7 and the Great Pyramids of Giza.
Aleister Crowley's head pokes up second from the left in the top row, next to Sri Yukteswar Giri on the iconic Beatles, "Sgt Pepper's" album cover. This cover (and Sri Yukteswar Giri) will be seen frequently as we continue on our journey of enlightenment about Crowley and Bush.
German director Wolfgang Peterson's films become relevant in this Crowley/Bush investigation in the following manner: Harrison Ford flick, "Air Force One," sees the actor (who has quested for the Grail as Indiana Jones) play the president of the USA, (who now resonates synchro-mystically with A.C.) who has to fight terrorists hijacking the presidential plane. The interesting 9/11 resonance of this hijack/plane/terrorist theme including the US president, starts this synchro-mystic mishmash off very nicely. When we include the 'US President as Aleister Crowley’s grandson’ speculation, things get interesting indeed.
I will use many Peterson films as divining rod for relevant sync-echoes in this series of posts.
The 9/11 Prophecy website speculates about the USA dollar bill and its occult talismanic properties.
The bill, with its pyramid and Egyptian winged orb (American eagle), is said to be a magickal talisman designed to bring about the new Aeon and directly involved with the 9/11 mega-ritual. Essentially, the populace who carried the bill, charged the magickal device with energy that helped bring about the 9/11 event. These folks go as far as to say Aleister Crowley prophesized (possibly inspired?) the use of the Talisman on the dollar bill in the Alien or Holy Guardian Angel (Aiwass) inspired, "Book of the Law." http://911origamiprophecy.com/index.htm
Assuming this is even remotely true, we can speculate with much whimsy that Aleister Crowley was inspired by an alien to influence occultists to design the ‘US talisman’ for the dollar bill that brought about the 9/11 mega-ritual. A ritual, discussed in an earlier post, claimed to have been intended by secret societies to contact aliens through the opening of a stargate. http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html
Remember that I always advise that 'contacting aliens through opening a stargate' can also be described as metaphors for higher (cosmic) consciousness or Illumination, the activation of the fully realized chakra pillar, etc.
Let's go fish some more with the synchro-web in the interconnected ocean of the Tao.
Another Wolfgang Peterson movie can now be highlighted here. The "Never Ending Story," based on the German children’s book of the same name, contains elements that resonate with the occult and Aleister Crowley. The movie contains two scenes involving giant blue and gold Sphinxes. The most obvious Sphinx that is invoked in the mind when we hear the word would be that most mysterious of sentinels, squatting at the pyramids of Giza, the Great Sphinx of Egypt. The Pyramids themselves were firmly connected to the WTC complex and 9/11 in my more recent posts. Indeed the three Great pyramids have been shown to be invoked by the three felled buildings (WTC 1,2 and 7) through their relative sizes in profile. http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html
In the next post we will see how Crowley and the Sphinx interact with 9/11.
The climax of the film involves a boy having to name the child empress to save the day. The name he picks brings us right back to Aleister. "The name Bastian screams out almost indecipherably is "Moonchild," as evidenced in Ende's novel." http://en.wikipedia.org/wiki/The_NeverEnding_Story_(film) "Moonchild," the name that saves the day in the fantasy film and book is "Moonchild"!?
"Moonchild" is also the name of a book by Aleister Crowley. The book concerns the act of sex magick and how it can be used to incarnate powerful forces into a child through guided willful application and invocation of certain occult principals during sex, creating a "Moonchild". It would be difficult not to make the tantalizing jump and accuse old George W. Bush as a possible "Moonchild". Would it be premature and rash to say this? Yes it would, but considering the developing tool of synchro-mysticism and its aim of pointing towards emergent possibilities, not concrete fact, let's tentatively accept George as occult "Moonchild" of the Beast for argument's sake and see where it takes us. Wheee!
The 2003 MTV music awards featured a clip (above) where hosts Justin Timberlake and Sean William Scott were intercut with footage from the film, "The Matrix: Reloaded." Included in this mess is a scene where Will Ferrel plays the Architect. Keanu Reeves and the Architect came up in the previous post where it was mentioned that the Masonic 'god force' or 'nature's god' (or Providence, if you will) is often called the Architect. The Architect of the Matrix as the designer (God?) of the Matrix. The Freemasonic resonance here seems rather intentional.
Will Ferrel on "Saturday Night Live" as George W. Bush.
Pure synchronistic joy may follow when we learn another role Will Ferrel picks, when not playing the Masonic god, is none other than "Moonchild" Bush. Could we say of the composite entity this investigation creates: "George W. Bush, the Masonic Moonchild God incarnate and President of the United States?" Synchro-mysticly, yes we can, but not without laughing out loud and promptly gaining some composure to remember that this tool, I believe, can only show us possible reality tendencies. The miniscule possibility revealed seems enough to amaze me with its very existence. Please don't take me too seriously. Yet, then again....
A 9/11 connection to the US President through television comes to mind in the form of Martin Sheen. Martin Sheen was TV's American President in "The West Wing" and is actor and prolific 9/11-conspiracy-theory-supporter Charlie Sheen's father. We have a figure here, in Martin Sheen, resonating with Aleister Crowley, George W. Bush and 9/11 conspiracy theory. Pretty interesting, but keep your wits about you folks as things get intermeshed pretty thoroughly as we 'push the envelope'.
The legendary and mysterious Orson Welles came to fame in 1938 with his radio adaptation of H.G. Wells', "War of the Worlds." An historical event because of its affect on many of its listeners who mistook the 'contemporary news braodcast' style for fact and actually believed Martians were attacking Earth! This event made such an impact that even Adolf Hitler himself mentioned it a few months later in a public speech. http://en.wikipedia.org/wiki/Orson_Welles
H.G Wells, third from the right hand side in the second row again on the cover of "Sgt Peppers". Sharing a position with Aleister Crowley.
The current James Bond movie has made it to the screen before -in a manner- in the 1967 British spy spoof also called "Casino Royale". Le Chiffre, who we learnt in the beginning of this post Ian Flemming is said to have based on Crowley, is played, in this early comedy, version by Orson Welles. Thus Welles resonates with Aleister Crowley and hence our 'Moonchild' -in the mechanics of syncro-mysticism- George W. Bush. Lets not forget the strong Mars theme which is creeping in here with the "War of the Worlds" connection to Welles and the mention a little earlier of the Great Sphinx thanks to Wolfgang Petersons "Never Ending Story". How does Mars connect to the Great Sphinx? "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby on P57 explains. "We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."
Looping this all back to Martin Sheen Wikipedia reveals further in its Orson Welles pages "Orson Welles was Francis Ford Coppola's first choice to play Colonel Kurtz in Apocalypse Now (1979), based on the novel Heart of Darkness which Welles was planning to adapt before he wrote Citizen Kane."
Kurtz was played eventually by Marlon Brando.
Marlon Brando, fourth from the right four rows down.
"Apocalypse Now" stars Martin Sheen and pings (like the sonar on a submarine in Wolfgang Petersons "Das Boot") other elements already mentioned here. Elements such as Harrison Ford (our grail questing terrorist/plane/president resonating Moonchild) who has a small role in the film and the "Matrix" through actor Laurence Fishburne. Thus we have Martin Sheen and Orson Welles well connected and resonating with favourite subjects such as 9/11, Mars, Aleister Crowley, Egypt, George W. Bush and earily now even the Apocalypse!
We can make the occult synchro-mystic resonance between Welles, Egypt and secret societies more overt by focusing on his classic film "Touch of Evil" with Charlton Heston. Mr. Heston is a synchro-mystic favourite of mine as he has famously played Moses (who resonates Pharaoh Akhenaton) in The Ten Commandments and a time traveling astronaut in "Planet of the Apes". These stargate themes and the identitity of Moses were explored in this post:
Heston's composate charachter "a stargate traveling Egyptian pharaohnic astronaut" seen in "Touch of Evil" allong side Orson Welles fits snug with the occult resonance already atributed to "Citezen Cane". We now have two compostite charachters Welles (resonating Aleister Crowley, George W. Bush, Mars etc) and Heston (resonating Akhenaton, Moses, Stargates etc) interacting in close proximity, ominously within a "Touch of Evil"...
Jumping back too Will Ferrel (Goerge W. Bush, The Architect) I remembered recently that a "Zoolander" billboard was seen in the "World Trade Centre" movie. Zoolander sees Will Ferrel as the main villian.
The shadow of the plane passes over the Zoolander image. A film wich contains Will Ferrel and David Bowie. Bowie came up on the blog a few posts ago in "The Prestige" with his stargate resonating teleporation pyramid shaped machine that transported wormhole veterine Hugh Jackman. See this post for more:
Further close scrutiny of the trailer with my third eye revealed this amazing synch or Illuminati in-joke.
(Click on image to enlarge)
The creepy corporate logo of Paramount (a triangular pyramid shaped mountain, no less!) disolves to reveal the Twin Towers, themselves modelled after the pyramids of Giza, see links below. Is this mind blowing disolving match cut in the "World Trade Centre" movie trailer a telling sectret society coded message to the initiated, or the cosmic giggle working over time? Both answers seem very satisfying to me.
I should reiterate comments made previously that I share similar views with Ralph Ellis about the pyramids being the actual biblical mountain that Moses/Akhenaton climbed to ritualisticly contact god (open his third eye into cosmic conciousness). An historical incident I consider a possible stargate event (allong the lines of the great work of William Henry) and possible extreterestrial encounter intimately connected to the purpose of the 9/11 mega-ritual.
All three Great Pyramids perhaps, with the two towers (pyramids) in the background?
To learn more about the World Trade Center complex and my views as to how they relate to the pyramids of Giza and ritualistic intent of 9/11 see these posts:
A close up from Alex Grey's "Gaia" painted in 1989. I was particularly interested when noticing the two planes above the World Trade Centre while staring at my 2007 wall calender.
Is there a connection between 9/11 and Aleister Crowley through the Great Pyramid of Giza and the Sphinx (Horus)? Is George W. Bush part of a giant dynastic secret plan involving the 9/11 mega-ritual (invocation of the Pyramids of Giza) and the New World Order? What about these creepy Mars and Apocalypse themes creeping into the 9/11 Mega-Ritual, how do they fit? All these issues to be explored (including how Matt Damon synchro-mysticly 'proves' ancient humanoid life on Mars in "Good Will Hunting"!) further in part 2 of 2007's first synchro-mystic investigation! Soon...
In Part 1 we learned about and investigated synchromysticly the claim that George W. Bush is Aleister Crowley's grand-son. The few of you who bravely weathered that speculation were challenged yet again in Part 2 where connections between dynastic secret society family Bush, Pyramids/The Sphinx/Horus and 9/11 were suggested. Now that I have shaken off those with rigid belief systems or 'squares', the handful of us left can 'go the whole hog' and head for space. There is a disturbing trend on the net of making fun of those who would dare connect 9/11 to aliens. Would-be hecklers get ready, this one's for you...
German director Wolfgang Peterson's films were used as synchro-mystic crystal ball in Part 1 while investigating the validity of the claim that George W. Bush is a blood relative of Aleister Crowley. Specifically, the film "The Never Ending Story" was shown to contain Sphinxes (resonating Horus) and a reference to the "Moonchild". We looked at another Peterson film, "Air Force One" with Harrison Ford, as it concerns the President of the U.S.A. and a terrorist airplane hijacking, in resonance with 9/11. Included in this "Air Force One" American President and 9/11 resonance was the concept of the Holy Grail, the Grail having been the prize Harrison Ford (as Indiana Jones) searched for in the heavily Templar-themed "Indiana Jones and the Last Crusade". This post will continue using a few Peterson films syncromysticly. That is, I will look for meaningful coincidences involving these films, that resonate with occult and mystical significance and much more...
Peterson's Brad Pitt-starring "Troy" has been mentioned in these pages before as has the concept that many historical and biblical references believed to be "Israelite" are in fact real Egyptian Hyksos Pharaoh incidents that have been altered over time to suit the currently reigning ideological agenda.
Ralph Ellis posits that the Trojan war was another such obfuscated historical incident. The reality of the Trojan war (as portrayed in Homer's "Iliad") being rather an invasion by Hyksos-Israelite forces into Egypt than as generally believed "Greek" forces trying to recapture stolen Helen.
"As I have speculated previously, one possible explanation for all of this is that the Sea People confederation was organized and lead by elements of the exiled Hyksos-Israelite nation... lead by the descendants of Pharaoh Dannus [Pharaoh Ay]" p.199, "Eden in Egypt"
Can any esoteric Egyptian resonance be found in or surrounding "Troy" and other pop-culture Trojan war references that might help support this claim?
Brad Pitt's presence in "Troy" alone already helps support this Hyksos-Trojan connection as his girlfriend Angelina Jolie has battled the Illuminati in "Tomb Raider". She is seen, in the Indiana Jones inspired film, jumping into a stargate (time vortex) and running up a giant pyramid after an artifact that resembles a free-floating triangular capstone or Benben. Pretty cool for our speculation; still a very poor film.
Another way of confirming the specific occult pyramid resonance of Brad Pitt is by sighting his leading role in last year's simply and relevantly titled, "Babel". Babel, the famous biblical tower that aspired to reach the heavens, is another intentionally veiled reference to the Great Pyramid of Giza, according to Ralph Ellis.
I have repeatedly pointed out over the last few posts how the Twin Towers and building seven intentionally invoked the three Great Pyramids at Giza during their ritualistic destruction. Interesting then, to see how the Tower of Babel and the Twin Towers can all esoterically be viewed as veiled pyramids.
A quick rundown of the most compelling evidence that the Twin Towers and building 7 were intended to symbolize and invoke the three great Pyramids of Giza:
*The floor plan of the WTC plaza seen from above reveals the Twin Towers symmetry to the two great Pyramids at Giza.
Overhead plan of the WTC complex compared to the layout of the three Great Pyramids of Giza. The double squares of the Twin Towers are a very good match for the Great Pyramids. Contemplation of the Orion/Pyramid connection observation made by Robert Bauval lead to this WTC/Pyramid clue.
*A profile view reveals the similar relative sizes of the ancient Pyramids and their modern counterparts, the Twin Towers and building seven.
Two almost equally sized buildings, WTC 1 and 2, and one much smaller WTC 7.
Compare the three Great Pyramids of Giza, two larger, one much smaller.
*The first degree Masonic tracing board's three pillars makes this comparison far more compelling realizing that the three pillars have the same relative sizes as the three towers destroyed on 9/11 and that the pillars themselves are modeled, originally, after the three Great Pyramids of Giza and Solomon's Temple (itself based on the layout and design of Giza).
"For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller." "Eden in Egypt," p. 165, by Ralph Ellis
*"The Sphere" sculpture which stood right in the centre of the WTC plaza was deliberately intended to represent the Kaaba at Mecca, a holy Muslim sight of pilgrimage believed by the faithful to contain a black stone which fell from heaven or was given to Abraham (a Hyksos Pharaoh). The black stone could be a meteorite or representation of the Benben (heavily pyramid resonating) or provocatively, both!
* The destroyed buildings in N.Y. were situated on an island (Manhattan) just like representations of the primordial mound rising from the watery chaos in ancient Egyptian creation myths and seen portrayed in Masonic imagery.
The Island of Manhattan, with its three pillars: WTC 1, 2 and 7. The primordial mound of Atum (island) rising out of the chaotic waters of the void. The mound/island sports the three candles representing the three pillars of the first degree tracing board, themselves, as we have learned thanks to Ellis, representations of the Great Pyramids of Giza. This image was scanned from a third degree certificate I bought at a flea market.
Having shown convincingly (I believe) how the Twin Towers and building seven are intended to invoke the Pyramids of Giza in a decidedly Freemasonic symbol system and having learned the true identity of the Tower of Babel as pyramid itself, we can now see how towers have in many instances been used as veiled pyramids and how Brad Pitt's "Babel" (nominated for best picture and director Oscar this year) synchromysticly invokes the Pyramids of Giza.
Getting back to the Trojan war we have a classic bit of Monty Python comedy to ponder. In "Monty Python and the Holy Grail" we see a 'Trojan Rabbit' spoofing the famous giant horse the Greeks used in the "Iliad" to fool their way into Troy. A very overt sync between the Holy Grail and the Trojan horse can now be put forward for our consideration and illumination. The Grail is esoterically believed to be the Royal Bloodlines of Jesus Christ, still existing in certain monarchy of Europe through Mary the wife and sister of Jesus. It is also a simple task of connecting the Grail and the Trojan story line through proximity to King Arthur (a Grail legend) in the classic Python film. Aliens are included as the Pythons have featured E.T.'s numerous times in their routines and films. One such relevant connection is seen in "Life of Brian," where the messianic Brian is abducted by aliens, later to be crucified by the Romans as heretic. The Royal Bloodlines (Grail Kings) are, of course, believed to be descended from the Hyksos Egyptian Pharaohs (see researchers Michael Tsarion, Ralph Ellis, etc.) and aliens from Sirius or some such other worldly location (David Icke, Michael Tsarion, etc). Pharaohs like Akhenaton are shown in wall carvings as having grey alien features. Akhenaton was probably either expressing his own blood connection (DNA passed down from Atlantis/Mu?) or secret knowledge of the image of the gods. Connecting the Trojan (Hyksos Pharaoh) story to aliens as well as Egypt is another ulterior motive of the author as we head later to 9/11 (the modern pyramids of N.Y.), the stars and planet Mars.
The idea of aliens involvement in humankind's early history and Royal Bloodlines carrying more original alien DNA in their bodies seems to divide many occult researchers and polarize readers. Some delight at the intrigue while others find it just too outlandish and unsubstantiated. Either way the syncronicities involved in 9/11 and Egypt point that way and my attention follows. As is my habit, I suggest accepting UFOs, aliens, stargates, etc. as metaphors for higher cosmic consciousness, illumination, etc. Therefore, in my view, the Royal Bloodlines could also be the 'Illuminati wizards' who understand magick and shamanic ecstasy as opposed to folks who have alien links. You may choose whichever fits your belief system more snugly, Illumination or real aliens who have interacted with mankind in the past, present or future... Really 'hip cats', in my opinion, would be able to see both possibilities at once.
Two Simpsons episodes deal with the Troy story. "Lemon of Troy" (above) shows Homer and company exiting a motor home used as Trojan horse ruse and "Tales from the Public Domain" (below) with Homer as Odysseus.
Connecting Homer Simpson (our Greek/Hyksos adventurer) to the esoteric grail tradition and occult view of Egypt is a simple task, much of which was already done in the previous post (Part 2 of this 3 Part series).
Homer as a Pharaoh, King Solomon presiding over a dispute involving Jesus (Grail King), being initiated into the Freemason inspired Stonecutters and fighting with George H.W. Bush.
Homer is seen in the episode "Two Bad Neighbours" (below) trying to fool George H.W. Bush with two cardboard cut-outs of his sons George W. and Jeb.
Within the mechanics of synchromysticism we can now speculate that George W. Bush is a puppet controlled by secret society forces involving the Egyptian Hyksos Pharaohs (as Homer invokes all of these). We can throw in the god Horus, aliens and Aleister Crowley as influences through the presence of Bart in this cardboard cut-out incident, just for good measure. See Part 2 for Bart/Sphinx/Horus 'sync-nificance'.
One more Simpsons sync that helps this esoteric view of the Trojan incident and we can move on to space/Mars. Above we see into an imagined future world of Bart from the "Lemon of Troy" episode. A close look will reveal a pyramid and even a Grey type alien in the crowd of onlookers. The crowd declares Bart, a synchromystic composite Hyksos Pharaoh and Aleister Crowley resonator, their new god!
Peterson's 1985 film, "Enemy Mine," leads us into space and reptilian alien themes as Wikipedia informs us: During the 21st centuryinterstellarwar between humans and Dracs (reptilian-like aliens) (presumably 'Drac' is the human name for the species rather than their own, as it implies the Latin word for 'dragon'). http://en.wikipedia.org/wiki/Enemy_Mine
We have thus far, in these three posts, connected Peterson films "Air Force One" (President of the U.S.A, Terrorism, The Holy Grail), "The Never Ending Story" (Sphinx, Aleister Crowley), "Troy" (Pyramids, Occult Hyksos Egyptian History) and now "Enemy Mine" (reptilian aliens named after dragons, no less). Synchromysticly we can now consider all the attributed occult resonance of these films intimately connected to the concepts specified in brackets.
A short whimsical narrative about the attributes connected to these films would follow: The dynastic president of the United States "Moonchild" Bush, a secret society initiate and/or puppet connected to the Royal Bloodline of Jesus and one who is involved in the 9/11 mega-ritual. Through the fraternal occult networks connected to the wizards/magickians of ancient Egypt and possibly Atlantis, the human race is being prepared for the New World Order by the opening of stargates, involving aliens (cosmic illumination).
The poster of "Enemy Mine" sees a comet between the human and reptilian alien echoing (or giving me an excuse to mention) the recent arrival of Comet McNaught which made a dramatic entrance into human consciousness in the southern hemisphere of our planet. The fact that it was visible in the area of Venus in the night sky will become very relevant when we discuss Mars and theories by Immanuel Velikovsky.
Orson Welles' last job before his death was voice acting as the planet destroying Unicron in the animated 1986 "Transformers" movie. Michael Bay and Steven Spielberg will be subjecting us to a revamped and updated 'slicker than snot' live action version this year. The wisdom of this move remains to be seen. As well as the Orson Welles connection, which causes "Transformers" to resonate with Crowley and Bush (see Part 1), this film brings Mars back into the occult synchro-web. Well, Mars is already invoked by the mention of Orson Welles given his "War of the Worlds" radio drama involvement but becomes doubly confirmed with Spielberg now in the mix, having remade the Martian invasion flick "War of the Worlds" in 2005, based on the same source. O.K, in fact Mars' relevance is completely overwhelming when we view the teaser trailer which sees Mars itself as part of the plot of the trailer, involved in a NASA conspiracy (just to make things perfect for my investigation).
The "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby posits that NASA has possibly covered up many facts about the Martian planetoid, including knowledge about non-natural objects on Mars, the Cydonia region specifically. Could NASA know more about Cydonia than it has admitted? Could it have discovered something there which it has decided to withhold from the Public? (p. 139)
Our own impression is that NASA has attempted to manipulate public perceptions concerning the issue of artificial origins at Cydonia and that it does seem to be covering something up. (p. 147) It is even mentioned that NASA's true intentions behind certain missions to Mars might be more occult motivated than scientific. On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude (p. 136) More significance will be attached to this excerpt shortly.
A very rough synopsis of the occult relevance of Mars hinted at by these and other sources, necessary for the full understanding of the amazing relevance of the Orson Welles "Transformers" (original animated and new live action film) sync would go tentatively given my developing understanding of the topic, as such: The make-up of the solar system was vastly different at a far more recent point in Earth's history than currently maintained by orthodox astronomy. The planetary line-up, their geology and the solar systems constitutional parts were altered by large catastrophy(ies). Mars was inhabited by 'higher (humanoid?) life' or at the very least had an atmosphere and running water suitable for microbes or 'lower-life' forms. Following this(these) catastrophy(ies) intimately linked to Earth's own destructive past (ice age, deluge, Atlantis, etc.), the vibrant living Mars was rendered desolate. The inhabitants of Mars came to Earth, either mixing (DNA tampering?) with the extent population or being the original 'seed' that formed the Earth's population themselves. In less extravagant versions with a much older time line the 'seed' could be primitive life that sparked Earth's eco development. Models for the nature of the catastrophy(ies) are many but 2 important ones in my humble experience would be: *Tom Van Flandern's Exploded Planet Hypothesis (EPH) in which Mars was a moon of a larger planet, remnants of which form the asteroid belt. http://metaresearch.org/solar%20system/eph/eph2000.asp *Immanuel Velikovsky's theory that Mars was involved with numerous colisions with Venus, which was itself originally a comet! For more on this wonderful theory, read the hypnoticly vivid "Worlds in Collision" by Immanuel Velikovsky.
Remember that Comet McNaught was visible near Venus? I think it can be justified to get the feeling that Comet McNaught was highlighting Venus. This becomes very interesting considering Velikovsky's speculation of Venus as a comet and disruptive force in Mars' history. As if to solidify this line of reasoning, the cosmic giggle gave us another Venus highlight in the form of a film overtly called, "Venus." It's release coincided very closely with and theatrical run co-existed right alongside McNaught's flight through our planet's sky...
Peter O'Toole played Priam, King of Troy, in Wolfgang Peterson's "Troy," giving us a nice little sync-echo that harks back to this post's earlier emphasis on the suspected Hyksos-Trojan connection. Is the esoteric Comet Venus connected to the occult history of the Hyksos-Israelite-Sheppard-Pharaohs? Readers of Velikovsky's "Worlds in Collision" might know already, but more speculation in that direction will have to wait for future posts.
Ben Fairhall touches upon planetary intrigue in a new post over at his blog, "Battling the Behemoth". He has also mentioned the "Venus" film in an esoteric light there.
Researchers who adopt this line observe that the commonly accepted interpretations of ancient symbols and texts assume a consonance with present reality, whereas an entirely different astronomical order pertained a mere six thousand years ago. Could the symbols and poetry of the ancient world point to a far more distant epoch, when the skies contained things entirely unfamilar to us moderns? http://ben-fairhall.blogspot.com/2007/01/psychedelic-alchemy-part-one-co.html
If we now, armed with this knowledge about 'Mars and Comet Venus" and Flandern's EPH, look back at Orson Welles' (narrator of the historical Martian invasion radio drama incident) planet-destroying character, Unicron from "Transfomers," our ears should be opened to the cosmic giggle laughing at us very loudly indeed.
The above screenshots from "Transformers" shows Unicron, a giant alien robot voiced by Orson Welles, destroying a populated planet. Let's take a tally of the context and see if we can make anything of this complex sync. Welles is connected to Charleton Heston (Moses/Akhenaton) through "Touch of Evil" (see Part 2) and Aleister Crowley through the character Le Chiffre in "Casino Royal" (1967 version), thus George W. Bush "The Great Beast 666's" suspected grandson. "Casino Royal" also saw a cameo by Peter O'Toole from "Troy" and "Venus." Welles is also intimately connected to Mars through the "War of the Worlds" radio play which caused real life panic about alien attack, an event believed by some to be a reason for government apprehension to admit and cover-up knowledge of 'vistors'. The Crowley resonance of Welles makes it important to highlight the fact that Crowley meditated in the King's Chamber of the Pyramid before 'receiving' "The Book of the Law" through Aiwass (angel/alien), messenger of Horus (see Part 2). Remember that Mars itself invokes the Great Sphinx according to "The Mars Mystery" (relevant passage quoted in Part 1 and 2) and Goro Adachi. Goro on Mars-Sphinx, WTC and Iraq: http://www.goroadachi.com/etemenanki/lucifer-timecode.htm
Within the mechanics of syncromysticism I would say that the above sync, Unicron/Welles (resonating Mars, Crowley) destroying a populated planet, gives us good clear confirmation about Mars' suspected status as ancient inhabited world devastated by another planetoid in some manner, knowledge of which is known and suppressed by the higher levels of the secret society networks. Syncromystic proof; for empirical data I fear we must wait patiently in hope that the shadowy NASA isn't actively suppressing such knowledge. Until then, here's some more crazy cool "Transformer" action...
Another shot from a different teaser trailer for "Transformers" shows the alien robots arriving like a comet, again echoing Comet McNaught and the Venus Comet concept.
Remember "Tranformers" resonates Mars (through Welles and the NASA conspiracy teaser trailer), which makes its release date amazing for the following reason. In Velikovsky's "Worlds in Collision" we read in the Part 2, Mars, under the subject title "The Year -747". "If this conclusion is correct the upheaval took place in the year -747". (p. 217) The upheaval referred to here is the Martian planet having an encounter with the Venus Comet, the resulting destabilization of Mars, Venus and Earth, affecting the earth profoundly and disastrously. This is a simply amazing sync and I for one would not begrudge a person, taking into account the "Transformers" Mars NASA conspiracy trailer, for thinking some kind of occult intention was at play in the minds of the film makers. But the universe's amazing interconnected underbelly, when exposed, tends to make things look like a controlled and directed conspiracy perpetrated by human agencies and one cannot rule out the "cosmic giggle" factor in these matters. Usually I opt for a bit of both, depending on the particulars of the sync.
The Pentagon, in the new Mars resonating "Transformers" film.
The release date of 7.4.7 (4 July 2007) seen dissolving into a shot of the Pentagon in the teaser brings up a pair of interesting 'coincidences' to mull over, considering esoteric interpretations of the true meaning of America's Independence Day. Graham Hancock and Robert Buaval's epic book "Talisman" elucidates:
It is the date of the Templar's massive defeat by Muslim armies in the Holy Land at the Horns of Hattin on 4 July AD 1187, which was followed by the loss of Jerusalem to Christendom. There could therefore hardly be a more evocative 'Templar' or 'Solomonic' date than 4 July - evocative, that is, of the aspiration to build Solomon's Temple in Jerusalem. The reader will also be aware, of course, that 4 July is Independence Day in the US, commemorating the signature of the Declaration of Independence and converting the date forever into a powerful talisman that spells out 'Independence' and 'Freedom" for the New World and, now by and large, for a new world order. (p. 470)
The attentive reader (I'm never one when writers say that...) will remember having seen the, as we now know occult date of 4 July, once before in another quote by the same authors in this very post. I will repeat it here for hopeful maximum dramatic effect:
On Independence Day, 4 July 1997, NASA's lander Pathfinder touched down...Richard Hoagland was the first to point out that Pathfinder has a pronouncedly tetrahedral design with distinctive solar panels in the form of equilateral triangles. Moreover its landing site in Ares Vallis is located at 19.5 degrees north latitude. (p. 136 "The Mars Mystery")
Let’s get this all straight, as we have much to chew on. The amazingly overt Mars-resonating (even in a deliberate NASA Mars conspiracy context), alien-themed "Transformers" film highlights the Pentagon and the 'Templar' date of July 4. The Pentagon, obviously in my work, will be sited as a 9/11 reminder. We can thus in one image (the Pentagon/July 4 shot above) see almost the whole syncromystic narrative I am trying to put forward. The key elements are 9/11(represented by the Pentagon), secret society conspiracy (represented by the 4 July 'Templar' date and the implied pentagram of the Pentagon) and 'Mars/aliens' (represented by the fact that this is an image from "Transformers"). Adding to this, we have the speculation of NASA using tetrahedral-wrapped robots to explore and perhaps communicate occult messages to non-terrestrial intelligences through ritualized magickal invocation, using symbolically significant talisman on occult dates and meaningful co-ordinates.
Pathfinder is also the name of a film to be released on 27 April 2007 including pre-Columbus contact between the Vikings and Native Americans. The idea of contact between Europe and America before Columbus is an esoteric standard often connected to the Knights Templar. Reflect for a second, with the above context and taking into account what we have discussed thus far, on this little fact.
This was the very mission (Viking 1) that captured the first photos sparking the Artificiality of Cydonia theory, again connected to 'Templar' date July 4.
The face on Mars has been connected to the Sphinx in works like "The Mars Mystery" because it seems to have a Pharaohnic Nemes as is seen on the Sphinx. In more recent times, newer photos have convinced researchers like Hoagland, Adachi and David Flynn that the face is half human and half lion. If true, this would fit like a glove with the attributes already connected to the Pyramids' giant sentinel, the Sphinx. Part 2: "The Sphinx/Horus and the 9/11 Stargate" explored the connections between Pyramids of Giza's giant stone sentinel, the Sphinx and Horus. Speculation was aired about the significance of Aleister Crowley's communication with Aiwass, a messenger of Horus, after meditating in the King's Chamber of the Great Pyramid. Added to this was the possibility that George W. Bush is Crowley's grand-son. It was suggested that if the blood relation is true, the fact that George W. was presiding as President of the U.S.A. over the 'Pyramid mega-stargate-rituals of 9/11' (as I believe) during September 11, 2001, surely a significance must exist between the fact that his grand-father, Aleister Crowley, received 'alien' communication, ushering in the new Aeon (of secret societies like the O.T.O.) in the Great Pyramid through "The Book of the Law"! Then if Horus was the 'alien' (angel, cosmic intelligence, Great White Brotherhood or whatever) who communicated through Aiwass to Crowley and the Sphinx is a representation of Horus and Mars, couldn't a distinct and tantalizing connection exist between Crowley, Bush, and 9/11?!
Can we connect the possible dynastic secret society lineage of Bush/Crowley to 9/11 and aliens? Aliens are relevant as my current belief system sees the purpose of the 'Pyramid mega-stargate-ritual of 9/11' as involving fraternal secret society higher ups (Illuminati, if you will) trying to send occult messages to their alien creator god (perhaps our creator?). This message operates, in a similar fashion, as the Mars Pathfinder tetrahedron. The timing and symbolism at play in 9/11 may be a kind of 3-D space/time communication to be picked up by non-local cosmic intelligences receptive to such techniques. A variety of metaphors could be suggested for the above statements that might help one swallow this bitter pill if it is not to your particular liking or engenders fear. Fear being the last thing I hope my work might stimulate. High level mystery school initiates using our very cities and bodies to stage and power their magickal emails to aliens could certainly be construed as alarming, I concede. Another slightly less sensationalistic way of explaining this is that a bunch of over-developed third eye occultists, attempting transcendental illumination through elaborately staged rituals, are causing trouble on our planet. We have to open our hearts (chakras) to these people and reclaim our own ecstatic connection to divinity.
The above scene from "Scary Movie 4" amazingly connects 9/11 to aliens and the President. Leslie Nielson is seen enacting a parody of the famous video, taped the first moment George W. Bush supposedly heard about the terrorist attacks, while reading along with elementary school children from "The Pet Goat". http://en.wikipedia.org/wiki/My_Pet_Goat
In "Scary Movie 4" however, terrorist attack is replaced with aliens that are destroying the earth, as Nielson is being informed in this scene. (Please see Part 1 for more George W. Bush syncs).
If we are looking at Aleister Crowley's grand-son in the image above reading "The Pet Goat," another part of the 9/11 mega-ritual might be revealed.
Jack Parsons, one of the founders of NASA Jet Propulsion Laboratories (JPL) and Crowley's hand-picked leader of the Ordo Templi Orientis, would invoke Pan (A Greek Goat God) with 'The Great Beast 666's' very own poem, "Hymn to Pan". http://www.poemhunter.com/poem/hymn-to-pan/
He is less well known than Wernher von Braun or Theodore von Kármán in the rocket program and the origins of JPL. Nonetheless, von Braun remarked that Parsons, and not he, should be regarded as the father of the American space program. http://en.wikipedia.org/wiki/Jack_Parsons
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
Is 'Moonchild' Bush sending a coded message to the upper echelons of the occult fraternities with his veiled invocation of Pan, or is the universe's uncanny synchronicity and entrainment exposing itself to our eyes? Is it the embedded seamless interconnectedness of all things merely playing with itself through coincidence and conspiracy? Could George W. Bush be unaware of how his possible dynastic roots are pulling him into the strange attractor of destiny? Is it just a coincidence that the "Skull and Bones" member is reading about a goat as the world is ushered into a new Aeon?
I can’t find confirmation of this fact online but Michael Tsarion claims in his lecture, "The Subversive Use of Sacred Symbols in the Media," that John a.k.a. Jack Parsons helped design the Pentagon. http://www.taroscopes.com/webstream/webstream_startpage.html
How does the Pentagon fit into the 9/11 ritual? I have pointed out in earlier posts that the Pentagon implies obviously, a pentagram and that this connects it easily to Freemasonry through their five-pointed "Blazing Star". The identity of the particular heavenly body this pentagram represents varies from researcher to researcher but whether it be Venus, Sirius or the Sun itself makes little difference to its undeniable esoteric allusion. All three speculated identities would yield interesting results. Be it Venus, it could remind us of Mars' violent past encounters with Comet Venus, perhaps memorialized by the design of the headquarters of the United States Department of Defense. Indeed, Velikovsky says Venus became a planet after emerging from it's comet tail cloud and could be the original new "Blazing Star" in our skies, later deified by ancient cultures. Sirius would connect the structure to Isis and remind us of her child Horus (also well-connected to Mars) and of course point towards the most often sighted local of our possible alien creators and/or genetic manipulators. Be it rather closer to home and merely the Sun (the real Eastern star?), it would still pass as the primary symbol of Akhenaton’s Aton and central to the Egyptian roots of America's hidden masters. Further, we can connect the sun and all three possible five-pointed star candidates to Horus thusly:
The religion of the ancient Egyptians metaphorically linked any source of light with spiritual enlightenment. They also linked by association the eye as a collector of light to the sources of light. The Sun and Moon were thus often described as "eyes". The Egyptians also tended to merge their gods as if they were a continuum. The creator god Atum and the Sun god Ra/Re became Atum-Ra/Re. Similarly, through the association of sunrise with resurrection the god Horus became the patron of the rising Sun. http://www.bob-wonderland.supanet.com/conspiracy_7c.htm
Therefore, whatever the 'real' intended heavenly body (if not indeed any light source in the heavens is applicable), the very idea of a "Blazing Star" connects the Pentagon through the pentagram to Horus and through Horus to Mars.
A companion of the controversial 'face' in Cydonia is a speculated five-sided pyramid, the D&M pyramid. In all honesty, I have never been too warm on the photographic evidence of Cydonia but there are many facets of this site that warrant closer attention and where the syncs lead I follow...
As the above image and the earlier Cydonia complex overhead shot indicate, the D&M pyramid and other features and mathematical relationships between them have the 19.5 number encoded in their geometry. Remember that 19.5 is the latitude where Pathfinder, the speculated occult NASA message, landed on Mars. Many crop circles, such as the famous Barbury Castle, have the tetrahedral resonating 19.5 number embedded in their make-up. Again we ask ourselves, is it intentional human-type agencies who interact through conspiracy in these matters or are we seeing the notes that make up the universe's beautiful symphony. In my opinion, it’s a bit of both mixed together in different amounts depending on the individual case. In fact, the conspirators and the researcher might be involved in the beautiful symphony itself, the universal game of chasing your own tail, AUM!
So let's see... There is a five-sided, extremely likely "Blazing Star" representation, giant Pentagon in America as an important government building, construction of which started on 11 September, 1941. This building was part of what I have already called the "Pyramid-mega-ritual of 9/11". We have connected it's "Blazing Star" design to Horus and Mars. Now we also have a giant speculated five-sided pyramid on Mars. I would surely be negligent not to make a few observations.
Goro Adachi already made a connection between 9/11 and Cydonia back in 2002; it simply amazes me that I have not run across mention of this fact til starting to write this article. The man toils in relative obscurity while the rest of us are years in his wake.
As he says, the partially collapsed 'D&M Pyramid' echoes eerily the similar collapse on 9/11 of one of the sides of the Pentagon (Blazing Star) during the ritual. Could this sync be an intentional message sent by our secret society networks to our alien forefathers? Is it rather, the collective unconscious of mankind picking up the symbolic language on Mars and mimicking or sending messages to non-local intelligences in a strange unconscious fashion? Are these events so hypnotizing to some of us, leading us to view them from so many angles til they fit our unconscious desire to believe in the most ridiculous scenarios that can’t really be proved or disproved? I can entertain many viewpoints but must admit my bias at this moment leads me to be suspicious of our hierarchical governments and their probable 'wizard chiefs' connections to cosmic intelligences.
As well as being partially collapsed, "The Mars Mystery" also points out that the D&M pyramid has a tunnel-like hole or entrance into the pyramid's side. Was part of the ritualistic connection on 9/11 between the Washington Pentagon and the D&M pyramid made to highlight this 'tunnel/hole'? Whatever hit the Pentagon left a tunnel in it's side; was this intentionally done to mimic the D&M pyramid?
We now have the possibility of including the Pentagon itself as a pyramid-referencing talisman in the 9/11 mega-ritual. Thus the major players of 9/11 WTC 1, 2 and 7 (referencing the Giza monuments of Earth) and the Pentagon (referencing Cydonia of Mars) are all likely veiled pyramids!
Ideas concerning the Pentagon involvement in strange alien activities is firmly embedded in the pop-culture sync-web.
An alien fetus being filed inside the government's giant magickal talisman in the "X-Files" season 1 ending.
Robert Anton Wilson and Robert Shea's cult classic conspiracy novel, "The Illuminatus! Trilogy" (circa 1970), has a prophetic moment involving the Pentagon and alien themes. The Pentagon in this novel is a five-sided temple that magickly imprisons the Yog Sothoth, an H.P. Lovecraft Cthulhu Mythos, Outer God. The former residence of this creature in the novel was a giant five-sided pyramid in Atlantis. In any case, at 5:55 P.M., Washington time, a series of explosions destroyed one-third of the river side of the Pentagon, ripping through all four rings from the innermost courtyard to the outermost wall. (p. 361) This sync helps lend weight to the idea of the Pentagon as magickal talisman and connects the structure again to aliens and pyramids (five-sided Atlantian ones, no less!).
The recent, uncomfortably humorous terror scare in Boston, involving an LED ad campaign also lends synchromystic alien undertones to American "terror" attacks. The character (Mooninite) the campaign was using in its promotion was an alien from the show, "Aqua Teen Hunger Force".
Goro Adachi has a particular interest in octagons. A primary reason to be concerned with this shape lies in the octagonal floor plan of the Dome of the Rock. The Dome of the Rock is the supposed location of the Temples of Solomon and a residence of the Knights Templar. Goro has pointed out many fascinating syncs involving octagons, most recently the "DHARMA Initiative" logo and doorway shapes in the show "Lost". The Dome of the Rock and Solomon’s Temple seem, like Egypt’s Great Pyramids and the WTC, likely candidates for locations where Pharaohnic Hyksos (or related 'Illuminati' wizards) mystery school initiates have opened stargates to heaven (contacted aliens). The faithful believe the rock to be the location where 'Pharaoh' Abraham ascended to heaven and communed with Moses (Akhenaton or his chief priest) and where 'Pharaoh' Jacob saw a stairway to heaven. Both these events sound like obvious ritualistic stargate (cosmic illumination) events to my mind.
Another occult "Lost" moment happens inside the mysterious hatch in season 2 (I forget the specific episode) when Lock is seen filling in a crossword puzzle.
Folks familiar with Zecharia Sitchin and William Henry will recognize these ancient Sumerian God names as suspect ancient astronauts (our alien creator gods).
The octagonal structure above is the Millennium Gate from "Star Trek Voyager" episode "11:59". It's name and shape express the gate and octagonal stargate themes explored herein. Included in this sync is the esoteric theme of building important structures on significant dates. As if there is not enough relevance, the cosmic giggle decides to throw us a bone. When we watch this episode (a pretty boring affair, mind), we learn that the Millennium Gate was 'the world's first self-sustaining civic environment' and--wait for it--'the model for the first habitat on Mars'.
Were I one given to rash sensation-seeking comments I might draw the following conclusion. Considering the stargate-themed sync echoes connected to the WTC, Pyramids of Giza and Dome of The Rock and the mysterious syncromystic links to Mars and Cydonia, is it possible that Mars is the location of a former or present (heaven forbid future) stargate? Syncromysticly, I would be inclined to say: Yes.
Beyond debate, synchromysticly or even empirically, secret societies use public structures as talisman. Read Hancock and Buaval's "Talisman" should you have some internal conflict with this concept. Given all the mysterious allegations put forward in these whimsical pages of "Illuminati wizards" and their extra planetary tomfoolery, reflect again on one more blatant occult structure...
The Freedom Tower--which I submit as the most erroneously titled structure in history--to be built on ground zero at the sight of the "Pyramid-mega-stargate-ritual of 9/11". The laughably overt occult symbolism at play here astounds one as to the gall of our Apiarists. The building is 1776 feet tall (Illuminati founding date) and will be finished on 2012. Here's the 'kicker'--at it's centre, the "Freedom Tower" is a giant octagon! An octagon (Templar stargate symbol of the Dome of the Rock) built right over the grounds of the 9/11 sacrificial ritual space an their symbolic Giza plateau and primordial mound island. Are we seeing more of the bizarre ongoing occult practices of the fraternal organizations utilizing our public space without our consent to further their questionable divine aspirations?
Of note is the interesting similarities between the Millennium Gate from Voyager (the model for the first habitat on Mars) and the Freedom Tower, both stargate-themed towers with octagons incorporated into their architecture.
It is possible that the octagon shape of the Dome of the Rock hails from the double square floor plan of the King's Chamber in the Great Pyramid. Remember that Crowley meditated in this same space before receiving the book of the law from an angel and that a small yet tantalizing possibility has been put forward that George W. Bush is Crowley’s grand-son. The interlocked double square forms the eight-pointed star. By joining the points of the star we get the octagon, which the Templars used as inspiration for their famous red cross. If correct, we again see how the Pyramids of Giza are being invoked in the architecture at the WTC in N.Y. Whatever else we learn from this speculation, one thing the octagon at ground zero reveals is the simple fact that the ritual is not over...
Cosmic intelligences (angels, aliens and archetypes) with active interest in consciousness development on Earth use sensitive mystics and occultists like Crowley to aid evolution towards the stars (cosmic illumination) through carefully directed yet subtle interaction of mutli-levelled forces such as coincidence and conspiracy. Some ancient Egyptian priests and Royalty had contact with these intelligences through stargates, opened with technology such as ritual, drugs and talisman (Pyramids). Akhenaton/Moses opened the stargate (his third eye) and learned many powerful secrets, passed down through the higher levels of the secret societies or in some special cases, intuited by private un-affiliated shamans and mystics (psychedelic rebels like Robert Anton Wilson, Timothy Leary, Terrence McKenna, etc). These 'secrets' include the traditional new-age 'usual suspects':
Humankind is much older than generally believed, many ancient civilizations are now forgotten, our heritage is from the stars, aliens exist, and the really scary 'big secret'...
...we can all live together in unity and love...
Here is my first attempt at putting my ideas on video. It's 10 min. long, exploring my theory that 9/11 was an occult ritual invoking the Pyramids of Giza and the opening of a stargate.
The video is basically a slide presentation with some video footage.
Now you can get your friends who don't like to read up to speed on "The Pyramid Mega-Ritual of 9/11". Yeah, good luck with that...
Marlon Brando, fourth from the right four rows down. 
(Click on image to enlarge)
A close up from Alex Grey's "Gaia" painted in 1989. I was particularly interested when noticing the two planes above the World Trade Centre while staring at my 2007 wall calender.
Namaste folks.
Reflecting on this masterpiece, "Pan's Labyrinth" created a causal chain that uncovered the Bush/Pan invocation.
