George W. Bush, 'Moonchild' of "The Great Beast 666" (Part 1 of 3 new related posts)

(Click on image to enlarge)
This drawing shows Aleister Crowley's grand-son "Moonchild", George W. Bush, Pharaoh of the United States of America. He presides over the 9/11 mega-ritual, which saw the World Trade Center used as magickal talisman, invoking the three Great Pyramids of Giza. Our synchro-mystic investigation into these and other related matters continues in this, the first part of three related posts.

Rumors of Robert Anton Wilson's death have again surfaced. I will play along for now. Post dedicated to RAW...


Aleister Crowley, the ever increasingly popular magickian will be the starting point of this post's investigation into the world of synchro-mysticism, a place where everything is connected to everything else and no coincidence is trivial or mundane. That very same place you occupy right where you are sitting now, but might not even realize fully, just yet. Your very special and unique space/time coordinates are always significant and filled with intimate inter-connections. You need only open your self to this ever-present self-similar and fractal nature embedded in every point of the universe to realize how seamlessly everything flows into and through you (even because of 'you'). 'Your' mind and body is a bridge, allowing movement of energy as information between 'you' and the 'external' world. Indeed, once the meaning of synchronicity is fully integrated, the internal and external dichotomies collapse and the real fun begins.

"The Great Beast 666" has infiltrated the collective psyche in a very interesting veiled manner. He is being watched unknowingly (in the form of a character believed to be inspired by Crowley) all over the world right now by millions in a popular Hollywood movie! The new 007 film, "Casino Royale," is based on the Ian Fleming novel of the same name. The net is rife with speculation that James Bond is modelled after famed occultist John Dee. The 007 number is said to have its origin in the manner Dee would sign his secret communiqués.
http://www.sirbacon.org/links/dblohseven.html

While reading Wikipedia's Crowley pop-culture references, this interesting fact jumped out and hit my brain (with joy): "Ian Fleming based the character Le Chiffre in the first James Bond novel Casino Royale on Crowley."
http://en.wikipedia.org/wiki/Aleister_Crowley_in_popular_culture

Tantalizingly, CNN also mansions this possible Crowley connection in context of the new 007 film, making it at the very least, valid as a culturally relevant meme imbedded firmly in the global mind. Whether Mr. Fleming intended thus or not. http://www.cnn.com/2006/SHOWBIZ/Movies/02/16/film.bond.reut/index.html

Now we have Le Chiffre, (The Number) the main villain from the new James Bond (John Dee) film as a direct echo of Aleister Crowley (The Great Beast 666). "The Freeman Perspective" blew my mind a while ago when making the claim that George W. Bush is possibly descended from none other than Aleister Crowley!http://thefreemanperspective.blogspot.com/2006/09/and-vs-have-it.html

Original article with George W. Bush as Aleister Crowley descendent speculation:
http://cannonfire.blogspot.com/2006/04/george-w-bush-barbara-bush-and.html

It seems amazing enough that this small possibility even exists, let alone the almost unimaginable wonderful kookiness that is opened to our speculation should it turn out to be true. As this blog is less concerned with truth and much more interested with emergent occult possibilities, we can speculate and rotate this George-W-Bush-as-'Moonchild'-of-"The-Great-Beast-666" idea at length should we choose to do so. And indeed I do, being of the opinion that possibilities are wonderful on their own. Again, 'the truth' of the matter is secondary to the fact that it is even being debated in the collective mind at all. Contemplation of Kurt Russell as Snake Plissken, flying towards the World Trade Centre in "Escape From New York," was part of a causal chain that led me to find resonance between the destroyed WTC buildings 1,2 and 7 and the Great Pyramids of Giza.

Aleister Crowley's head pokes up second from the left in the top row, next to Sri Yukteswar Giri on the iconic Beatles, "Sgt Pepper's" album cover. This cover (and Sri Yukteswar Giri) will be seen frequently as we continue on our journey of enlightenment about Crowley and Bush.

A very interesting article by Ben Fairhall involving the Beatles and their famous cover: http://ben-fairhall.blogspot.com/2006/11/above-us-only-sky.html


German director Wolfgang Peterson's films become relevant in this Crowley/Bush investigation in the following manner: Harrison Ford flick, "Air Force One," sees the actor (who has quested for the Grail as Indiana Jones) play the president of the USA, (who now resonates synchro-mystically with A.C.) who has to fight terrorists hijacking the presidential plane. The interesting 9/11 resonance of this hijack/plane/terrorist theme including the US president, starts this synchro-mystic mishmash off very nicely. When we include the 'US President as Aleister Crowley’s grandson’ speculation, things get interesting indeed.

I will use many Peterson films as divining rod for relevant sync-echoes in this series of posts.

The 9/11 Prophecy website speculates about the USA dollar bill and its occult talismanic properties.



The bill, with its pyramid and Egyptian winged orb (American eagle), is said to be a magickal talisman designed to bring about the new Aeon and directly involved with the 9/11 mega-ritual. Essentially, the populace who carried the bill, charged the magickal device with energy that helped bring about the 9/11 event. These folks go as far as to say Aleister Crowley prophesized (possibly inspired?) the use of the Talisman on the dollar bill in the Alien or Holy Guardian Angel (Aiwass) inspired, "Book of the Law." http://911origamiprophecy.com/index.htm

Assuming this is even remotely true, we can speculate with much whimsy that Aleister Crowley was inspired by an alien to influence occultists to design the ‘US talisman’ for the dollar bill that brought about the 9/11 mega-ritual. A ritual, discussed in an earlier post, claimed to have been intended by secret societies to contact aliens through the opening of a stargate. http://thebravenewworldorder.blogspot.com/2006/12/contacting-god-our-alien-creator-occult.html

Remember that I always advise that 'contacting aliens through opening a stargate' can also be described as metaphors for higher (cosmic) consciousness or Illumination, the activation of the fully realized chakra pillar, etc.

Let's go fish some more with the synchro-web in the interconnected ocean of the Tao.

Another Wolfgang Peterson movie can now be highlighted here. The "Never Ending Story," based on the German children’s book of the same name, contains elements that resonate with the occult and Aleister Crowley. The movie contains two scenes involving giant blue and gold Sphinxes. The most obvious Sphinx that is invoked in the mind when we hear the word would be that most mysterious of sentinels, squatting at the pyramids of Giza, the Great Sphinx of Egypt. The Pyramids themselves were firmly connected to the WTC complex and 9/11 in my more recent posts. Indeed the three Great pyramids have been shown to be invoked by the three felled buildings (WTC 1,2 and 7) through their relative sizes in profile. http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

In the next post we will see how Crowley and the Sphinx interact with 9/11.

The climax of the film involves a boy having to name the child empress to save the day. The name he picks brings us right back to Aleister.
"The name Bastian screams out almost indecipherably is "Moonchild," as evidenced in Ende's novel."
http://en.wikipedia.org/wiki/The_NeverEnding_Story_(film)
"Moonchild," the name that saves the day in the fantasy film and book is "Moonchild"!?

"Moonchild" is also the name of a book by Aleister Crowley. The book concerns the act of sex magick and how it can be used to incarnate powerful forces into a child through guided willful application and invocation of certain occult principals during sex, creating a "Moonchild". It would be difficult not to make the tantalizing jump and accuse old George W. Bush as a possible "Moonchild". Would it be premature and rash to say this? Yes it would, but considering the developing tool of synchro-mysticism and its aim of pointing towards emergent possibilities, not concrete fact, let's tentatively accept George as occult "Moonchild" of the Beast for argument's sake and see where it takes us. Wheee!


The 2003 MTV music awards featured a clip (above) where hosts Justin Timberlake and Sean William Scott were intercut with footage from the film, "The Matrix: Reloaded."
Included in this mess is a scene where Will Ferrel plays the Architect. Keanu Reeves and the Architect came up in the previous post where it was mentioned that the Masonic 'god force' or 'nature's god' (or Providence, if you will) is often called the Architect. The Architect of the Matrix as the designer (God?) of the Matrix. The Freemasonic resonance here seems rather intentional.


Will Ferrel on "Saturday Night Live" as George W. Bush.

Pure synchronistic joy may follow when we learn another role Will Ferrel picks, when not playing the Masonic god, is none other than "Moonchild" Bush. Could we say of the composite entity this investigation creates: "George W. Bush, the Masonic Moonchild God incarnate and President of the United States?" Synchro-mysticly, yes we can, but not without laughing out loud and promptly gaining some composure to remember that this tool, I believe, can only show us possible reality tendencies. The miniscule possibility revealed seems enough to amaze me with its very existence. Please don't take me too seriously. Yet, then again....

A 9/11 connection to the US President through television comes to mind in the form of Martin Sheen. Martin Sheen was TV's American President in "The West Wing" and is actor and prolific 9/11-conspiracy-theory-supporter Charlie Sheen's father. We have a figure here, in Martin Sheen, resonating with Aleister Crowley, George W. Bush and 9/11 conspiracy theory. Pretty interesting, but keep your wits about you folks as things get intermeshed pretty thoroughly as we 'push the envelope'.

The legendary and mysterious Orson Welles came to fame in 1938 with his radio adaptation of H.G. Wells', "War of the Worlds." An historical event because of its affect on many of its listeners who mistook the 'contemporary news braodcast' style for fact and actually believed Martians were attacking Earth! This event made such an impact that even Adolf Hitler himself mentioned it a few months later in a public speech.
http://en.wikipedia.org/wiki/Orson_Welles

H.G Wells, third from the right hand side in the second row again on the cover of "Sgt Peppers". Sharing a position with Aleister Crowley.

The current James Bond movie has made it to the screen before -in a manner- in the 1967 British spy spoof also called "Casino Royale". Le Chiffre, who we learnt in the beginning of this post Ian Flemming is said to have based on Crowley, is played, in this early comedy, version by Orson Welles. Thus Welles resonates with Aleister Crowley and hence our 'Moonchild' -in the mechanics of syncro-mysticism- George W. Bush. Lets not forget the strong Mars theme which is creeping in here with the "War of the Worlds" connection to Welles and the mention a little earlier of the Great Sphinx thanks to Wolfgang Petersons "Never Ending Story". How does Mars connect to the Great Sphinx? "The Mars Mystery" by Graham Hancock, Robert Bauval and John Grigsby on P57 explains.
"We therefore naturally find it curious...that the ancient Egyptians envisaged a profound connection between Mars and the Earth and, more specifically, between Mars and the Great Sphinx of Giza. The planet and the monument were both seen as manifestations of Horus, the divine son of star-gods Isis and Osiris. The planet and the monument were also both called 'Horakhti', meaning 'Horus in the Horizon'. Mars in addition was sometimes known as 'Horus the Red' and the Great Sphinx, for much of its history , was painted red."

Looping this all back to Martin Sheen Wikipedia reveals further in its Orson Welles pages "Orson Welles was Francis Ford Coppola's first choice to play Colonel Kurtz in Apocalypse Now (1979), based on the novel Heart of Darkness which Welles was planning to adapt before he wrote Citizen Kane."

Kurtz was played eventually by Marlon Brando.

Marlon Brando, fourth from the right four rows down.

"Apocalypse Now" stars Martin Sheen and pings (like the sonar on a submarine in Wolfgang Petersons "Das Boot") other elements already mentioned here. Elements such as Harrison Ford (our grail questing terrorist/plane/president resonating Moonchild) who has a small role in the film and the "Matrix" through actor Laurence Fishburne.
Thus we have Martin Sheen and Orson Welles well connected and resonating with favourite subjects such as 9/11, Mars, Aleister Crowley, Egypt, George W. Bush and earily now even the Apocalypse!

We can make the occult synchro-mystic resonance between Welles, Egypt and secret societies more overt by focusing on his classic film "Touch of Evil" with Charlton Heston. Mr. Heston is a synchro-mystic favourite of mine as he has famously played Moses (who resonates Pharaoh Akhenaton) in The Ten Commandments and a time traveling astronaut in "Planet of the Apes". These stargate themes and the identitity of Moses were explored in this post:

http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Heston's composate charachter "a stargate traveling Egyptian pharaohnic astronaut" seen in "Touch of Evil" allong side Orson Welles fits snug with the occult resonance already atributed to "Citezen Cane". We now have two compostite charachters Welles (resonating Aleister Crowley, George W. Bush, Mars etc) and Heston (resonating Akhenaton, Moses, Stargates etc) interacting in close proximity, ominously within a "Touch of Evil"...

Jumping back too Will Ferrel (Goerge W. Bush, The Architect) I remembered recently that a "Zoolander" billboard was seen in the "World Trade Centre" movie. Zoolander sees Will Ferrel as the main villian.

The shadow of the plane passes over the Zoolander image. A film wich contains Will Ferrel and David Bowie. Bowie came up on the blog a few posts ago in "The Prestige" with his stargate resonating teleporation pyramid shaped machine that transported wormhole veterine Hugh Jackman. See this post for more:

http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

Further close scrutiny of the trailer with my third eye revealed this amazing synch or Illuminati in-joke.

(Click on image to enlarge)

The creepy corporate logo of Paramount (a triangular pyramid shaped mountain, no less!) disolves to reveal the Twin Towers, themselves modelled after the pyramids of Giza, see links below. Is this mind blowing disolving match cut in the "World Trade Centre" movie trailer a telling sectret society coded message to the initiated, or the cosmic giggle working over time? Both answers seem very satisfying to me.

I should reiterate comments made previously that I share similar views with Ralph Ellis about the pyramids being the actual biblical mountain that Moses/Akhenaton climbed to ritualisticly contact god (open his third eye into cosmic conciousness). An historical incident I consider a possible stargate event (allong the lines of the great work of William Henry) and possible extreterestrial encounter intimately connected to the purpose of the 9/11 mega-ritual.

All three Great Pyramids perhaps, with the two towers (pyramids) in the background?

To learn more about the World Trade Center complex and my views as to how they relate to the pyramids of Giza and ritualistic intent of 9/11 see these posts:

WTC Pyramid Part 1 and 2
http://thebravenewworldorder.blogspot.com/2006/11/pharaoh-jesus-and-911-stargate.html http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

The "World Trade Centre" movie poster has been discussed many times in my blog. To see some ideas such as how it relates to "The Last Supper" try:

http://thebravenewworldorder.blogspot.com/2006/09/inner-and-outer-light-of-aten.html

A close up from Alex Grey's "Gaia" painted in 1989. I was particularly interested when noticing the two planes above the World Trade Centre while staring at my 2007 wall calender.

Is there a connection between 9/11 and Aleister Crowley through the Great Pyramid of Giza and the Sphinx (Horus)? Is George W. Bush part of a giant dynastic secret plan involving the 9/11 mega-ritual (invocation of the Pyramids of Giza) and the New World Order? What about these creepy Mars and Apocalypse themes creeping into the 9/11 Mega-Ritual, how do they fit?
All these issues to be explored (including how Matt Damon synchro-mysticly 'proves' ancient humanoid life on Mars in "Good Will Hunting"!) further in part 2 of 2007's first synchro-mystic investigation! Soon...

Namaste folks.

More cool pics from my artist friend's blog:

http://diannepiepan.blogspot.com/

Contacting God our Alien Creator: The Occult Motivation for the 9/11 Mega-Ritual

The World Trade Centre complex is shown atop the primordial mound of Atum penetrating the chaos of Nu. 'The Sphere' sculpture stands in between them representing the Benben and Kaaba and giving us a hint as to the Egyptian origins of the 9/11 symbolism and talisman employed in the mega-ritual. We see the eye in the triangle with the processional movements of the stars indicating the astrological and heavenly bodies’ significance in the timing and invocation of this magickal act committed on 11 September 2001. This image and post examines the motivation of the ritual-the opening of the stargate or cosmic consciousness- an attempt at contacting God our alien creator.

Since my previous post, focusing on the WTC as veiled pyramids and "Great Spherical Caryatid" (a large sculpture in the middle of the World Trade Centre plaza up until 9/11), I’ve been thinking more about this strange object. I highlighted how it was designed to represent the Kaaba at Mecca. It was shown how the sculpture is related to atlas, the Black Stone inside the Kaaba and the Benben. All of these attributes connected to this bronze "The Sphere" (its popular nickname) sculpture, implies another occult interpretation of this corporate art piece. If Caryatids are stylized pillars and the Freemasonic hero Hiram Abiff was known as the bronze pillar maker in Masonic lore, than it stands to reason that the bronze-pillar connected-statue in the middle of a bull's eye design and water fountain has more Masonic resonating occult significance than previously thought.

Fore the previous post which investigated the WTC as related to the pyramids and "The Sphere" sculpture click here:
http://thebravenewworldorder.blogspot.com/2006/11/wtc-pyramid-part-2.html

Before we move on to further investigation of God through geometric shape related occult synchronicities I would like to point out a little insight that occurred to me while drawing this posts picture, right at the top. While staring at my framed third degree Masonic certificate I noticed how the three candles pictured, present in Masonic lodges, are in the same relative arrangement as the pillars of the first degree tracing board.

On this image they are portrayed as being atop the primordial mound of Atum-Ra piercing the chaos of the watery abyss of Nu. The image goes some length to betray the Egyptian origins of the Craft and the Christian bible. The bible (sacred book) in between the candles/pillars in the drawing is also found in Masonic lodges and used in ritual and initiation. Having a representation of the Christian bible atop the mound of Atum -of the Egyptian creation myth- is a powerful and obvious symbol. If we combine this image with the revelation of Genesis as amalgamation of Egyptian mythology and history a powerful insight into ancient history is achieved.
See my previous post and Ralph Ellis' "Eden in Egypt" for more (p 10 mentions Atum and Nu specifically and much of this information is drawn from that source).
After seeing the image I thought it would be interesting to portray the three destroyed WTC buildings as the three similar sized and arranged candles atop the mound. At some point yesterday it occurred to me that I was drawing the three buildings on an Island. This is the reality of the three buildings as it were in real life! The buildings which have been connected with the three pillars of the tracing board which are obviously also reflections of the similar sized candles of a Masonic temple.

Thus another veiled symbolic connection between Freemasonry and 9/11 can be sited, the three buildings of Manhattan Island as symbolic representations of the three candles/pillars on the primordial mound of Atum. The primordial mound represents the Benben stone (again see p10 of "Eden in Egypt") which if you read further I will attempt to accuse the WTC buildings themselves of being intended to invoke.

A first degree tracing board

I should also note before we continue that I hadn't completed "Eden in Egypt" before writing the previous post in which I connected the three WTC buildings (1,2 and 7) to the three biggest pyramids at Giza. On reading page 196-197 I learned that Ellis had made a simmilar connection to the Great and Second pyramid and the Twin Towers in passing. Here is the relevant passage: As the Amercans have demonstrated at Pearl Harbour and the Twin Towers, sometimes it is better to wait patiently, and perhaps nervously, for an unprovoked attack, so that the overwhelming military response can be made from an indignant, united nation. (Note the symmetry between the Twin Towers and Twin Peaks at Giza).

Geometric shapes like the cube and the sphere have invaded my mind, like, well like the Borg Cube! Assimilating my everyday thought processes and making resistance futile.

The Borg Cube arrives at the Earth. An encoded reference to our alien God's arrivil?

A very interesting sync happens when we keep the Kaaba of Mecca its spherical sacred Stone and the related bronze WTC sculpture in mind. Then at the same time, recounting a sequence in the film "Star Trek 8: First Contact".

The Cube releases its Benben.

The alien Borg cube attacks earth and seconds before being destroyed releases a smaller spherical ship that opens a time-vortex. Vortices and time travel are stargate themed technologies. A little later I will try and connect teleportation to stargates. The ovoid Black Stone (possible Benben) inside the cube shaped Kaaba at Mecca is speculated to be of space and/or alien descent (again please see previous post for more details).

We need to cut away from Star Trek and look into Freemasonry to prepare this sync for its maximum potential esoteric relevance.

Ralph Ellis, as pointed out in the previous post, deconstructs the word Kabbalah as Kabba and Allah which he translates as "Cube" and "God". Ellis further reveals in "Eden in Egypt" the final and ultimate secret of Freemasonry in a commendable, no nonsense and matter of fact manner. Whether he is correct, and that he has revealed the actual, no bones about it, cold hard fact behind the secretive Freemasons or not. We can in the very least speculate that it is the ultimate occult truth believed by many esoteric schools and individuals and no doubt represent many Masons personal view. At the same time Ellis notes that many Masons would scoff at the very idea but none the less he puts it forward whether we (or even all Masons) believe him or not. It’s nothing new, quite simply he claims the secret kept alive by the Craft is that God is an alien.

The Benben travels through a stargate.

Let’s return to the Star Trek scene I mentioned and compare notes. A cube shaped alien spacecraft shows up at earth and releases a sphere that opens a stargate and travels back in time. The word cube has been connected to God and God has been identified as being an alien, lets hope if God can read this he takes well to this kind of accusation! The sphere released by the borg cube is reminiscent of the stone inside the cube shaped Kaaba which in turn has been well connected to the sphere sculpture at the destroyed WTC. My personal bias leads me to connect "The Sphere" sculpture (which the architect designing the WTC plaza as a reflection of Mecca, placed at the corresponding position of the cube shaped Kaaba) to stargates because of its positioning the middle of a bull's eye in water as seen from the top.

For an explanation of stargates and stargate symbols read William Henry or try this post.
http://thebravenewworldorder.blogspot.com/2006/09/magic-mushroom-and-stargate.html
William Henry lectures can be viewed for free on Google Video.

The Enterprise and its crew follow the Benben through the stargate.

Could we now say that the Star Trek scene with the Borg Cube and Sphere shows us an encoded occult message along the lines of "God as cube, shows up at the Earth and sends his sphere (Benben) through a wormhole to the surface."? This would tally well with the story about the Benben falling from the sky or an angel giving Abraham the Black Stone believed by many faithful Muslims to be inside the Kaaba, right?

Ben Fairhall has mentioned over at his blog "Ben Fairhall - Battling the Behemoth" some interesting cube related syncs. He has connected cube shaped designs in the ornamentation of Rosslyn's Lady Chapel to Clive Barker's "Hellraiser" and the Nintendo "Game Cube" logo.
http://ben-fairhall.blogspot.com/2006/11/rosslyn-between-two-worlds.html

"Hellraiser" sees a cube shaped puzzle box that opens the portals (stargates) of hell and the "Game Cube" logo is pointed out as showing a "G" inside a cube. The idea here is to think of the Masonic square and compass symbol with its "G" inside. When we consider that the square and the "G" (which is often translated as geometry) of the Masonic symbol could be well represented by a cube this sync starts to enter the realm of possible intentional veiled occult symbols. Michael Tsarion has taken great efforts to point out the occult sacred symbols hidden in corporate logos. It used to be an issue of much frustration and import to me to try and separate which ones were intended to be veiled imagery and which were synchronisticly relevant. Now it seems the dividing line which was blurred at most points has started to disappear all together, leaving me unconcerned whether the occult message was intentional or imbued with relevance by myself. I believe we could derive a mystical insight from this blurring of lines. In essence the problem is the false dichotomy between subject and object, experience and ‘experiencor’. Added to this polarizing principal of the rational westernized materialist mindset is the overarching tendency for the human intellect to try and make experience fit into either/or categories. A primitive and outmoded Aristotelian program, starting to be overwritten by the non-linear inter-subjective emergent omni-directional interconnectedness of the human mind. Aided materialistically by technology like the internet and grounded spiritually by the acceleration of awakening of consciousness into divinity. All this (and a free bag of chips) finding artistic expression in the 2012 meme...

I believe the three buildings destroyed on 9/11 represent the first degree tracing board's three pillars and both systems of symbols find their origin in the pyramids of Giza. Can other elements of this Masonic image be said to be represented at the original WTC complex?

Before we try and answer this question I would like to put forward a few more sculptures that echo the themes explored on this blog that might help solidify the claim that art works -like 'The Sphere'- can be used as occult symbols to heighten the geomantic relevance and invocation of magickal power by public structures.

Note how the two bigger pyramid type structures align with the Twin Towers in this image.

Masayuki Nagare's 'Cloud Fortress' was destroyed during the cleanup of the 9/11 mega-ritual. When I look at this image I see three pyramids, two greater on the sides, with a third, smaller one, in the middle. The Twin Towers (modeled after the pyramids and twin pillars of Jachin and Boaz) are seen on the far left and right of the image. The sparse information about this piece on the net does somewhat confirm this suspicion.

The massive sculpture, which creates the image of a floating pyramid-structured in black granite stone, stood in front of the World Trade Center buildings, which were destroyed in the Sept. 11 attacks.

http://www.kansaiscene.com/2004_01/html/news.shtml

"Sphere Within a Sphere" sculpted by Arnaldo Pomodoro located outside the Vatican Museum. Thanks to Vince, who left a comment on my previous post, for pointing this out. Is this sculpture another occult reference to the Benben or Great pyramid (The Great Pyramid containing the Pi ratio)?

The tessellated checkerboard type design and related symbols present in Masonic lodges seen on the tracing boards is believed by Ralph Ellis to be based on physical attributes of actual locations rather than spiritual or moral iconographic teachings.(See "Eden in Egypt" Ralph Ellis p 166-167) The Giza plateau in this theory is believed to contain the original precursor of the checkerboard which was possibly mimicked for the Temple of Solomon, generally accredited as inspiration for the floor plan of Masonic lodges.
The idea is put forward that the original pavement east of the Great Pyramid was comprised of black and white stone owing to the discovery of polished marble and basalt in this area. The Biblical account of the pavement surrounding Mt Sinai according to p 167 of "Eden in Egypt" reads: "And they saw the God of Israel: and there was under his feet as it were a paved work of sapphire stone, and as it were the body of heaven in his clearness."
Ellis believes Mt Sinai is the pyramids of Giza, obfuscated by later scribes of the Bible to hide the overt Egyptian origin of Judaism, Islam and Christianity. The Bible passage could then be originally referring to a reflective surface at the Giza pyramids in which the stars could be seen "under feet".

It seems entirely likely that Freemasons, who are no strangers to architecture (hell, they might originate from the original pyramid builders making this statement an extreme understatement!) and secretly keepers of a more original interpretation of the Bible would design structures that reflect the occult knowledge of the pyramid rituals. This is what I believe we can see proof of in the design of the Washington Monument and the Twin Tower's construction and the execution of the ritualistic and symbolic elements at play on 9/11.

Connecting Spheres and circular motifs to the Great Pyramid at Giza is no logical jump as Pi as mathematically encoded in its very construction. Its height represents the radius and its perimeter the circumference of a circle. Ralph Ellis writes in "Eden in Egypt" on p 169 : "... so to all intents and purposes the 'triangular' Great Pyramid is a representation of a circle." We can therefore see a direct and logical link between spherical and pyramidal (triangular) representations of the Benben.

The idea of having the stars reflected around the base of a pyramid, just as would be seen in ancient times at Giza, could very likely be the true purpose of the reflecting pool at the George Washington Monument.

The monument being a giant obelisk is obviously surmounted by a pyramid which would at night, from the right angle, like the view seen by Lincoln on his marble Emperor throne, be reflected in the heavens along with the pyramid on top of this big needle. The triangle representing Aton or God (an alien in this post, dig?) hovering in space.

Enigmatically the triangle in space is a recent theme of many UFO sightings and is represented in pop-culture in shows like the X-Files.

More veiled Masonic checkerboards, the Eiffel Tower

The glass pyramid at the Louver, a Benben reflecting.

The London Eye displaying one of its occult properties by reflecting in the heavens. Is 'The Eye' a circular pyramid and Benben allusion?

Big Ben also reflects in the Thames. Could Big Ben, a somewhat obelisk shaped clock-tower, really be referencing Benben (Big Ben-Benben)? We see the structure here relative to "The Eye", it's almost as if the eye is staring towards the Houses of Parliament. Though, that way lies paranoia... Hopefully, if you've made it this far into this post, your well beyond paranoia.


Is Isis/Liberty designed to interact with the WTC layout and purposely built on an island to represent Atum, even perhaps reflecting in the heavens? This is an area still wide open for investigation, maybe in future posts we can confront this American symbol of so-called freedom.

More reflecting pools which invoke Masonic tracing boards (pictured above), present at famous occult landmarks, include the glass pyramid at the Louver, Eiffel Tower, Big Ben (Benben), Isis/Statue of Liberty and the London Eye. Now that we have established the veiled manner in which water can be used to reflect Masonic-pyramid inspired- symbolic elements in public landmarks lets get to the point, shall we?

For more about the London Eye as occult landmark see:
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

The Twin Tower Pyramids (Jachin and Boaz) felled on 9/11 were built on an island in a manner which allowed them to be reflected in the waters of the Hudson River. If the original intention of the checkerboard was to portray the reflected heavens at the base a pyramid both the Washington Monument (and many other public structures) and the WTC can be said to have this theme represented by the reflecting waters at there respective bases.


The WTC can be said to have this theme doubly represented as "The Sphere" had a black granite base over which a thin film of water flowed, making this surface perfect to reflect the towers in the heavens. To go deep into the theme of bringing 'heaven on earth' through architecture, a great source of information on the Hermetic and Gnostic beliefs that Masonry is steeped in can be found in Graham Hancock and Robert Bauval's "Talisman".

The WTC can now with greater conviction be said to have been a giant representation of the Masonic tracing board with the two pillars of Jachin and Boaz reflected in the heavens by the Hudson River. The Benben of legend, having fallen from space and consisting partly, or actually comprising, the original obelisk from Heliopolis. The idea of building obelisks and pillars that are seen reflected in space seem quite appropriate. That is, if you follow the 'heaven on earth' or 'as above so below' Hermetic and Gnostic idea of using the ignorant populace's very dwelling space as giant talisman to perform mega-rituals like 9/11! We should keep in mind that the Benben is believed by some to be the progenitor of the pyramid. If the Benben pyramid origin is true (what ever true is) and the Twin Towers are modeled after the Twin Peaks of the Great and Second pyramids at Giza (and an aerial view of the WTC plaza does seem to confirm this) then the original idea for the Towers would be the Benben itself.

(Click on image to enlarge). Notice how the relative positioning and layout of WTC 1 and 2 are very similar to the Great and Second Pyramids of Giza. See previous post "WTC Pyramid: Part 2" for more information.

The World Trade Center could thus be argued to be modeled after a rock that is said to have fallen from space or given to Abraham by an angel (alien) and represents God, or as stated earlier, an alien. The presence of the Kaaba representing "Sphere" sculpture in concentric circles (magick circles and stargates) lends weight to this theory. The WTC was built in the image of and represents an alien artifact. If we consider that the new WTC complex's major structure,the Freedom Tower, (what a vulgar misnomer) will be a building 1776 (Illuminati founding date) feet tall featuring an octagonal centre point we might just go mad. If you haven’t gone mad yet and need one more push to reach the edge, think about how the Dome of the Rock, the possible origin of the Octagonal shape's importance to the Templars (passed on down to the Masons) is built over another sacred rock believed in some circles to be part of a giant cube-shaped megalith (could anything resonate more with the Benben!?) Could sheer coincidence account for the fact that this building is being built on, or near, the spot where a giant spherical statue used to sit in intentional resonance with the Kaaba at Mecca? A statue which has been connected to the Benben itself! Not to mention that the pyramid pillars of Jachin and Boaz (Twin Towers) themselves alone reflect the Benben. How in the world could all the complex symbolism invoked by the Freedom Tower and 9/11 possibly be reconciled with the terrorist theory?

Please read my X=10=9/11 post for more synchromystic significance of the octagon shape.
http://thebravenewworldorder.blogspot.com/2006/10/10xtenaten91177stargatecosmic.html

The Freedom tower to be completed in 2012 no less, is 1776 (Illuminati founding date) feet tall and has an octagonal middle point. Seen from the top, (the heavens) its profile would be an octagon.

Wait a second! Are you saying that the World Trade Centre and 9/11 comprises a ritual and invocation of forces by certain individuals in the brotherhood of Freemasonry, to contact God, who is himself an alien, and as proof you offer only your word, a round sculpture and some scene from Star Trek? I suppose I am... But I have more scenes from Star Trek if that will help!

Let's find more syncs to include with the great Borg Cube example from "Star Trek 8" that might help us uncover a "God as alien" theme in the synchromystic sync-web.

Comedian George Burns plays God in the "Oh, God" films. Reading Wikipedia's Trivia section on George Burns gives us two “Star Trek” and a “Simpson’s” sync. http://en.wikipedia.org/wiki/George_Burns#Trivia

The time traveling whales in "Star Trek 4" (as the entire ship time travels, just like the Enterprise crew and Borg in "Star Trek 8") are named George and Gracie after Burns and his wife. Thus we have George Burns connected to time travel (stargates) and aliens (Star Trek couldn’t be more alien connected, right?). Again in the Next Generation Episode, "The Outrageous Okona," Data tries his hand at comedy in his never-ending quest to be more human and mimics George Burns. Data, who resonates George Burns, "jumps the gate" many times including hurtling through the vortex created by the Borg Sphere (connected to the WTC Sphere and Benben) in "Star Trek 8: First Contact" which is about mankind’s first contact with aliens (god?).
"The Simpson’s" episode with George Burns' "Rosebud" sees Montgomery Burns lampoon Charles Foster Kane (Orson Welles) from "Citizen Kane" as the title would suggest.

Morgan Freeman plays God, who bestows his almighty power on Jim Carrey in the horrible "Bruce Almighty". Morgan Freeman narrates for Spielberg's "War of The Worlds," saying the lines that Orson Welles would have said in the famous radio drama about alien invasion that legend has it caused many people to flee for terror in real life! Wonderful, now we see George Burns, “Simpson’s”, Orson Welles and Morgan Freeman all well-connected to aliens and God.

Jim Carrey can also be considered as God following the plot, poster and title of "Bruce Almighty". When reviewing his classic "In Living Color" days we can appropriately tie him into this theme by highlighting his "Star Trek" spoof from the T.V. show in which he plays Captain James T. Kirk. Kirk has even been involved in contacting "God," or something pretending to be God, in "Star Trek 5". Here's the "In Living Color" Star Trek spoof.

Check out the Fez-sporting Nation of Islam dudes, good stuff.

Now things get weird. Being a big fan of "Star Trek" I was delighted when Henrik Palmgren (from Red Ice Creations) brought up in an email how perfectly "Enterprise" fits into the alien/ reptilian/David Icke scenario. He's quite right, as a major antagonist group in this show is the Xindi, which are comprised of several species including the Reptilians.

The Reptilians attack earth dramatically with a spherical weapon that kills seven million people. The Reptilians have themselves been duped into this action by the inter-dimensional beings called The Sphere Builders who can view multiple time lines. We now have cluster fuck of stargate, sphere and alien syncs all part of the "Star Trek" universe, which has already been intimately connected to God and aliens. Another way of connecting the stargate/time travel theme here would be to invoke the memory of Scott Bacula's (The Enterprise captain in "Enterprise") first famous role as Dr. Sam Beckett in "Quantum Leap".

Goro Adachi brought up "Lost," octagons and gates recently at his great website. http://www.goroadachi.com/etemenanki/octagonal-gate.htm

I have yet to get deep into this show, which has been making blips on my sync radar for a few months, but some preliminary thoughts, which tie right back into Star Trek, might be worth mentioning at this early point. Terry O'Quinn, who plays a key position in "Lost," acted a one-off role on a fan favorite "Star Trek: Next Generation" episode called "The Pegasus". In this episode O'Quinn is the Captain of the Pegasus, which is a ship with a top secret and illegal phase shift cloaking device, allowing it to become invisible and move through solid matter. This cloaking technology I find somewhat resonating with vortex or gate themes and the Enterprise and "Star Trek" alone allows O'Quinn to be considered as stargate resonating. In one particular scene we see O'Quinn gleefully clutching at his pillar-shaped cloaking device. This episode was based on the Philadelphia Experiment, a conspiracy theory involving US government teleportation technology.
http://en.wikipedia.org/wiki/Philadelphia_Experiment

"Lost's" Terry O'Quinn finding his secret teleportation conspiracy theory inspired technology.

Terry O'Quinn (with Jonathan Frakes) and his space manipulating device, being teleported. Crazy cool.

To help solidify this occult resonance O'Quinn is also intimately involved with Illuminati subject matter including the Spear of Destiny (which features again in this post) in "Millennium". "Enterprise" rears its head again as the final episode takes place at the same time as the events on board the Enterprise of "Next Generation" during the already mentioned, "The Pegasus" episode (with much focus on Jonathan Frakes). Adding to the "Lost"/"Star Trek" ball of coincidences is the fact that "Lost" co-creator J.J. Abrams is heading the new "Star Trek 11" movie project. We will have to keep our beady little eyes firmly etched on this matter as it develops.

One more fascinating God reference which I haven’t connected to aliens yet, but does contain another impressive sphere, is found in the career of Keanu Reeves. Keanu Reeves as Neo (anagram for One) from the "Matrix" films visits the "Architect" in "Matrix: Reloaded". This is an obvious reference to one of the versions of the Masonic God "force". Let’s take a quick closer look at Keanu Reeves' career and see if there are any more theological resonating themes. In "Bill and Ted's Bogus Journey" back in 1991, Keanu Reeves has a prior audience foreshadowing his Masonic encounter--meeting with God, having died and travelled to heaven. This tallies well with some folks messianic suspicions about the character of Neo and my Keanu theology. In the "Little Buddha", Keanu nullifies any doubts as to his identification and resonance with the enlightened or "shining ones" playing Siddhartha (Buddha) himself. Further, we can bring Christ and even the Spear of Destiny, the spear said to have pierced the side of Christ, into the mix by invoking his role and name in the movie, "Constantine". The name "Constantine" should already be ringing in our ears with Christian overtones, seeing as the Roman emperor by the same name could quite possibly have codified Christianity into much of what it is today at the First Council of Nicaea. The Spear of Destiny was mentioned earlier with regards to "Millennium" and Terry O'Quinn and is a central plot device in "Constantine."

The Matrix Revolution Shockwave water Sphere, seen during a fight between Neo and Hugo Weaving (Elrond from Lord of the Rings).

A link between "The Matrix" and "Lost" is created when we learn Harold Perrineau acts in both "Matrix Revolution" and "Lost" (Michael Dawson). "Lord of the Rings" connects to "Lost" through the actor Dominic Monaghan (Charlie Pace).

Warning: "The Fountain" (one of my new favorite movies) spoiler in next paragraph.

Having mentioned "The Sphere" sculpture and movie, ("Sphere" 1998) adding the Borg and Xindi sphere's of this post, another amazing sphere appeared into my awareness yesterday. I went and watched "The Fountain" and had my mind turned inside out. This film's rich use of mystical and occult symbols could merit an entire post or a even a book and I think it's the new "2001: Space Odyssey." But to cut a long story short, the sphere shape is a pivotal element of this work of art. We see Hugh Jackman, a stargate veteran (see link below) climbing a pyramid with Orion's belt overhead and later flying right into the heart of a star with the "Tree of Life" inside a giant glass sphere!

For a previous post with "The Fountain" and Hugh Jackman syncs try:
http://thebravenewworldorder.blogspot.com/2006/09/eris-nasa-madonna-pope-stargates-and.html

(Click on image to enlarge). Notice how the concept of radiating light is present in all these stargate-themed images. The light comes through the tree's branches , from behind the earth's rim, through the water door and again finally from behind the Illuminati eye.

"The Fountain" came up before because a shot from the film with the Tree of Life and Hugh Jackman walking on water at its base was likened to a NASA mission patch and the stargate from the Stargate films and shows. All these images hark back to the Illuminati dollar bill pyramid.

For Hugh Jackman and Stargates see:
http://thebravenewworldorder.blogspot.com/2006/10/akhenaton-ancient-astronaut-and-911.html

How in the world do I account for the fact that right after a post debating the meaning of "The Sphere" inside a fountain at the World Trade Center plaza, this fountain itself lying inside a giant stargate bull's eye of concentric circle design, we once again see this same theme expressed overtly in the movie "The Fountain!" Hugh Jackman, a stargate traveller ("Kate and Leopold" and "The Prestige") who is also seen battling foes on the head of Liberty/Isis (with the WTC in the background, see link above) in "X-men" can now be seen contacting the god inside himself, inside a Mayan pyramid and penetrating the heart of a star in a nebula that is part of the constellation Orion (this all while floating inside a sphere!). Contemplation of Orion was the source of my own WTC pyramid realization.

My only conclusion for this kind of incredible synchronicity and the point of all my work is highlighting the unity and resonance between all things. As comedian Bill Hicks used to say: "We are all one consciousness experiencing itself subjectively. There is no such thing as death, life is but a dream and we are the imaginations of ourselves."

"Lost's" crashed plane and its concentric circle or bull's eye stargate logo.

"Lost's" jet plane has itself the concentric circles (a symbol of God and the cosmic Illumination of the stargate) or bull's eye theme expressed as a logo printed on the side of the crashed plane (need I bother reminding us of 9/11 here?). Thanks to Henrik's journal (link below) we can also take note that the WTC alien pyramid pillars are visible through the windows in a flashback sequence in this enigmatick show.
http://www.henrikpalmgren.com/journal/

Henrik and others have validly compared "Lost" to "The Prisoner". Another Sphere, "The Rover," often springs from a fountain or other water source in "The Village," a familiar cult T.V. icon.

In conclusion:

In the spirit of Ralph Ellis' inspirational and refreshing open and honest claim that the secret of masonry is that God is an alien, I too would like to do the same and just come out and say what 9/11 appears to be, taken from my current belief system which is ever evolving and changing.

A materialist interpretaion of the 9/11 ritual would have me believe in Illuminati wizards using magick to open stargates to talk to aliens from Sirius or some such far away space place.

A spiritual interpretation would lead me to claim that 9/11 was an ushering in of the new Aeon and a powerful birth pang of the emerging transhuman godhead of Earth.

These two interpretations need not exclude each other and can quite possibly both have equal validity.

Just saw online that David Lynch has admitted to harbouring huge doubts about the official version of the 9/11 events. I find it interesting how the director of Twin Peaks (names used for the pyramids in this post) is now openly debating the Twin Tower deception. Perhaps this will come up again on the blog...

I am leaving for South Africa to visit friends and family for 5 weeks, not quite sure how much time I will get to Blog in 'the dark continent'. My artist friend did this piece for me, you can check out her work here: http://diannepiepan.blogspot.com/

I don’t think she really truly captured my hat but my little plane looks just like the real thing...